Butch Cassidy and the Sundance Kid |
Butch Cassidy and the Sundance Kid
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[Film Projector Runs]
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Good night, Pat.
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Good night.
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What happened to the old bank?
It was beautiful.
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People kept robbing it.
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That's a small price to pay
for beauty.
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Hit me.
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Again.
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Bust!
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Give me credit,
Mr. Macon?
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You know my rules, Tom.
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Well, it looks like
youjust about
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cleaned everybody out,
fella.
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You haven't lost a hand
sinceyou got the deal.
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What's the secret
ofyour success?
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Prayer.
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Let'sjust
you and me play.
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Hit it.
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Bust.
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Yeah, you're a hell of
a card player, fella.
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I know, 'cause I'm
a hell ofa card player,
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and I can't even spot
howyou're cheating.
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The money stays,
and you go.
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Well, we seem to be
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a little short
on brotherly love
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around here.
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Ifyou're with him,
you better get out ofhere.
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We're on ourway.
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I wasn't cheating.
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Come on.
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I wasn't cheating!
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You can die.
You can both die.
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You hear that?
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Ifhe invites us
to stay, then we'll go.
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He's got to invite us
to stick around.
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00:06:59,076 --> 00:07:00,509
He'll draw on you.
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You don't know
how fast he is.
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I'm over the hill,
but it can happen toyou.
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That'sjust
what I want to hear.
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Every dayyou get older.
That's a law.
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What would you think about
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maybe asking us
to stick around?
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What?
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You don't have to mean it
or anything.
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Just ask us to stick around.
I promise--
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I can't helpyou,
Sundance.
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I didn't knowyou were
the Sundance Kid
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when I said
you were cheating.
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I draw on you,
you'll kill me.
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There's that
possibility.
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00:08:13,016 --> 00:08:14,449
You'd be killing yourself.
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Why don'tyoujust invite us
to stick around?
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You can do it...
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and easy.
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Come on.
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Come on.
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Why don'tyou
stick around?
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Thanks, but we
got to get going.
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Hey, Kid.
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Hey, Kid,
how good areyou?
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Like I been
telling you--
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over the hill.
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Boy, you know,
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every time I see
Hole-ln-The-Wall,
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it's like seeing it
for the fiirst time.
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Every time, I ask myself
the same question--
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how can I be so damn stupid
to keep coming back?
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What's your idea
this time?
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Bolivia.
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00:10:22,669 --> 00:10:23,601
What's Bolivia?
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Bolivia--that's
a country, stupid.
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Central or
South America.
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One or the other.
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00:10:30,043 --> 00:10:31,977
Let's go to Mexico
instead.
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All they got in Mexico
is sweat.
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There's too much
ofthat here.
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00:10:36,549 --> 00:10:40,485
Ifwe'd been in business
during the California gold rush,
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00:10:40,553 --> 00:10:42,987
where would we have gone?
California, right?
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When I say Bolivia,
youjust think California.
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You wouldn't believe
what they're fiinding
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in the ground down there.
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They'rejust
falling into it.
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Silver mines,
gold mines, tin mines.
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Payrolls so heavywe'd strain
ourselves stealing them.
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Youjust keep thinking,
Butch.
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That's whatyou're good at.
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00:11:04,744 --> 00:11:06,177
Boy, I got vision,
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and the rest ofthe world
wears bifocals.
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Hi, News.
Whatyou doing?
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Aw, howdy, Butch.
Uh, nothing.
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Nothing.
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Howdy, Sundance.
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You sure are. You're
doing something. What?
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Just fiixing to rob
the Union Pacifiic Flyer, Butch,
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Iike what we had in mind.
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You fellas got everything
I told you all wrong.
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Sure, we might
hit the Flyer,
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but even ifwe do,
it won't be this run.
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It'll be the next one,
the return.
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00:12:03,603 --> 00:12:06,037
Sundance and me,
we been checking the banks.
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No banks.
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What?
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The Flyer, Butch.
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Fellas, bad as they are,
banks are better than trains.
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They don't move.
They stay put.
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You know
the money's in there.
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When I left,
I gave orders.
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New orders
been given.
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I run things here,
Harvey.
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Used toyou did.
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Me now.
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00:12:31,197 --> 00:12:32,562
This don't concern you.
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You tell him
to stay out.
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Well, he goes his own way,
like always.
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What's the matter
with you guys?
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When I came here,
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you were nothing.
I formed you.
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Who says?
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Read them
a clipping, News.
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Which one?
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Any ofthem.
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This one here's
from SaltLake Herald.
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" Butch Cassidy's
Hole-ln-The-Wall Gang..."
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That's me!
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You want Harvey
to doyour planning?
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00:13:05,264 --> 00:13:08,199
Want him to doyour
thinking foryou?
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00:13:08,267 --> 00:13:10,201
You want him
to run things?
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00:13:10,269 --> 00:13:12,100
Shut up now, News.
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00:13:12,171 --> 00:13:14,605
Not till I get
to the good part.
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"Also known to have
participated in the holdup
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are Flat Nose Curry
and News Carver."
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I just love to read my name
in the paper, Butch.
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So wejust forget
about Logan taking over,
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O.K., Flat Nose?
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00:13:27,220 --> 00:13:28,653
You always said
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00:13:28,721 --> 00:13:30,848
that any one ofus
could challengeyou.
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00:13:30,923 --> 00:13:33,357
'Cause I fiigured
no one would do it.
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Figured wrong, Butch.
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00:13:34,861 --> 00:13:37,022
You guys
can't want Logan!
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00:13:38,731 --> 00:13:40,665
At least
he's with us.
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You been spending
a lot oftime gone.
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Well, that's because
everything's different now.
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Guns or knives, Butch?
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00:13:46,739 --> 00:13:49,173
You got to plan more,
prepare more.
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00:13:49,242 --> 00:13:50,573
Guns or knives?
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00:13:50,643 --> 00:13:51,541
Neither.
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00:13:51,611 --> 00:13:52,600
Pick!
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00:13:52,678 --> 00:13:55,875
I don't want to shoot
with you, Harvey.
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00:13:55,948 --> 00:13:58,280
Anything you say, Butch.
150
00:14:14,167 --> 00:14:18,831
Maybe there's a way
to make a profiit in this.
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00:14:18,905 --> 00:14:20,429
Bet on Logan.
152
00:14:20,506 --> 00:14:23,441
I would,
but who'd bet on you?
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00:14:23,509 --> 00:14:24,669
Sundance...
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00:14:25,912 --> 00:14:28,847
when we're done
and he's dead,
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00:14:28,915 --> 00:14:31,179
you're welcome to stay.
156
00:14:31,250 --> 00:14:33,684
I don't mean to be
a sore loser,
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00:14:33,753 --> 00:14:36,586
but when it's done,
ifl'm dead, kill him.
158
00:14:36,656 --> 00:14:38,055
Love to.
159
00:14:47,433 --> 00:14:48,866
No, no. Notyet.
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00:14:48,935 --> 00:14:50,698
Not until me and Harvey
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00:14:50,770 --> 00:14:52,465
get the rules
straightened out.
162
00:14:52,538 --> 00:14:54,870
Rules in a knife fiight?
163
00:14:54,941 --> 00:14:56,772
No rules.
164
00:14:56,842 --> 00:14:59,310
Ifthere ain't any rules,
let's get started.
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00:14:59,378 --> 00:15:01,243
Someone count
1 , 2, 3, go.
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00:15:01,314 --> 00:15:02,212
1 , 2, 3, go.
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00:15:06,352 --> 00:15:09,287
I was really rooting
foryou, Butch.
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00:15:09,355 --> 00:15:11,084
Well, thankyou,
Flat Nose.
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00:15:11,157 --> 00:15:14,490
That's what sustained me
in my time oftrouble.
170
00:15:15,895 --> 00:15:18,329
Hey, what's this
about the Flyer?
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00:15:18,397 --> 00:15:19,830
Harvey said we'd hit it
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00:15:19,899 --> 00:15:21,833
both this run
and the return.
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00:15:21,901 --> 00:15:24,335
Nobody's done that
to the Flyer before.
174
00:15:24,403 --> 00:15:26,837
No matter how much
we got at fiirst,
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00:15:26,906 --> 00:15:29,101
they'd fiigure
the return was safe
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00:15:29,175 --> 00:15:30,836
and load it up
with money.
177
00:15:30,910 --> 00:15:32,343
Harvey thought ofthat?
178
00:15:32,411 --> 00:15:33,844
Yes, sir, he did.
179
00:15:33,913 --> 00:15:35,847
I'll tell you something,
fellas.
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00:15:35,915 --> 00:15:38,406
That's exactlywhat
we're going to do.
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00:16:15,222 --> 00:16:16,246
Stop it.
182
00:16:16,323 --> 00:16:18,154
Where?
183
00:16:18,225 --> 00:16:20,659
Up ahead there.
184
00:16:20,728 --> 00:16:22,821
Bet that's old Butch
himself.
185
00:16:30,237 --> 00:16:31,704
Hold it there.
186
00:16:33,273 --> 00:16:34,706
Just thought I'd watch.
187
00:16:34,775 --> 00:16:37,209
Bring the kids,
why don'tyou?
188
00:16:37,277 --> 00:16:38,710
Stickyour heads in.
189
00:16:38,779 --> 00:16:42,237
You'rejust going to
getyourselfblown up
190
00:16:42,316 --> 00:16:44,250
you don't open
that door.
191
00:16:44,318 --> 00:16:47,253
I can't do that.
I work for Mr. E.H. Harriman
192
00:16:47,321 --> 00:16:49,255
ofthe Union Pacifiic
Railroad. He--
193
00:16:49,323 --> 00:16:51,257
Shut up about
that E.H. Harriman stuff
194
00:16:51,325 --> 00:16:52,257
and open up.
195
00:16:52,326 --> 00:16:53,759
What's going on?
196
00:16:53,827 --> 00:16:55,761
We got a patriot
in there.
197
00:16:55,829 --> 00:16:57,763
That's young Woodcock.
He's awful dedicated.
198
00:16:57,831 --> 00:16:58,763
Woodcock?
199
00:16:58,832 --> 00:16:59,764
Yes, sir.
200
00:16:59,833 --> 00:17:01,960
You know who we are?
201
00:17:02,036 --> 00:17:04,971
You're the Hole-ln-The-Wall
Gang, Mr. Cassidy.
202
00:17:05,039 --> 00:17:06,472
I understand that,
203
00:17:06,540 --> 00:17:10,533
but Mr. E.H. Harriman
himselfgive me thisjob.
204
00:17:10,611 --> 00:17:12,545
I got to do my best.
205
00:17:12,613 --> 00:17:15,047
Your best don't include
getting yourselfkilled.
206
00:17:15,115 --> 00:17:16,173
Dynamite's ready.
207
00:17:16,250 --> 00:17:18,548
Mr. E.H. Harriman himself
had the confiidence--
208
00:17:18,619 --> 00:17:20,883
Open the door,
or that's it.
209
00:17:20,954 --> 00:17:22,387
You think
E.H. Harriman
210
00:17:22,456 --> 00:17:24,686
would get himself
killed foryou,
211
00:17:24,758 --> 00:17:25,884
Woodcock?
212
00:17:25,959 --> 00:17:28,393
I work
for Mr. E.H. Harriman
213
00:17:28,462 --> 00:17:30,396
ofthe Union Pacifiic
Railroad,
214
00:17:30,464 --> 00:17:32,022
and he entrusted me--
215
00:17:47,781 --> 00:17:48,713
Hey, Woodcock.
216
00:17:48,782 --> 00:17:50,716
Woodcock,
you all right?
217
00:17:50,784 --> 00:17:52,217
Hey.
218
00:17:52,286 --> 00:17:53,947
Hmm?
219
00:17:58,792 --> 00:18:01,556
Whatever Harriman's
paying you ain't enough.
220
00:18:10,737 --> 00:18:13,672
There ain't what I'd call
a fortune in there, Butch.
221
00:18:13,740 --> 00:18:16,174
Well,just so
we come out ahead.
222
00:18:16,243 --> 00:18:17,904
That's the main thing.
223
00:18:17,978 --> 00:18:19,179
The Hole-ln-The-Wall Gang
224
00:18:19,179 --> 00:18:20,339
The Hole-ln-The-Wall Gang
225
00:18:20,414 --> 00:18:24,373
just robbed the Flyer
right outside ofour town,
226
00:18:24,451 --> 00:18:26,885
so that makes it
our responsibility
227
00:18:26,954 --> 00:18:29,479
to get out there
and get after them.
228
00:18:29,556 --> 00:18:31,990
You'll have to bring
your own horses.
229
00:18:32,059 --> 00:18:35,222
How many ofyou
can bring your own guns?
230
00:18:38,265 --> 00:18:42,531
How many ofyou will want me
to supplyyou with guns?
231
00:18:46,773 --> 00:18:47,899
Well...come on now.
232
00:18:47,975 --> 00:18:51,206
I think it's up to us
to do something, don'tyou?
233
00:18:51,278 --> 00:18:52,870
What's the point?
234
00:18:52,946 --> 00:18:54,208
They're probably
halfway
235
00:18:54,281 --> 00:18:55,873
to Hole-ln-The-Wall
already.
236
00:18:55,949 --> 00:18:58,383
That's exactly
whywe have got to hurry.
237
00:18:58,452 --> 00:19:00,386
Ifwe mount up
right now
238
00:19:00,454 --> 00:19:02,319
and get out there
after them,
239
00:19:02,389 --> 00:19:04,323
maybe we can head them off.
240
00:19:04,391 --> 00:19:06,825
Ifwe did that,
they'd kill us.
241
00:19:06,894 --> 00:19:10,830
We don't want to let them
get awaywith this.
242
00:19:10,898 --> 00:19:11,865
[Saloon Girls Singing]
243
00:19:11,932 --> 00:19:15,333
Boy, I just eat this up
with a spoon.
244
00:19:15,402 --> 00:19:18,337
All right, youse two,
I wantyou at my party.
245
00:19:18,405 --> 00:19:19,337
What party?
246
00:19:19,406 --> 00:19:21,340
I'm losing
my piano player.
247
00:19:21,408 --> 00:19:23,842
He's going off
to fiight the war.
248
00:19:23,911 --> 00:19:25,572
What war?
249
00:19:25,646 --> 00:19:27,477
The war
with the Spanish.
250
00:19:27,548 --> 00:19:29,675
Remember
the Maine.
251
00:19:29,750 --> 00:19:31,183
Who can forget it?
252
00:19:31,251 --> 00:19:34,015
I'm giving him a send-off.
so come on.
253
00:19:43,197 --> 00:19:44,289
& Goodbye, Dolly&
254
00:19:44,364 --> 00:19:45,797
& I must leaveyou... &&
255
00:19:45,866 --> 00:19:47,800
When I was a kid,
256
00:19:47,868 --> 00:19:50,701
I always thought
I would grow up
257
00:19:50,771 --> 00:19:52,102
to be a hero.
258
00:19:52,172 --> 00:19:53,605
It's too late now.
259
00:19:53,674 --> 00:19:56,302
Why'd you say something
like that?
260
00:19:56,376 --> 00:19:58,742
You didn't have to say
something like that.
261
00:19:58,812 --> 00:20:00,746
You want me
to go alone
262
00:20:00,814 --> 00:20:03,248
and fiight
the Hole-ln-The-Wall Gang?
263
00:20:03,317 --> 00:20:04,750
That's fiine with me.
264
00:20:04,818 --> 00:20:07,753
Ifyou wantyour kids
to knowyou let me,
265
00:20:07,821 --> 00:20:09,550
that's fiine with me,
266
00:20:09,623 --> 00:20:13,184
but I don't think
that's whatyou want.
267
00:20:13,260 --> 00:20:14,522
Is it?
268
00:20:19,166 --> 00:20:21,600
Why don't we enlist,
go fiight the Spanish?
269
00:20:21,668 --> 00:20:23,602
You and me in the war.
270
00:20:23,670 --> 00:20:26,605
We got a lot ofthings
going for us--
271
00:20:26,673 --> 00:20:28,106
experience, maturity,
leadership.
272
00:20:28,175 --> 00:20:30,609
I'll bet
we end up offiicers.
273
00:20:30,677 --> 00:20:32,872
I'd be Major Parker.
274
00:20:34,381 --> 00:20:36,542
Parker?
275
00:20:36,617 --> 00:20:38,642
Yeah.
That's my real name.
276
00:20:40,520 --> 00:20:41,953
Robert Leroy Parker.
277
00:20:42,022 --> 00:20:43,455
No fooling?
278
00:20:43,523 --> 00:20:44,751
No.
279
00:20:49,329 --> 00:20:50,489
Mine's Longbaugh.
280
00:20:50,564 --> 00:20:52,156
No fooling.
281
00:20:52,232 --> 00:20:53,722
Long what?
282
00:20:53,800 --> 00:20:55,768
Harry Longbaugh.
283
00:20:55,836 --> 00:20:57,770
Soyou'd be
Major Longbaugh.
284
00:20:57,838 --> 00:20:59,271
What doyou say?
285
00:21:03,777 --> 00:21:05,711
Youjust keep thinking,
Butch.
286
00:21:05,779 --> 00:21:07,713
That's whatyou're good at.
287
00:21:07,781 --> 00:21:09,214
Butyou'renotfrightened.
288
00:21:09,283 --> 00:21:10,215
No, sir.
289
00:21:10,284 --> 00:21:12,218
Youhavegotrespectforme,
290
00:21:12,286 --> 00:21:14,686
andlhavegot
respectforyou.
291
00:21:14,755 --> 00:21:17,724
That's whyyou
and you and you
292
00:21:17,791 --> 00:21:19,782
are riding with me.
Am I right?
293
00:21:21,762 --> 00:21:24,322
Well, what doyou say?
294
00:21:24,398 --> 00:21:26,423
I say this.
295
00:21:26,500 --> 00:21:30,402
I say, ladies
and gentlemen,
296
00:21:30,470 --> 00:21:32,734
boys and girls,
friends and enemies,
297
00:21:32,806 --> 00:21:34,239
meet the future!
298
00:21:34,308 --> 00:21:35,741
The future what?
299
00:21:35,809 --> 00:21:37,743
The future mode
oftransportation
300
00:21:37,811 --> 00:21:40,006
for this weary
Western world.
301
00:21:40,080 --> 00:21:43,516
Now, I'm not going to make
a lot ofextravagant claims.
302
00:21:43,583 --> 00:21:46,518
Sure, it'll changeyour
whole life for the better,
303
00:21:46,586 --> 00:21:48,019
but that's all.
304
00:21:48,088 --> 00:21:50,522
What the hell doyou think
you're doing?
305
00:21:50,590 --> 00:21:52,023
You got the crowd together,
306
00:21:52,092 --> 00:21:54,526
so I thought I'd do
a little selling.
307
00:21:54,594 --> 00:21:57,028
I'm trying to raise
a posse here.
308
00:21:57,097 --> 00:21:58,530
A short presentation.
309
00:21:58,598 --> 00:22:00,031
The horse is dead.
310
00:22:00,100 --> 00:22:01,863
This item sells itself.
311
00:22:01,935 --> 00:22:05,371
Areyougoing tolisten
tohim orcome withme?
312
00:22:05,439 --> 00:22:08,374
Butch, Fanny says to
come into her party
313
00:22:08,442 --> 00:22:09,409
right now.
314
00:22:09,476 --> 00:22:12,912
No oats, nomess,
nokicks, nobites,
315
00:22:12,979 --> 00:22:15,413
norunningaway,
nosteppingonyour foot.
316
00:22:15,482 --> 00:22:18,417
Well, I think
I'll get saddled up
317
00:22:18,485 --> 00:22:21,249
and go looking
for a woman.
318
00:22:21,321 --> 00:22:23,346
Good hunting.
319
00:22:25,292 --> 00:22:28,591
Shouldn't take more
than a couple ofdays.
320
00:22:32,799 --> 00:22:34,266
I'm not picky...
321
00:22:35,802 --> 00:22:37,736
as long as she's smart,
322
00:22:37,804 --> 00:22:39,431
pretty...
323
00:22:39,506 --> 00:22:40,996
sweet...
324
00:22:42,809 --> 00:22:44,572
gentle, and...
325
00:22:44,644 --> 00:22:47,909
tender and refiined...
326
00:22:49,516 --> 00:22:50,744
Iovely...
327
00:22:50,817 --> 00:22:52,375
carefree.
328
00:23:56,650 --> 00:23:57,708
Aah!
329
00:24:00,536 --> 00:24:02,697
Keep going,
teacher lady.
330
00:24:10,279 --> 00:24:13,009
It's O.K. Don't mind me.
Keep on going.
331
00:24:40,509 --> 00:24:42,568
Let down your hair.
332
00:24:54,590 --> 00:24:56,251
Shakeyour head.
333
00:26:05,694 --> 00:26:07,889
Doyou know
what I wish?
334
00:26:07,963 --> 00:26:10,898
That onceyou'd get here
on time.
335
00:26:13,802 --> 00:26:16,794
You are mine,
Etta Place.
336
00:26:16,872 --> 00:26:18,806
Mine.
337
00:26:18,874 --> 00:26:20,307
You hear me?
338
00:26:20,376 --> 00:26:21,866
Mine.
339
00:26:21,944 --> 00:26:23,935
All mine.
340
00:26:27,516 --> 00:26:30,576
Your soft white flesh
is mine.
341
00:26:30,653 --> 00:26:31,950
Soft...
342
00:26:32,021 --> 00:26:33,613
white...
343
00:26:33,689 --> 00:26:35,919
bwhaa!
344
00:26:42,831 --> 00:26:44,264
Meet the future.
345
00:26:45,467 --> 00:26:47,901
Doyou know
whatyou're doing?
346
00:26:47,970 --> 00:26:48,902
Theoretically.
347
00:26:48,971 --> 00:26:50,199
Aah!
348
00:26:50,272 --> 00:26:51,933
& Don't ever hityour mother
with a shovel &
349
00:26:52,007 --> 00:26:55,408
& It leaves a dull impression
on her mind &&
350
00:26:59,448 --> 00:27:02,315
& Raindrops
keep fallin' on my head &
351
00:27:03,385 --> 00:27:05,353
&Andjust like the guy&
352
00:27:05,421 --> 00:27:08,879
&Whose feet are too big
for his bed &
353
00:27:08,958 --> 00:27:10,892
& Nothin' seems to fiit &
354
00:27:10,960 --> 00:27:15,226
&Those raindrops
are fallin' on my head &
355
00:27:15,297 --> 00:27:17,390
&They keep fallin' &
356
00:27:17,466 --> 00:27:23,166
& So I just did me
some talkin' to the sun &
357
00:27:23,238 --> 00:27:28,574
&And I said I didn't like
the way he got things done &
358
00:27:28,644 --> 00:27:30,635
& Sleepin' on thejob &
359
00:27:30,713 --> 00:27:34,740
&Those raindrops
are fallin' on my head &
360
00:27:34,817 --> 00:27:36,478
&They keep fallin' &
361
00:27:36,552 --> 00:27:40,249
& But there's one thing &
362
00:27:40,322 --> 00:27:42,085
& I know &
363
00:27:42,157 --> 00:27:46,184
&The blues
they sent to meet me &
364
00:27:46,261 --> 00:27:49,253
&Won't defeat me &
365
00:27:49,331 --> 00:27:51,231
& It won't be long &
366
00:27:51,300 --> 00:27:53,200
&Till happiness &
367
00:27:53,268 --> 00:27:56,601
& Steps up to greet me &
368
00:28:00,642 --> 00:28:03,611
& Raindrops
keep fallin' on my head &
369
00:28:04,780 --> 00:28:06,543
& But that doesn't mean &
370
00:28:06,615 --> 00:28:10,107
& My eyes will soon be
turnin' red &
371
00:28:10,185 --> 00:28:12,346
& Cryin's not for me &
372
00:28:12,421 --> 00:28:16,380
& 'Cause I'm never
gonna stop the rain &
373
00:28:16,458 --> 00:28:18,653
& By complainin' &
374
00:28:18,727 --> 00:28:22,629
& Because I'm free &
375
00:28:22,698 --> 00:28:25,895
& Nothin's worryin' me &
376
00:29:37,473 --> 00:29:39,998
& Raindrops
are fallin' on my head &
377
00:29:41,143 --> 00:29:43,202
& But that doesn't mean &
378
00:29:43,278 --> 00:29:46,736
& My eyes will soon be
turnin' red &
379
00:29:46,815 --> 00:29:48,874
& Cryin's not for me &
380
00:29:48,951 --> 00:29:53,388
&'Cause I'm
never gonna stop the rain &
381
00:29:53,455 --> 00:29:55,685
& By complainin' &
382
00:29:55,757 --> 00:30:00,160
& Because I'm free &
383
00:30:00,229 --> 00:30:06,498
& Nothin's worryin' me &&
384
00:30:08,170 --> 00:30:10,604
You've come to get him
for the Flyer?
385
00:30:10,672 --> 00:30:12,606
Would you believe
I'm broke already?
386
00:30:12,674 --> 00:30:15,108
Why is there never
any money, Butch?
387
00:30:15,177 --> 00:30:17,111
I swear, Etta,
I don't know.
388
00:30:17,179 --> 00:30:20,114
I've been working
like a dog all my life,
389
00:30:20,182 --> 00:30:23,117
and I can't get
a penny ahead.
390
00:30:23,185 --> 00:30:25,619
Sundance says it's because
you're a soft touch
391
00:30:25,687 --> 00:30:27,621
and always taking
expensive vacations,
392
00:30:27,689 --> 00:30:29,122
buying drinks
for everyone,
393
00:30:29,191 --> 00:30:31,125
and you're
a rotten gambler.
394
00:30:31,193 --> 00:30:33,627
That might have
something to do with it.
395
00:30:47,809 --> 00:30:48,741
Butch.
396
00:30:48,810 --> 00:30:49,777
Hmm?
397
00:30:49,845 --> 00:30:52,245
Doyou everwonder
ifl'd metyou fiirst
398
00:30:52,314 --> 00:30:54,714
we'd been the ones
to get involved?
399
00:30:54,783 --> 00:30:57,752
We are involved, Etta.
Don'tyou know that?
400
00:30:59,821 --> 00:31:01,755
You are riding
on my bicycle.
401
00:31:01,823 --> 00:31:03,188
In some Arabian countries,
402
00:31:03,258 --> 00:31:05,192
that's the same
as being married.
403
00:31:08,263 --> 00:31:10,026
[Door Opens]
404
00:31:10,098 --> 00:31:11,827
Hey.
405
00:31:12,901 --> 00:31:14,198
What areyou doing?
406
00:31:14,269 --> 00:31:15,702
Stealing yourwoman.
407
00:31:19,107 --> 00:31:20,039
Take her.
408
00:31:20,108 --> 00:31:21,507
Take her.
409
00:31:22,778 --> 00:31:24,712
Well, you're
a romantic bastard.
410
00:31:24,780 --> 00:31:26,340
I'll giveyou that.
411
00:31:35,816 --> 00:31:37,750
O.K., open up
in there.
412
00:31:37,818 --> 00:31:40,252
I work for
Mr. E.H. Harriman--
413
00:31:40,321 --> 00:31:41,754
Hey, Woodcock!
414
00:31:41,822 --> 00:31:43,255
Butch?
415
00:31:43,324 --> 00:31:44,382
You O.K.?
416
00:31:44,458 --> 00:31:45,891
Uh, well, sort of.
417
00:31:45,960 --> 00:31:48,895
Hey, that's wonderful.
Let's take a look atyou.
418
00:31:50,164 --> 00:31:51,597
Well, now, Butch,
419
00:31:51,666 --> 00:31:54,100
you've got to have
more respect for me
420
00:31:54,168 --> 00:31:57,103
than to think I'd fall
for a stunt like that.
421
00:32:00,174 --> 00:32:02,734
You can't want to
get blown up again?
422
00:32:02,810 --> 00:32:05,745
Uh, Butch, you know
ifit were my money,
423
00:32:05,813 --> 00:32:08,247
there's nobody I'd
rather have steal it
424
00:32:08,316 --> 00:32:09,248
than you.
425
00:32:09,317 --> 00:32:11,251
But I'm still
in the employ
426
00:32:11,319 --> 00:32:12,752
of Mr. E.H. Harriman
427
00:32:12,820 --> 00:32:14,754
ofthe Union Pacifiic
Railroad.
428
00:32:14,822 --> 00:32:16,221
[Woman]
Start this train!
429
00:32:16,290 --> 00:32:17,723
Get back inside,
lady.
430
00:32:17,792 --> 00:32:19,225
I'm not afraid ofyou.
431
00:32:19,293 --> 00:32:20,726
I'm not afraid
ofanything.
432
00:32:20,795 --> 00:32:22,729
I'm a grandmother
and a female,
433
00:32:22,797 --> 00:32:24,230
and I've
got my rights.
434
00:32:24,298 --> 00:32:26,232
We got no time
for this.
435
00:32:26,300 --> 00:32:28,734
You can bull the others,
but not me.
436
00:32:28,803 --> 00:32:31,237
I've fought whiskey,
and I've fought gambling--
437
00:32:31,305 --> 00:32:33,637
We got no time
for this.
438
00:32:33,708 --> 00:32:36,142
What areyou doing?
Let go!
439
00:32:36,210 --> 00:32:38,644
What areyou
going to do to her?
440
00:32:38,713 --> 00:32:40,146
Well,
leave her alone.
441
00:32:40,214 --> 00:32:41,647
You're after
the money,
442
00:32:41,716 --> 00:32:43,149
and the money's
in here.
443
00:32:43,217 --> 00:32:44,650
Please! All I want
444
00:32:44,719 --> 00:32:46,653
is for somebody to
start this train.
445
00:32:46,721 --> 00:32:47,653
Somebody, please!
446
00:32:47,722 --> 00:32:49,155
Open the door,
Woodcock,
447
00:32:49,223 --> 00:32:50,656
or tell her
goodbye.
448
00:32:50,725 --> 00:32:53,159
[Woman] Our Father,
who art in heaven,
449
00:32:53,227 --> 00:32:55,161
hallowed be Thy name,
450
00:32:55,229 --> 00:32:57,163
Thy kingdom come,
451
00:32:57,231 --> 00:32:59,165
[Normal Voice]
Thywill be done,
452
00:32:59,233 --> 00:33:02,100
on earth
as it is in heaven.
453
00:33:02,169 --> 00:33:05,104
What am I going to tell
poor Mr. Harriman?
454
00:33:07,274 --> 00:33:10,209
Woodcock, what'd
you have to go and do
455
00:33:10,277 --> 00:33:11,710
something like that for?
456
00:33:11,779 --> 00:33:14,543
Well, Butch, you blew
the last one so easy,
457
00:33:14,615 --> 00:33:16,708
I just had to,
um, do something.
458
00:33:16,784 --> 00:33:19,719
Give me that
and get some more,
459
00:33:19,787 --> 00:33:21,152
a lot more!
460
00:33:22,957 --> 00:33:24,982
Well, that
ought to do it.
461
00:33:45,646 --> 00:33:48,080
Thinkyou used enough
dynamite there, Butch?
462
00:33:51,152 --> 00:33:53,313
Ha ha ha ha.
463
00:34:43,204 --> 00:34:45,297
What the hell is that?
464
00:35:01,889 --> 00:35:06,121
[Whistle Blows]
465
00:35:08,262 --> 00:35:10,628
Whatever they're selling,
I don't want it.
466
00:35:20,608 --> 00:35:22,838
Will you leave it?
467
00:35:28,616 --> 00:35:29,548
Come on!
468
00:35:29,617 --> 00:35:30,709
Hyah!
469
00:35:49,003 --> 00:35:49,935
Hey, Butch!
470
00:35:50,004 --> 00:35:51,062
What?
471
00:35:51,138 --> 00:35:52,537
They're very good!
472
00:35:54,975 --> 00:35:56,567
[Butch]
Split up!
473
00:36:09,089 --> 00:36:11,523
How many of'em
are following us?
474
00:36:11,592 --> 00:36:13,025
All of'em.
475
00:36:13,093 --> 00:36:14,355
All of'em?
476
00:36:14,428 --> 00:36:17,192
What's the matter
with those guys?
477
00:36:17,264 --> 00:36:18,891
Hyah!
478
00:37:46,553 --> 00:37:50,045
I thinkwe lost 'em.
Doyou thinkwe lost 'em?
479
00:37:50,124 --> 00:37:51,955
No.
480
00:37:52,026 --> 00:37:54,119
Neither do l. Hyah!
481
00:38:09,076 --> 00:38:10,426
[Door Opening and Closing]
482
00:38:10,560 --> 00:38:12,892
Take our horses out
back. Feed 'em good.
483
00:38:12,962 --> 00:38:13,894
Where's Sweetface?
484
00:38:13,963 --> 00:38:15,396
Just inside.
Trouble?
485
00:38:15,465 --> 00:38:16,397
Listen,
you dirty old man,
486
00:38:16,466 --> 00:38:18,400
I knowyou're
a lying thief
487
00:38:18,468 --> 00:38:19,901
and so doyou,
488
00:38:19,969 --> 00:38:22,403
but who'd know it
to look atyou?
489
00:38:22,472 --> 00:38:23,905
Getyourself
out front fast.
490
00:38:23,973 --> 00:38:25,406
You seen us
ride through
491
00:38:25,475 --> 00:38:26,908
not fiive minutes
ago.
492
00:38:26,976 --> 00:38:28,409
Do this right,
493
00:38:28,478 --> 00:38:30,412
I'll getyou
an old dog to kick.
494
00:38:30,480 --> 00:38:32,914
Here, room 9.
Top ofthe stairs.
495
00:38:43,126 --> 00:38:45,356
[Singing]
496
00:38:46,662 --> 00:38:49,096
Hey, you realize
you're driving me crazy
497
00:38:49,165 --> 00:38:51,099
staring out
the window like that?
498
00:38:51,167 --> 00:38:53,397
I swear, Sweetface
can handle it, easy.
499
00:38:53,469 --> 00:38:55,403
He wouldn't dare
louse me up.
500
00:38:55,471 --> 00:38:57,905
He's that scared ofme.
501
00:38:57,974 --> 00:38:59,999
[Singing]
502
00:39:03,012 --> 00:39:05,845
Hey, kid, how can I
give Agnes
503
00:39:05,915 --> 00:39:07,348
the concentration
she deserves
504
00:39:07,417 --> 00:39:10,352
with you staring out
the window like that?
505
00:39:10,420 --> 00:39:11,853
Butch, you're
really something,
506
00:39:11,921 --> 00:39:13,479
you know that?
507
00:39:13,556 --> 00:39:16,024
Could you be
a little more specifiic
508
00:39:16,092 --> 00:39:17,354
about that, Agnes?
509
00:39:17,427 --> 00:39:18,359
[Horses Approaching]
510
00:39:18,428 --> 00:39:19,360
Butch!
511
00:39:25,935 --> 00:39:28,870
O.K., Sweetface,
give them a nice smile.
512
00:39:28,938 --> 00:39:30,371
Come on.
513
00:39:32,442 --> 00:39:33,875
That's a nice touch.
514
00:39:33,943 --> 00:39:35,877
I swear, ifhe told me
515
00:39:35,945 --> 00:39:38,379
I rode out oftown
1 0 minutes ago,
516
00:39:38,448 --> 00:39:39,710
I'd believe him.
517
00:39:41,451 --> 00:39:43,282
And there they go.
518
00:39:51,961 --> 00:39:53,394
No, no.
519
00:39:53,463 --> 00:39:55,397
Don't ask me
to stay.
520
00:40:03,439 --> 00:40:05,907
You're the only
real man I ever met.
521
00:40:05,975 --> 00:40:07,909
You know that, Butch?
522
00:40:07,977 --> 00:40:10,411
It's notjust 'cause
ofall that money
523
00:40:10,480 --> 00:40:13,415
you got to spend
on people. It's you.
524
00:40:13,483 --> 00:40:14,916
The wayyou're always
525
00:40:14,984 --> 00:40:17,418
Iooking to see
am I happy or not?
526
00:40:17,487 --> 00:40:19,421
A lot of
the other girls,
527
00:40:19,489 --> 00:40:21,423
they--they
might wantyou
528
00:40:21,491 --> 00:40:23,925
forwhen you
got lots ofmoney
529
00:40:23,993 --> 00:40:24,925
to spend on people.
530
00:40:24,994 --> 00:40:27,929
Me, l--I
don't care about...
531
00:40:27,997 --> 00:40:31,433
clothes and
money andjewels--
532
00:40:31,501 --> 00:40:32,433
[Horses Approaching]
533
00:40:32,502 --> 00:40:34,936
and furs,
534
00:40:35,004 --> 00:40:36,938
and
things like that.
535
00:40:37,006 --> 00:40:39,440
Lots ofthe other
girls do,
536
00:40:39,509 --> 00:40:41,443
but I never did.
537
00:40:41,511 --> 00:40:43,479
I always said,
"Agnes--"
538
00:41:01,531 --> 00:41:04,159
Don't move.
539
00:41:04,233 --> 00:41:05,393
Stand up.
540
00:41:05,468 --> 00:41:07,402
Putyour hands up.
541
00:41:07,470 --> 00:41:08,562
Higher.
542
00:41:10,473 --> 00:41:12,407
Now turn around
and start--
543
00:41:17,480 --> 00:41:20,540
Get our horses and
come on back here.
544
00:41:28,491 --> 00:41:29,423
Hyah!
545
00:41:29,492 --> 00:41:31,756
Get out ofhere!
546
00:41:31,827 --> 00:41:32,851
Get out!
547
00:41:35,998 --> 00:41:37,431
Go on!
548
00:41:37,500 --> 00:41:39,934
Get out ofhere,
you fat-headed beast!
549
00:41:41,504 --> 00:41:42,528
Come on!
550
00:41:42,605 --> 00:41:45,506
You're the fat-headed beast.
Quit shouting!
551
00:41:45,575 --> 00:41:47,873
Boy, somebody
sure trained 'em.
552
00:42:17,373 --> 00:42:18,499
Which way?
553
00:42:18,574 --> 00:42:20,633
Well,
it doesn't matter.
554
00:42:20,710 --> 00:42:22,644
I don't know where
we've been,
555
00:42:22,712 --> 00:42:24,145
and I'vejust
been there.
556
00:42:24,213 --> 00:42:25,976
They can't follow us.
We're safe.
557
00:42:26,048 --> 00:42:27,242
You really think so?
558
00:42:27,316 --> 00:42:29,216
I will ifyou will.
559
00:42:58,514 --> 00:43:01,881
[Butch] How long you fiigure
we've been watching?
560
00:43:01,951 --> 00:43:03,782
Oh, a while.
561
00:43:16,432 --> 00:43:20,368
How long beforeyou fiigure
they're not after us?
562
00:43:20,436 --> 00:43:21,903
A while longer.
563
00:43:24,473 --> 00:43:26,634
How comeyou're
so talkative?
564
00:43:28,310 --> 00:43:30,642
Just naturally
blabby, I guess.
565
00:43:33,916 --> 00:43:36,350
Ohh! I haven't done
so much riding
566
00:43:36,419 --> 00:43:37,852
since I quit rustling.
567
00:43:37,920 --> 00:43:39,854
That's a miserable
occupation.
568
00:43:39,922 --> 00:43:42,914
Dusk to dawn,
no sleep, rotten food.
569
00:43:47,496 --> 00:43:49,430
Hey.
570
00:43:49,498 --> 00:43:50,965
I see it.
571
00:43:55,504 --> 00:43:57,438
Torches you think?
572
00:43:57,506 --> 00:43:58,939
Yeah, maybe.
573
00:43:59,008 --> 00:44:00,441
Maybe lanterns.
574
00:44:01,510 --> 00:44:03,375
They're
following our path.
575
00:44:04,947 --> 00:44:07,347
Dead on it.
576
00:44:07,416 --> 00:44:09,850
I couldn't do that.
Could you do that?
577
00:44:09,919 --> 00:44:11,853
How can they do that?
578
00:44:13,089 --> 00:44:14,886
Who are those guys?
579
00:44:27,269 --> 00:44:29,203
You sure
this'll work?
580
00:44:29,271 --> 00:44:30,203
It'll work.
581
00:44:30,272 --> 00:44:32,206
That's whatyou said
about Sweetface.
582
00:44:32,274 --> 00:44:33,707
This'll work.
583
00:44:57,500 --> 00:44:59,434
[Butch]
Once they divide up,
584
00:44:59,502 --> 00:45:02,369
we take them,
no trouble, right?
585
00:45:02,438 --> 00:45:03,837
Maybe.
586
00:45:03,906 --> 00:45:05,339
Boy, for a gunman,
587
00:45:05,407 --> 00:45:07,375
you're one hell
ofa pessimist.
588
00:45:08,444 --> 00:45:09,877
They ought to get
589
00:45:09,945 --> 00:45:14,712
to where we split up
any time.
590
00:45:14,784 --> 00:45:16,684
They're
just about there.
591
00:45:19,014 --> 00:45:23,348
How many ofthem doyou
thinkwill come ourway?
592
00:45:23,418 --> 00:45:25,352
Oh, I wish
we had rifles.
593
00:45:25,420 --> 00:45:27,251
I mean,
they got rifles.
594
00:45:27,322 --> 00:45:29,756
But we got surprise
on our side, right?
595
00:45:35,330 --> 00:45:37,992
So far, they're
doing what we want.
596
00:45:42,337 --> 00:45:45,272
You thinkwe ought to
take them from up here?
597
00:45:50,345 --> 00:45:53,280
Kid, look, you know this
work better than I do.
598
00:45:53,348 --> 00:45:54,781
Is it best here,
599
00:45:54,850 --> 00:45:57,114
or maybe down there,
closer to the trail?
600
00:45:59,554 --> 00:46:01,044
Uh...
601
00:46:03,191 --> 00:46:04,283
Damn it!
602
00:46:07,295 --> 00:46:10,230
They're not
going for it.
603
00:46:12,300 --> 00:46:14,495
Who are those guys?
604
00:46:14,569 --> 00:46:17,504
I don't know.
605
00:46:17,572 --> 00:46:18,732
I don't know.
606
00:46:18,807 --> 00:46:21,241
We got to do something
and shake them.
607
00:46:21,309 --> 00:46:23,243
Whatever
you come up with
608
00:46:23,311 --> 00:46:24,744
is fiine with me,
609
00:46:24,813 --> 00:46:27,247
but whatever it is,
it better be now!
610
00:46:38,793 --> 00:46:40,727
What areyou
doing here?
611
00:46:40,795 --> 00:46:42,228
Easy, Ray. Easy.
612
00:46:42,297 --> 00:46:45,232
What the hell doyou mean,
take it easy?
613
00:46:45,300 --> 00:46:47,632
You promised you'd never
come into my territory.
614
00:46:47,702 --> 00:46:48,634
And we haven't.
615
00:46:48,703 --> 00:46:50,136
Just because
we were friendly
616
00:46:50,205 --> 00:46:52,639
doesn't giveyou
the right to break in.
617
00:46:52,707 --> 00:46:54,334
What ifwe was
seen together?
618
00:46:54,409 --> 00:46:57,344
I'm too old
to fiind anotherjob.
619
00:46:57,412 --> 00:47:00,279
At least have the decency
to drawyour guns.
620
00:47:00,348 --> 00:47:02,782
Listen, Butch is trying
to tell you something.
621
00:47:02,851 --> 00:47:05,285
All right.
What doyou want?
622
00:47:05,353 --> 00:47:06,786
A couple ofthings.
623
00:47:06,855 --> 00:47:08,789
We want to enlist, Ray.
624
00:47:08,857 --> 00:47:10,722
In the army.
Right away.
625
00:47:10,792 --> 00:47:12,453
Go fiight the Spanish.
626
00:47:17,565 --> 00:47:19,999
Oh, you're crazy.
You are crazy.
627
00:47:20,068 --> 00:47:22,502
You are,
both ofyou, crazy!
628
00:47:22,570 --> 00:47:27,007
They'd throwyou injail
for a thousand years each.
629
00:47:32,280 --> 00:47:35,511
Come on, Sundance.
Start trussing my feet.
630
00:47:37,886 --> 00:47:40,320
Here. You seen these
before. Come on!
631
00:47:40,388 --> 00:47:42,322
I'm not taking
the chance
632
00:47:42,390 --> 00:47:44,255
that someone
sawyou coming in.
633
00:47:44,326 --> 00:47:45,759
We're serious about this.
634
00:47:45,827 --> 00:47:47,260
You are known outlaws.
635
00:47:47,329 --> 00:47:48,261
We'd quit.
636
00:47:48,330 --> 00:47:50,764
That's the point.
Is that on tight?
637
00:47:50,832 --> 00:47:51,764
That's all right.
638
00:47:51,833 --> 00:47:53,767
There's some hankies
in the drawer
639
00:47:53,835 --> 00:47:55,769
you can use
to gag me.
640
00:47:55,837 --> 00:47:57,464
I swear,
this'd work, Ray.
641
00:47:57,539 --> 00:47:59,973
You trust us.
The government trusts you.
642
00:48:00,041 --> 00:48:02,202
Anything you tell them
they gotta believe, right?
643
00:48:02,277 --> 00:48:05,212
You've never done
a dishonest thing ever,
644
00:48:05,280 --> 00:48:07,214
and you're pushing 60.
We'd quit.
645
00:48:07,282 --> 00:48:09,216
They'd drop the charges
against us,
646
00:48:09,284 --> 00:48:11,218
we'd fiight till
the war is over.
647
00:48:11,286 --> 00:48:13,686
They don't even have
to make us offiicers.
648
00:48:13,755 --> 00:48:15,017
That's some proposition.
649
00:48:15,090 --> 00:48:16,887
They forget
all about theyears
650
00:48:16,958 --> 00:48:18,220
ofthieving and robbing.
651
00:48:18,293 --> 00:48:20,056
They takeyou
into the army,
652
00:48:20,128 --> 00:48:24,326
which is whatyou want
in the fiirst place.
653
00:48:24,399 --> 00:48:25,832
There's something
out there
654
00:48:25,900 --> 00:48:28,061
that scares you, huh?
655
00:48:29,804 --> 00:48:31,237
But it's too late.
656
00:48:31,306 --> 00:48:33,240
You should've let
yourselfget killed
657
00:48:33,308 --> 00:48:35,208
whileyou had
the chance.
658
00:48:35,276 --> 00:48:38,712
You may be the biggest
thing to hit this area,
659
00:48:38,780 --> 00:48:41,214
butyou're still
two-bit outlaws.
660
00:48:41,282 --> 00:48:44,718
I never met a soul more
affable than you, Butch,
661
00:48:44,786 --> 00:48:46,219
or faster than the Kid.
662
00:48:46,287 --> 00:48:48,221
Butyou're still
two-bit outlaws
663
00:48:48,289 --> 00:48:49,221
on the dodge.
664
00:48:49,290 --> 00:48:51,520
It's over!
Don'tyou get that?
665
00:48:51,593 --> 00:48:53,026
Your times is over,
666
00:48:53,094 --> 00:48:55,028
and you're gonna
die bloody,
667
00:48:55,096 --> 00:48:58,190
and all you can do
is choose where.
668
00:48:58,266 --> 00:48:59,198
I'm sorry,
669
00:48:59,267 --> 00:49:02,031
I'm getting mean
in my old age.
670
00:49:02,103 --> 00:49:04,537
Come on. Shut me up,
Sundance.
671
00:49:29,531 --> 00:49:31,931
[Galloping in the Distance]
672
00:50:44,372 --> 00:50:46,306
[Rustling]
673
00:51:24,612 --> 00:51:26,910
Ah, you're wasting
your time.
674
00:51:26,981 --> 00:51:29,415
They can't track us
over rock.
675
00:51:29,484 --> 00:51:30,917
Tell them that.
676
00:51:57,045 --> 00:51:59,479
They're beginning
to get on my nerves.
677
00:52:01,049 --> 00:52:03,142
Who are those guys?
678
00:52:05,186 --> 00:52:06,619
You remember the time
679
00:52:06,688 --> 00:52:09,122
you, me, and Etta
went to Denver
680
00:52:09,190 --> 00:52:10,122
for a vacation?
681
00:52:10,191 --> 00:52:12,625
I'm glad you
brought that up, Kid.
682
00:52:12,694 --> 00:52:15,128
That's an important topic,
considering our situation.
683
00:52:15,196 --> 00:52:17,130
The night we went
gambling, remember?
684
00:52:17,198 --> 00:52:19,132
We had dinner
at the hotel.
685
00:52:19,200 --> 00:52:21,634
Etta had roast beef,
and I had chicken.
686
00:52:21,703 --> 00:52:23,637
Ifl can remember
whatyou had,
687
00:52:23,705 --> 00:52:24,933
I'll die happy.
688
00:52:25,006 --> 00:52:25,938
Look out there.
689
00:52:26,007 --> 00:52:27,474
What?
690
00:52:27,542 --> 00:52:30,238
I got to talking to
some gambler that night.
691
00:52:30,311 --> 00:52:32,245
He told us
about an lndian--
692
00:52:32,313 --> 00:52:33,439
full-blooded lndian,
693
00:52:33,514 --> 00:52:35,243
except he used
an English name,
694
00:52:35,316 --> 00:52:37,113
Sir...somebody.
695
00:52:37,185 --> 00:52:38,174
Lord Baltimore?
696
00:52:38,253 --> 00:52:41,188
That's right, and he
could track anybody
697
00:52:41,256 --> 00:52:43,281
over anything
day or night.
698
00:52:43,358 --> 00:52:45,292
So?
699
00:52:45,360 --> 00:52:48,557
The guy on the ground,
I think it's him.
700
00:52:53,868 --> 00:52:55,802
No. Baltimore works
out ofOklahoma.
701
00:52:55,870 --> 00:52:57,497
He's strictly
an Oklahoma man.
702
00:52:57,572 --> 00:53:00,006
I don't know
where we are,
703
00:53:00,074 --> 00:53:01,507
but it isn't Oklahoma.
704
00:53:01,576 --> 00:53:03,441
Ah, it couldn't be him.
705
00:53:08,549 --> 00:53:10,107
It couldn't be him.
706
00:53:11,819 --> 00:53:12,979
I guess.
707
00:53:15,323 --> 00:53:16,756
Whoever it is,
708
00:53:16,824 --> 00:53:19,657
it sure the hell
is somebody.
709
00:53:49,287 --> 00:53:50,618
Damn it!
710
00:53:50,688 --> 00:53:54,124
Don't they get tired?
Don't they get hungry?
711
00:53:54,192 --> 00:53:55,625
They've gotta be.
712
00:53:55,693 --> 00:53:57,320
Why don't they
slow up?
713
00:53:57,395 --> 00:53:59,022
They could even
go faster.
714
00:53:59,097 --> 00:54:01,122
At least that'd
be a change.
715
00:54:01,199 --> 00:54:03,064
They don't even
break formation.
716
00:54:03,134 --> 00:54:04,066
Do something!
717
00:54:38,603 --> 00:54:40,264
Kid.
718
00:54:40,338 --> 00:54:42,135
What?
719
00:54:42,207 --> 00:54:43,731
Who's the best
lawman?
720
00:54:45,743 --> 00:54:46,710
Best? How?
721
00:54:46,778 --> 00:54:49,941
You mean toughest
or easiest to bribe?
722
00:54:50,014 --> 00:54:52,278
Toughest.
723
00:54:52,350 --> 00:54:55,285
Joe LeFors.
724
00:54:55,353 --> 00:54:57,287
Gotta be.
725
00:55:01,459 --> 00:55:03,825
LeFors never leaves
Wyoming. Never.
726
00:55:03,895 --> 00:55:05,795
You know that.
727
00:55:05,863 --> 00:55:07,797
He always wears
a white skimmer.
728
00:55:07,865 --> 00:55:10,129
That's howyou tell
it'sJoe LeFors,
729
00:55:10,201 --> 00:55:13,466
'cause he wears
a white straw hat.
730
00:55:13,538 --> 00:55:17,235
Look at that guy
out front.
731
00:55:36,227 --> 00:55:38,627
Jesus, who are those guys?
732
00:55:43,568 --> 00:55:44,500
Hyah!
733
00:55:44,569 --> 00:55:46,298
Come on now.
734
00:55:46,371 --> 00:55:48,066
Hereyou go, Kid.
735
00:56:32,183 --> 00:56:34,617
Go on! Get out ofhere!
Go on!
736
00:56:36,020 --> 00:56:38,284
What ifthey don't
follow the horse?
737
00:56:38,356 --> 00:56:39,687
You're the brains,
Butch.
738
00:56:39,757 --> 00:56:42,021
You'll think
ofsomething.
739
00:57:33,745 --> 00:57:35,679
[Horses Galloping]
740
00:58:08,880 --> 00:58:10,245
Damn it!
741
00:58:24,662 --> 00:58:26,095
The way I fiigure it,
742
00:58:26,164 --> 00:58:28,064
we can either fiight
or give.
743
00:58:28,132 --> 00:58:30,066
Ifwe give,
we go tojail.
744
00:58:30,134 --> 00:58:31,431
I've been there already.
745
00:58:31,502 --> 00:58:32,764
Ifwe fiight,
746
00:58:32,837 --> 00:58:34,429
they can stay
where they are
747
00:58:34,505 --> 00:58:35,836
and starve us out...
748
00:58:35,907 --> 00:58:38,137
or go for position,
shoot us.
749
00:58:38,209 --> 00:58:40,473
Might even get
a rock slide started.
750
00:58:40,545 --> 00:58:42,172
What else can they do?
751
00:58:42,246 --> 00:58:43,873
They could surrender to us,
752
00:58:43,948 --> 00:58:46,382
but I wouldn't
count on that.
753
00:58:46,451 --> 00:58:48,316
They're going for
position, all right.
754
00:58:48,386 --> 00:58:51,412
Better get ready.
755
00:58:54,559 --> 00:58:56,493
Kid, the next time
I say
756
00:58:56,561 --> 00:58:58,495
Iet's go someplace
like Bolivia,
757
00:58:58,563 --> 00:58:59,996
Iet's go someplace
like Bolivia.
758
00:59:00,064 --> 00:59:01,361
Next time.
759
00:59:03,167 --> 00:59:04,327
Ready?
760
00:59:06,471 --> 00:59:07,938
No. We'll jump.
761
00:59:12,643 --> 00:59:14,304
Like hell we will.
762
00:59:14,378 --> 00:59:15,811
No. It'll be O.K.
763
00:59:15,880 --> 00:59:17,507
ifthe water's
deep enough
764
00:59:17,582 --> 00:59:19,550
and we don't get
squished to death.
765
00:59:19,617 --> 00:59:20,948
They'll never follow us.
766
00:59:21,018 --> 00:59:22,246
How doyou know?
767
00:59:22,320 --> 00:59:24,754
Would youjump that
ifyou didn't have to?
768
00:59:24,822 --> 00:59:26,756
I have to,
and I'm not gonna.
769
00:59:26,824 --> 00:59:28,758
We got to.
Otherwise we're dead.
770
00:59:28,826 --> 00:59:29,793
Come on.
771
00:59:29,861 --> 00:59:32,261
Just one clear shot--
that's all I want.
772
00:59:32,330 --> 00:59:34,264
I want to fiight them!
773
00:59:34,332 --> 00:59:35,765
They'll kill us.
774
00:59:35,833 --> 00:59:36,765
Maybe.
775
00:59:36,834 --> 00:59:38,267
You want to die?
776
00:59:38,336 --> 00:59:40,634
Doyou?
777
00:59:40,705 --> 00:59:42,969
All right,
I'll jump fiirst.
778
00:59:43,040 --> 00:59:43,972
No.
779
00:59:44,041 --> 00:59:45,474
Then youjump fiirst.
780
00:59:45,543 --> 00:59:46,475
No, I said.
781
00:59:46,544 --> 00:59:47,533
What's the matter?
782
00:59:47,612 --> 00:59:49,239
I can't swim!
783
00:59:59,190 --> 01:00:00,623
Why, you crazy?
784
01:00:00,691 --> 01:00:03,125
The fall will
probably kill you.
785
01:00:12,303 --> 01:00:14,134
Oh-oh....
786
01:00:14,205 --> 01:00:16,400
ohhh...
787
01:00:16,474 --> 01:00:19,136
shiiiit!
788
01:00:26,417 --> 01:00:27,748
Hang on to me.
789
01:00:27,818 --> 01:00:29,012
You're drowning me!
790
01:00:29,086 --> 01:00:30,951
I can't help it.
I can't swim.
791
01:00:31,022 --> 01:00:32,455
You're choking me!
792
01:00:32,523 --> 01:00:33,956
I can't swim!
793
01:00:34,025 --> 01:00:35,287
I'm telling you,
ifl drown,
794
01:00:35,359 --> 01:00:38,021
I swear to God
I'll kill you.
795
01:00:38,095 --> 01:00:40,393
Never said I was
a great swimmer.
796
01:00:43,267 --> 01:00:46,202
Oh! You're choking me!
797
01:00:46,270 --> 01:00:49,034
Oh! I'm choking!
798
01:00:49,106 --> 01:00:50,539
Let go ofme.
799
01:00:50,608 --> 01:00:53,076
I'm choking!
800
01:00:53,144 --> 01:00:55,112
Let go ofmy throat.
801
01:01:22,620 --> 01:01:24,588
The papers said
they had you.
802
01:01:24,655 --> 01:01:27,852
Was it LeFors?
Did they say?
803
01:01:27,925 --> 01:01:29,517
Joe LeFors?
804
01:01:29,593 --> 01:01:31,026
I think so.
805
01:01:31,095 --> 01:01:32,528
And their tracker?
806
01:01:32,596 --> 01:01:33,528
Tracker?
807
01:01:33,597 --> 01:01:35,030
Was it Lord Baltimore?
808
01:01:35,099 --> 01:01:36,532
I think so.
809
01:01:36,600 --> 01:01:38,033
The paper's inside.
810
01:01:44,809 --> 01:01:47,243
You got enough
to feed us?
811
01:01:47,311 --> 01:01:50,041
Don'tyou know I do?
812
01:01:50,114 --> 01:01:51,843
They said you were dead.
813
01:01:51,916 --> 01:01:54,851
Don't make a big thing
out ofit.
814
01:01:57,354 --> 01:02:00,289
No. Make a big thing
out ofit.
815
01:02:04,829 --> 01:02:06,763
Hey.
816
01:02:06,831 --> 01:02:10,164
It was Baltimore
and LeFors.
817
01:02:18,776 --> 01:02:19,902
You know who else?
818
01:02:19,977 --> 01:02:20,944
Who?
819
01:02:21,011 --> 01:02:22,444
JeffCarr,
George Hiatt...
820
01:02:22,513 --> 01:02:23,445
Hiatt?
821
01:02:23,514 --> 01:02:24,947
T.T. Kelliher.
822
01:02:28,786 --> 01:02:31,277
We lucked out getting away.
823
01:02:31,355 --> 01:02:32,652
You know that?
824
01:02:34,658 --> 01:02:36,182
Whywould these guys
join up
825
01:02:36,260 --> 01:02:37,784
and take after us, though?
826
01:02:37,862 --> 01:02:39,796
Forget it.
Bunch like that
827
01:02:39,864 --> 01:02:41,195
won't stay together
long.
828
01:02:41,265 --> 01:02:42,197
Theywill...
829
01:02:42,266 --> 01:02:44,632
if Mr. Harriman
has his way.
830
01:02:44,702 --> 01:02:45,634
Who?
831
01:02:45,703 --> 01:02:46,761
Mr. E.H. Harriman
832
01:02:46,837 --> 01:02:48,202
ofthe Union Pacifiic
Railroad.
833
01:02:48,272 --> 01:02:51,207
He resents the wayyou've
been picking on him,
834
01:02:51,275 --> 01:02:53,209
so he's outfiitted
a special train
835
01:02:53,277 --> 01:02:55,211
and hired
special employees.
836
01:02:55,279 --> 01:02:57,213
You've been avoiding them
for two days.
837
01:02:57,281 --> 01:02:58,714
It's really
sort offlattering
838
01:02:58,782 --> 01:03:01,216
ifyou want to think
about it that way.
839
01:03:01,285 --> 01:03:03,219
A setup like that
costs more
840
01:03:03,287 --> 01:03:04,720
than we ever took.
841
01:03:04,788 --> 01:03:06,221
Apparently
he can afford it.
842
01:03:08,792 --> 01:03:10,384
That crazy Harriman.
843
01:03:12,796 --> 01:03:14,229
That's bad business.
844
01:03:14,298 --> 01:03:15,663
How long
doyou think
845
01:03:15,733 --> 01:03:17,166
I'd stay
in operation
846
01:03:17,234 --> 01:03:19,168
ifeveryjob
cost me money?
847
01:03:19,236 --> 01:03:21,670
Ifhe'djust pay me
what he's spending
848
01:03:21,739 --> 01:03:23,673
to make me
stop robbing him,
849
01:03:23,741 --> 01:03:25,174
I'd stop
robbing him.
850
01:03:27,745 --> 01:03:30,680
You probably inherited
every pennyyou got!
851
01:03:30,748 --> 01:03:31,680
Inherited guys,
852
01:03:31,749 --> 01:03:33,683
what the hell
do they know?
853
01:03:33,751 --> 01:03:36,015
You say theywere
hired permanent?
854
01:03:36,086 --> 01:03:39,021
No.Just till
they kill you.
855
01:03:48,766 --> 01:03:51,530
That means they're still
after us, Butch,
856
01:03:51,602 --> 01:03:53,900
and it's going to be
the same thing
857
01:03:53,971 --> 01:03:55,370
all over again.
858
01:03:59,276 --> 01:04:01,210
They'll show up here...
859
01:04:01,278 --> 01:04:02,711
sooner or later.
860
01:04:09,753 --> 01:04:14,690
[Butch and Sundance Talking]
861
01:04:19,730 --> 01:04:20,662
Hey, Etta.
862
01:04:22,232 --> 01:04:24,166
I'll getyou
some more.
863
01:04:24,234 --> 01:04:27,670
Butch and me have been
talking it all over.
864
01:04:27,738 --> 01:04:29,672
Wherever the hell
Bolivia is,
865
01:04:29,740 --> 01:04:31,674
that's where we're offto.
866
01:04:31,742 --> 01:04:34,176
We'll go down there
and play it safe,
867
01:04:34,244 --> 01:04:36,678
maybe keep our hand in
a little bit.
868
01:04:36,747 --> 01:04:38,180
Butch speaks some Spanish.
869
01:04:38,248 --> 01:04:40,682
I can wrestle
with a menu O.K.
870
01:04:40,751 --> 01:04:42,685
And you speak it good.
871
01:04:44,254 --> 01:04:47,690
And it'd be good cover
going with a woman.
872
01:04:47,758 --> 01:04:49,692
No one expects it.
873
01:04:51,261 --> 01:04:53,195
Then we could
travel safer.
874
01:04:54,765 --> 01:04:56,198
What I'm saying is,
875
01:04:56,266 --> 01:04:57,699
ifyou want to go,
876
01:04:57,768 --> 01:04:59,201
I won't stopyou,
877
01:04:59,269 --> 01:05:01,203
but the minute
you start to whine
878
01:05:01,271 --> 01:05:02,704
or make a nuisance,
879
01:05:02,773 --> 01:05:04,707
I don't care
where we are,
880
01:05:04,775 --> 01:05:06,208
I'm dumping you flat.
881
01:05:06,276 --> 01:05:08,210
Don't sugarcoat it
like that, Kid.
882
01:05:08,278 --> 01:05:09,711
Tell her straight.
883
01:05:15,285 --> 01:05:17,150
I'm 26, and I'm single
884
01:05:17,221 --> 01:05:18,654
and a schoolteacher,
885
01:05:18,722 --> 01:05:21,657
and that's the
bottom ofthe pit.
886
01:05:21,725 --> 01:05:23,659
And the only excitement
I've known
887
01:05:23,727 --> 01:05:25,160
is here with me now.
888
01:05:25,229 --> 01:05:26,662
So I'll go with you,
889
01:05:26,730 --> 01:05:28,163
and I won't whine,
890
01:05:28,232 --> 01:05:29,665
and I'll sew
your socks,
891
01:05:29,733 --> 01:05:32,167
and I'll stitch you
when you're wounded,
892
01:05:32,236 --> 01:05:34,670
and I'll do anything
you ask ofme
893
01:05:34,738 --> 01:05:36,171
except one thing.
894
01:05:36,240 --> 01:05:38,174
I won't watch you die.
895
01:05:38,242 --> 01:05:39,675
I'll miss that scene,
896
01:05:39,743 --> 01:05:41,176
ifyou don't mind.
897
01:06:15,279 --> 01:06:16,644
The future's all yours,
898
01:06:16,713 --> 01:06:18,647
you lousy bicycles.
899
01:11:23,057 --> 01:11:25,992
Well, you know,
it could be worse.
900
01:11:26,060 --> 01:11:29,689
You get a lot more
foryour money in Bolivia.
901
01:11:29,764 --> 01:11:31,197
I checked on it.
902
01:11:31,265 --> 01:11:32,698
What could they have here
903
01:11:32,767 --> 01:11:35,998
thatyou could possibly
want to buy?
904
01:11:40,074 --> 01:11:42,508
Jeez, all Bolivia
can't look like this.
905
01:11:42,576 --> 01:11:44,168
How doyou know?
906
01:11:44,245 --> 01:11:46,509
This might be
the garden spot
907
01:11:46,580 --> 01:11:48,013
ofthe whole country.
908
01:11:48,082 --> 01:11:50,016
People may travel
hundreds ofmiles
909
01:11:50,084 --> 01:11:52,018
just to get to this spot
910
01:11:52,086 --> 01:11:53,348
where we're standing now.
911
01:11:53,421 --> 01:11:55,355
This might be
the Atlantic City, NewJersey,
912
01:11:55,423 --> 01:11:57,357
ofall Bolivia
for all you know.
913
01:11:57,425 --> 01:11:58,858
I know more
about Bolivia
914
01:11:58,926 --> 01:12:00,860
than you know about
Atlantic City, NewJersey,
915
01:12:00,928 --> 01:12:02,259
I can tell you that.
916
01:12:02,329 --> 01:12:04,524
Aha!
917
01:12:04,598 --> 01:12:07,032
You do, huh?
918
01:12:07,101 --> 01:12:09,035
I was born there.
919
01:12:09,103 --> 01:12:11,537
I was born
in NewJersey...
920
01:12:11,605 --> 01:12:13,573
brought up there, so...
921
01:12:13,641 --> 01:12:15,131
I didn't know that.
922
01:12:15,209 --> 01:12:17,541
The total tonnage
ofwhatyou don't know
923
01:12:17,611 --> 01:12:19,044
is enough to shatter--
924
01:12:19,113 --> 01:12:20,273
We're not
accomplishing
925
01:12:20,347 --> 01:12:21,541
as much as we might.
926
01:12:21,615 --> 01:12:24,049
Listen, yourjob
is to back me up,
927
01:12:24,118 --> 01:12:25,813
becauseyou'd starve
without me.
928
01:12:27,288 --> 01:12:29,552
And you,
yourjob is to shut up.
929
01:12:34,128 --> 01:12:35,561
He'll feel a lot better
930
01:12:35,629 --> 01:12:38,063
after he's robbed
a couple ofbanks.
931
01:12:39,300 --> 01:12:41,564
Ha ha ha ha!
932
01:12:43,637 --> 01:12:45,070
Bolivia.
933
01:12:54,648 --> 01:12:56,081
Hell,
it'sjust a bank
934
01:12:56,150 --> 01:12:57,583
Iike any other bank.
935
01:12:57,651 --> 01:12:59,585
You got to
move in slowly,
936
01:12:59,653 --> 01:13:01,086
check out
everything.
937
01:13:01,155 --> 01:13:02,588
The thing
to remember--
938
01:13:02,656 --> 01:13:05,090
Don't tell me
how to rob a bank.
939
01:13:05,159 --> 01:13:07,593
I know how
to rob a bank.
940
01:13:07,661 --> 01:13:10,095
A few dark clouds
appear on your horizon,
941
01:13:10,164 --> 01:13:13,099
and youjust go all
to pieces, don'tyou?
942
01:13:32,620 --> 01:13:34,053
Buenos dias, senores.
943
01:13:34,121 --> 01:13:35,611
?.Lespuedoservir
enalgo?
944
01:13:35,689 --> 01:13:38,556
Ordenenparaatenderlos
porfavorinmediatamente.
945
01:13:40,628 --> 01:13:42,562
?.Quierenhacer
algun deposito?
946
01:13:44,632 --> 01:13:46,065
?.Quierenabrir
una cuenta?
947
01:13:46,133 --> 01:13:48,567
Bien, elcajero los
atienda inmediatamente.
948
01:13:48,636 --> 01:13:50,570
Losatendemosportodo.
949
01:13:56,644 --> 01:13:58,077
Senor?
950
01:14:09,423 --> 01:14:10,583
Adios.
951
01:14:12,092 --> 01:14:14,083
This is a robbery.
952
01:14:14,161 --> 01:14:16,527
Esto es un robo.
953
01:14:16,597 --> 01:14:19,532
Esto es un robo.
954
01:14:24,605 --> 01:14:27,039
This is supposed to be
a unison recitation.
955
01:14:27,107 --> 01:14:29,541
Why do I have to
do any ofthis?
956
01:14:29,610 --> 01:14:31,043
He's the one
957
01:14:31,111 --> 01:14:33,045
who claimed he knew
the language.
958
01:14:33,113 --> 01:14:35,047
Your line ofwork requires
a specialized vocabulary.
959
01:14:35,115 --> 01:14:37,777
I got nervous. I forgot
the words. Shoot me.
960
01:14:37,851 --> 01:14:39,910
You've had
worse ideas lately.
961
01:14:39,987 --> 01:14:41,545
Raise
your hands.
962
01:14:43,123 --> 01:14:45,557
Uh...lasmanosarriba.
963
01:14:45,626 --> 01:14:47,059
Raise them.
964
01:14:48,629 --> 01:14:50,062
Arriba.
965
01:14:50,130 --> 01:14:53,065
All ofyou back
against the wall.
966
01:14:53,133 --> 01:14:57,570
Todos ustedes, um...
967
01:14:57,638 --> 01:15:01,074
arrismensealapared.
968
01:15:01,141 --> 01:15:03,075
Give me the money.
969
01:15:08,649 --> 01:15:11,311
Give me the money.
970
01:15:11,385 --> 01:15:13,580
Give me the money.
971
01:15:13,654 --> 01:15:15,519
This is not
going to work,
972
01:15:15,589 --> 01:15:18,023
and we're going to be
up all night
973
01:15:18,092 --> 01:15:19,525
until you get this.
974
01:15:19,593 --> 01:15:21,527
Now give me the money.
975
01:15:25,099 --> 01:15:27,533
It's on the tip
ofmy tongue, Etta.
976
01:15:27,601 --> 01:15:29,034
I swear it.
977
01:15:31,105 --> 01:15:33,596
Butch, areyou still
thinking in there?
978
01:15:33,674 --> 01:15:36,643
What the hell else
is there to do?
979
01:15:36,710 --> 01:15:39,042
Try this one.
980
01:15:39,113 --> 01:15:41,741
Where is the safe?
Open it.
981
01:15:41,815 --> 01:15:43,544
Donde es--
982
01:15:47,621 --> 01:15:50,055
Uh, that's a hard one.
983
01:15:55,362 --> 01:15:58,126
That's very good, Butch.
984
01:15:58,198 --> 01:16:00,564
You're a good teacher,
Etta.
985
01:16:02,202 --> 01:16:03,635
!Esto es un robo!
986
01:16:09,576 --> 01:16:12,044
Manosa--
987
01:16:12,112 --> 01:16:14,012
Manos, um...
988
01:16:20,921 --> 01:16:22,786
!Manosarriba!
989
01:16:22,856 --> 01:16:24,653
They got them up!
Skip down!
990
01:16:24,725 --> 01:16:26,317
-!Arriba!
- Skip on down!
991
01:16:26,393 --> 01:16:29,851
Todos ustedesarrismense
alapared.
992
01:16:29,930 --> 01:16:31,989
They're against
the wall already!
993
01:16:32,066 --> 01:16:32,998
Donde es--
994
01:16:33,067 --> 01:16:34,500
Oh, you're so damn smart,
995
01:16:34,568 --> 01:16:36,035
you read it.
996
01:16:44,778 --> 01:16:46,211
A goddamn crib sheet.
997
01:16:46,280 --> 01:16:47,713
You almost blew it.
998
01:16:47,781 --> 01:16:49,214
You sure didn't help much.
999
01:16:49,283 --> 01:16:52,218
You can't do anything
without a crib sheet.
1000
01:17:07,668 --> 01:17:10,569
For God's sake,
don't drop the money!
1001
01:17:10,637 --> 01:17:12,605
I won't drop the money!
1002
01:17:12,673 --> 01:17:14,072
Voya traer
elcomisario.
1003
01:17:14,141 --> 01:17:15,369
Si, vamos.
1004
01:17:15,442 --> 01:17:16,306
Ay, nombre.
1005
01:17:16,376 --> 01:17:17,308
Evarista.
1006
01:17:17,377 --> 01:17:18,503
?.Evarista que?
1007
01:17:18,579 --> 01:17:19,841
Senorcomandante,
1008
01:17:19,913 --> 01:17:22,507
doshombresacometen
yasaltan elbanco.
1009
01:17:22,583 --> 01:17:24,346
Dosyanquis
yunamuchacha
1010
01:17:24,418 --> 01:17:26,181
se fueronporla canada.
1011
01:17:26,253 --> 01:17:28,517
Sellevaronmipistola
ytodo eldinero.
1012
01:17:28,589 --> 01:17:29,521
Vamanos!
1013
01:17:29,590 --> 01:17:30,522
A caballos!
1014
01:18:10,631 --> 01:18:12,622
[Gunfiire]
1015
01:18:22,976 --> 01:18:24,773
Isn't that
a pretty sight?
1016
01:18:27,681 --> 01:18:30,013
Well, we're back in business,
boys and girls,
1017
01:18:30,083 --> 01:18:31,516
just like the old days.
1018
01:18:36,557 --> 01:18:38,149
[No Audio]
1019
01:20:54,448 --> 01:20:56,382
[Explosion]
1020
01:22:59,105 --> 01:23:00,936
Let's stay here
and get him
1021
01:23:01,007 --> 01:23:02,440
and be done with it.
1022
01:23:02,509 --> 01:23:03,942
But what if
we lose?
1023
01:23:04,010 --> 01:23:05,944
We saw him
with two guys.
1024
01:23:06,012 --> 01:23:07,445
What ifhe's got 20?
1025
01:23:07,514 --> 01:23:09,948
You don't know for sure
it's LeFors.
1026
01:23:10,016 --> 01:23:11,950
I'm a hell ofa guesser.
1027
01:23:12,018 --> 01:23:13,952
He can't arrestyou.
It's a foreign country.
1028
01:23:14,020 --> 01:23:15,385
He can't takeyou back.
1029
01:23:15,455 --> 01:23:17,389
He's not going to
take anybody back.
1030
01:23:17,457 --> 01:23:19,391
He's going to
wait for us
1031
01:23:19,459 --> 01:23:20,892
to pull
anotherjob
1032
01:23:20,961 --> 01:23:22,394
and then
hunt us down.
1033
01:23:22,462 --> 01:23:23,895
Let's fiinish it now,
Butch,
1034
01:23:23,964 --> 01:23:25,397
one way
or the other.
1035
01:23:26,967 --> 01:23:28,901
He's got to wait for us
1036
01:23:28,969 --> 01:23:30,402
to pull anotherjob.
1037
01:23:31,972 --> 01:23:34,406
Well, what ifthere isn't
anotherjob?
1038
01:23:34,474 --> 01:23:35,907
He can't arrest us,
1039
01:23:35,976 --> 01:23:38,410
and he can't take us
out ofhere.
1040
01:23:38,478 --> 01:23:39,911
We'll drive him crazy.
1041
01:23:39,980 --> 01:23:41,413
We'll outlast
the bastard.
1042
01:23:41,481 --> 01:23:42,743
We'll go straight.
1043
01:23:42,816 --> 01:23:44,909
Soyou wantjobs.
1044
01:23:44,985 --> 01:23:47,920
You're from the U.S. ofA.,
1045
01:23:47,988 --> 01:23:50,422
and you are seeking
after employment.
1046
01:23:50,490 --> 01:23:52,424
Well, you couldn't
have picked
1047
01:23:52,492 --> 01:23:54,926
a more
out ofthe way place
1048
01:23:54,995 --> 01:23:56,428
in all of Bolivia,
1049
01:23:56,496 --> 01:23:57,929
I'll tell you that.
1050
01:23:57,998 --> 01:23:59,932
Gracias,Jesus.
1051
01:24:00,000 --> 01:24:02,935
Ordinarily
you've got to wait
1052
01:24:03,003 --> 01:24:04,937
to work for
Percy Garrison,
1053
01:24:05,005 --> 01:24:06,939
but this ain't
ordinarily.
1054
01:24:07,007 --> 01:24:07,939
Bingo.
1055
01:24:08,008 --> 01:24:09,942
You mean there arejobs.
1056
01:24:10,010 --> 01:24:11,443
Yes, there arejobs.
1057
01:24:11,511 --> 01:24:12,944
There are lots
ofjobs.
1058
01:24:13,013 --> 01:24:14,947
Don'tyou want to
know why?
1059
01:24:15,015 --> 01:24:16,073
Yeah, why?
1060
01:24:17,250 --> 01:24:18,877
Damn it.
1061
01:24:18,952 --> 01:24:22,388
Because I cannot
promise to payyou.
1062
01:24:22,455 --> 01:24:24,719
Don'tyou want to
know why?
1063
01:24:25,859 --> 01:24:27,383
O.K., why?
1064
01:24:28,962 --> 01:24:31,897
On account of
the payroll thieves,
1065
01:24:31,965 --> 01:24:33,398
fellow citizens.
1066
01:24:33,466 --> 01:24:35,400
You see,
every mine around
1067
01:24:35,468 --> 01:24:37,402
gets its payroll
1068
01:24:37,470 --> 01:24:38,903
from La Paz.
1069
01:24:38,972 --> 01:24:40,405
And every
mine around
1070
01:24:40,473 --> 01:24:42,907
gets its payroll
held up.
1071
01:24:42,976 --> 01:24:48,414
Some say it's the
Bolivian Bandits,
1072
01:24:48,481 --> 01:24:49,914
and some say
1073
01:24:49,983 --> 01:24:53,419
that it's the
bandidosyanquis.
1074
01:24:53,486 --> 01:24:54,919
Could I see that?
1075
01:24:58,291 --> 01:25:00,418
Mm-hmm.
1076
01:25:00,493 --> 01:25:02,427
Fairly nice-looking
piece.
1077
01:25:02,495 --> 01:25:04,929
Can you hit
anything?
1078
01:25:04,998 --> 01:25:06,431
Sometimes.
1079
01:25:15,442 --> 01:25:16,909
Hit that.
1080
01:25:22,949 --> 01:25:24,883
No, no, son.
No, son.
1081
01:25:24,951 --> 01:25:26,885
I just want to know,
1082
01:25:26,953 --> 01:25:29,387
can you shoot
your piece?
1083
01:25:32,125 --> 01:25:33,057
Shoot.
1084
01:25:44,204 --> 01:25:45,899
Damn it.
1085
01:25:45,972 --> 01:25:47,906
Can I move?
1086
01:25:47,974 --> 01:25:48,906
Move?
1087
01:25:48,975 --> 01:25:51,466
What the hell
you mean, move?
1088
01:25:56,483 --> 01:25:58,417
I'm better
when I move.
1089
01:25:58,485 --> 01:25:59,747
Yeah.
1090
01:26:00,987 --> 01:26:02,921
Well, considering
that I'm desperate
1091
01:26:02,989 --> 01:26:05,423
and you'rejust what
I'm looking for,
1092
01:26:05,492 --> 01:26:06,925
on top ofwhich
1093
01:26:06,993 --> 01:26:09,427
you stem
from the U.S. ofA.,
1094
01:26:09,496 --> 01:26:10,929
we start
tomorrow morning.
1095
01:26:10,997 --> 01:26:12,931
You mean we gotjobs.
1096
01:26:12,999 --> 01:26:14,432
Payroll guard.
1097
01:26:14,501 --> 01:26:15,365
Damn.
1098
01:26:15,435 --> 01:26:17,369
Vamanos
a trabajar!
1099
01:26:17,437 --> 01:26:18,699
Hey, Chucho!
1100
01:26:18,772 --> 01:26:19,864
Chucho!
1101
01:26:19,939 --> 01:26:22,237
& Oh, don'tyou remember&
1102
01:26:22,308 --> 01:26:25,072
& Sweet Betsy from Pike &
1103
01:26:25,145 --> 01:26:26,772
& Crossed
the high mountains &
1104
01:26:26,846 --> 01:26:29,610
&With her lover lke &
1105
01:26:29,682 --> 01:26:30,979
&Twoyoke ofoxen &
1106
01:26:31,050 --> 01:26:33,518
&And a big yalla dog &
1107
01:26:33,586 --> 01:26:35,144
&Tall Shanghai rooster&
1108
01:26:35,221 --> 01:26:37,212
&And one spotted hog &
1109
01:26:37,290 --> 01:26:39,554
&Toodle-dang
hoodie di-do &
1110
01:26:39,626 --> 01:26:41,491
& Doodle-dang hoodie ay&
1111
01:26:41,561 --> 01:26:43,461
&Toodle-dang
hoodie di-do &
1112
01:26:43,530 --> 01:26:45,794
& Doodle-dang hoodie ay&
1113
01:26:45,865 --> 01:26:47,389
& Shanghai ran off&
1114
01:26:47,467 --> 01:26:49,731
&And the cattle all died &
1115
01:26:49,803 --> 01:26:51,600
& Last piece ofbacon... &&
1116
01:26:51,671 --> 01:26:53,901
I think they're in
the trees up ahead.
1117
01:26:53,973 --> 01:26:55,907
In the bushes
on the left.
1118
01:26:55,975 --> 01:26:57,909
They're in the trees
up ahead.
1119
01:26:57,977 --> 01:26:59,410
You take the trees,
1120
01:26:59,479 --> 01:27:00,912
I'll take
the bushes.
1121
01:27:00,980 --> 01:27:03,574
Will you two beginners
cut it out?
1122
01:27:03,650 --> 01:27:06,448
Well, we'rejust trying
to spot an ambush.
1123
01:27:06,519 --> 01:27:08,419
Morons.
1124
01:27:08,488 --> 01:27:11,423
I've got morons
on my team.
1125
01:27:11,491 --> 01:27:13,925
Nobody is going to
rob us
1126
01:27:13,993 --> 01:27:15,358
going down the mountain.
1127
01:27:15,428 --> 01:27:17,362
We have got no money
1128
01:27:17,430 --> 01:27:18,755
going down the mountain.
1129
01:27:18,889 --> 01:27:21,722
When we have got
the money
1130
01:27:21,792 --> 01:27:23,589
on the way back,
1131
01:27:23,660 --> 01:27:25,218
then you can sweat.
1132
01:27:25,295 --> 01:27:26,853
Bingo.
1133
01:27:26,930 --> 01:27:28,227
Move it out!
1134
01:27:29,299 --> 01:27:30,266
Move it!
1135
01:27:53,323 --> 01:27:56,258
We hit this place
inJune, didn't we?
1136
01:28:08,638 --> 01:28:10,265
Jones!
1137
01:28:10,340 --> 01:28:12,604
Give me a hand
over here.
1138
01:28:12,676 --> 01:28:15,201
Who am l,
Smith orJones?
1139
01:28:15,278 --> 01:28:16,711
Live.
1140
01:28:33,797 --> 01:28:35,731
About
a halfhour more,
1141
01:28:35,799 --> 01:28:38,233
and we can start
to worry...
1142
01:28:38,301 --> 01:28:39,734
as soon as we get
1143
01:28:39,803 --> 01:28:41,236
to that pass
up there.
1144
01:28:41,304 --> 01:28:43,738
We'll be all right
till then.
1145
01:28:43,807 --> 01:28:45,741
They might
try something here.
1146
01:28:45,809 --> 01:28:47,777
No. Better cover
up there.
1147
01:28:49,813 --> 01:28:52,247
You got to relax,
you fellas.
1148
01:28:52,315 --> 01:28:55,409
You got to get used
to Bolivian ways.
1149
01:28:55,485 --> 01:28:57,419
You got to go easy.
1150
01:28:57,487 --> 01:28:58,419
Damn it!
1151
01:28:58,488 --> 01:28:59,921
Like I do.
1152
01:28:59,990 --> 01:29:02,925
Ofcourse, you probably
think I'm crazy,
1153
01:29:02,993 --> 01:29:04,756
but I'm not.
1154
01:29:04,828 --> 01:29:06,261
Bingo.
1155
01:29:06,329 --> 01:29:07,261
I'm colorful.
1156
01:29:07,330 --> 01:29:08,763
That's what happens
1157
01:29:08,832 --> 01:29:11,426
when you live 1 0 years
alone in Bolivia.
1158
01:29:11,501 --> 01:29:13,128
You get colorful.
1159
01:29:13,203 --> 01:29:14,898
[Gunfiire]
1160
01:29:32,789 --> 01:29:34,222
Where are they?
1161
01:29:37,294 --> 01:29:39,319
I can't see them.
1162
01:29:52,809 --> 01:29:55,277
Let's get
out ofhere.
1163
01:31:07,150 --> 01:31:09,084
[Speaking Spanish]
1164
01:31:28,638 --> 01:31:31,573
Tell them to leave
the money and go.
1165
01:31:32,909 --> 01:31:35,537
Dijen eldinoro...
1166
01:31:35,612 --> 01:31:38,046
Dinero...
and, uh...
1167
01:31:38,114 --> 01:31:39,638
y vayanese.
1168
01:31:41,351 --> 01:31:44,320
?.Que dejemos eldinero
ynos vayamos?
1169
01:31:44,387 --> 01:31:46,150
Tell them
we were hired
1170
01:31:46,222 --> 01:31:49,385
to take it back.
It's ourjob.
1171
01:31:49,459 --> 01:31:51,893
Tell them the money
isn't ours.
1172
01:31:53,530 --> 01:31:54,929
EI dinero...
1173
01:31:54,998 --> 01:31:56,625
no esnuestro.
1174
01:31:56,700 --> 01:31:59,134
No, yano es de ustedes.
1175
01:31:59,202 --> 01:32:00,635
Ahora es denosotros.
1176
01:32:00,704 --> 01:32:01,830
Claro.
1177
01:32:03,640 --> 01:32:06,541
We'll try
telling them again.
1178
01:32:06,609 --> 01:32:10,705
It's ourjob.
The money isn't ours.
1179
01:32:10,780 --> 01:32:14,079
EI dinero
no esnuestro.
1180
01:32:14,150 --> 01:32:15,879
Lonecesitamos.
1181
01:32:15,952 --> 01:32:18,443
Tambiennosotros
necesitamos.
1182
01:32:19,889 --> 01:32:21,322
What doyou think?
1183
01:32:21,391 --> 01:32:22,858
Not so good.
1184
01:32:22,926 --> 01:32:24,826
Can you take the two
on the right?
1185
01:32:24,894 --> 01:32:28,022
Kid, there's something
I think I ought to tell you.
1186
01:32:28,098 --> 01:32:30,032
I never shot
anybody before.
1187
01:32:34,938 --> 01:32:38,032
One hell ofa time
to tell me.
1188
01:32:38,108 --> 01:32:40,008
[Speaking Spanish]
1189
01:32:43,713 --> 01:32:45,681
Try for the two
on the right
1190
01:32:45,749 --> 01:32:46,681
dead center.
1191
01:32:46,750 --> 01:32:48,684
That way, ifyou
miss a little,
1192
01:32:48,752 --> 01:32:50,185
you'll still
hit something.
1193
01:32:50,253 --> 01:32:52,050
Go.
1194
01:32:52,122 --> 01:32:53,054
Please.
1195
01:32:53,123 --> 01:32:54,647
?.Que?
1196
01:32:54,724 --> 01:32:55,986
Porfavor.
1197
01:32:56,059 --> 01:32:57,583
?.Porfavor?
1198
01:33:01,231 --> 01:33:10,003
Aah!
1199
01:33:45,742 --> 01:33:47,801
Well,
we've gone straight.
1200
01:33:51,548 --> 01:33:53,277
What'll we try now?
1201
01:34:10,428 --> 01:34:13,363
There are otherways of
going straight, you know.
1202
01:34:27,745 --> 01:34:30,179
There are otherways
ofgoing straight.
1203
01:34:33,617 --> 01:34:34,879
There's farming.
1204
01:34:38,289 --> 01:34:40,223
We could buy a place.
1205
01:34:41,492 --> 01:34:43,926
I don't know
how to farm.
1206
01:34:47,465 --> 01:34:49,399
What about a ranch,
then?
1207
01:34:49,467 --> 01:34:51,526
I don't know.
1208
01:34:51,602 --> 01:34:54,036
The last time
we tried ranching
1209
01:34:54,105 --> 01:34:56,039
was during
our rustling days.
1210
01:34:56,107 --> 01:34:57,039
Even then,
1211
01:34:57,108 --> 01:34:59,542
we weren't much good
at it.
1212
01:34:59,610 --> 01:35:01,544
It's hard.
Hours are brutal.
1213
01:35:01,612 --> 01:35:04,046
No, you got to be
a kid
1214
01:35:04,115 --> 01:35:05,548
to start a ranch.
1215
01:35:19,497 --> 01:35:21,465
Hey.
1216
01:35:21,532 --> 01:35:22,556
Hmm?
1217
01:35:26,337 --> 01:35:29,272
I might go back
ahead ofyou.
1218
01:35:35,679 --> 01:35:37,476
You mean home?
1219
01:35:39,517 --> 01:35:41,451
I was thinking ofit.
1220
01:35:46,991 --> 01:35:48,720
Whateveryou want, Etta.
1221
01:35:53,397 --> 01:35:54,830
Maybe I'll go.
1222
01:36:04,475 --> 01:36:05,806
Hey.
1223
01:36:05,876 --> 01:36:07,070
Hmm?
1224
01:36:07,144 --> 01:36:08,577
Etta's thinking of, uh,
1225
01:36:08,646 --> 01:36:10,773
maybe going home
ahead ofus.
1226
01:36:14,285 --> 01:36:15,843
Whatever she wants.
1227
01:36:18,422 --> 01:36:19,855
I'll go, then.
1228
01:36:58,128 --> 01:36:59,561
[Sundance]
!Manosarriba!
1229
01:37:00,631 --> 01:37:02,064
How much you got?
1230
01:37:02,132 --> 01:37:04,566
It's hardlyworth it.
Alpoca mine.
1231
01:37:04,635 --> 01:37:07,069
I tell you, no more
jungle work for me.
1232
01:37:07,137 --> 01:37:09,571
You're getting
to be an old maid.
1233
01:37:09,640 --> 01:37:12,074
Keepyour old maid
remarks toyourself.
1234
01:37:12,142 --> 01:37:14,576
I'll work in the city,
in the mountains,
1235
01:37:14,645 --> 01:37:17,273
but from now on
jungle work is out.
1236
01:37:17,348 --> 01:37:18,280
?.Bandidosyanquis?
1237
01:37:18,349 --> 01:37:19,407
Mm-hmm.
1238
01:37:20,618 --> 01:37:22,552
Tell them to be quiet.
1239
01:37:22,620 --> 01:37:24,053
What's the word?
1240
01:37:24,121 --> 01:37:25,053
Quietas.
1241
01:37:25,122 --> 01:37:26,054
Quietas.
1242
01:37:36,033 --> 01:37:37,466
I tell you,
1243
01:37:37,535 --> 01:37:39,969
thejungle's a better
cover for payrolls.
1244
01:37:40,037 --> 01:37:42,471
Kid, I got a right
to my opinion,
1245
01:37:42,540 --> 01:37:43,973
and in my opinion,
1246
01:37:44,041 --> 01:37:45,474
there are snakes
in thejungle.
1247
01:37:45,543 --> 01:37:47,101
I don't work
around snakes.
1248
01:37:47,177 --> 01:37:48,610
What is this place?
1249
01:37:48,679 --> 01:37:49,839
[Coughs]
1250
01:37:49,914 --> 01:37:51,108
I don't know.
1251
01:37:51,181 --> 01:37:52,842
San Vincente,
I think.
1252
01:37:52,917 --> 01:37:53,849
?.Comer?
1253
01:37:53,918 --> 01:37:54,850
Si, Senor.
1254
01:37:54,919 --> 01:37:56,352
Pasen.
Juan, ven.
1255
01:37:56,420 --> 01:37:58,854
Llevatelos caballos.
1256
01:38:24,114 --> 01:38:26,548
I don't enjoyjungles.
I don't enjoy swamps.
1257
01:38:26,617 --> 01:38:28,050
I don't like snakes.
1258
01:38:28,118 --> 01:38:30,052
I don't much care
for night work.
1259
01:38:30,120 --> 01:38:31,382
Bitch, bitch, bitch.
1260
01:38:32,590 --> 01:38:33,557
!Capitan!!Capitan!
1261
01:38:33,624 --> 01:38:35,558
Capitan,
allaenlaplaza,
1262
01:38:35,626 --> 01:38:38,561
hay unamula
de lasminas deAlpoca.
1263
01:38:38,629 --> 01:38:40,062
?.Lasminas deAlpoca?
1264
01:38:40,130 --> 01:38:41,563
Si, si. Alliestan.
1265
01:38:41,632 --> 01:38:43,566
Doshombres laacaban
de traer.
1266
01:38:43,634 --> 01:38:45,329
Estan comiendo en el
restaurante demipapa.
1267
01:38:45,402 --> 01:38:47,996
Elguisado
esta delicioso.
1268
01:38:48,072 --> 01:38:50,506
Para chuparse
los dedos.
1269
01:38:50,574 --> 01:38:53,509
Siquierenmas, es
la especialidadde la casa,
1270
01:38:53,577 --> 01:38:55,010
siquierenmas,
1271
01:38:55,079 --> 01:38:56,512
no tenganpena
ydiganmelo.
1272
01:38:56,580 --> 01:38:58,514
Yo estoyaqui
paraservirles.
1273
01:38:58,582 --> 01:39:03,542
Agradezcola visita de tan
distinguidos caballeros.
1274
01:39:03,621 --> 01:39:04,553
Muchas gracias.
1275
01:39:04,622 --> 01:39:05,833
Paraservirles.
1276
01:39:05,967 --> 01:39:06,763
Muchas gracias.
1277
01:39:06,834 --> 01:39:07,766
Si.
1278
01:39:10,938 --> 01:39:12,872
The specialty
ofthe house,
1279
01:39:12,940 --> 01:39:14,373
and it's
still moving.
1280
01:39:14,442 --> 01:39:15,374
[Gunshot]
1281
01:39:21,415 --> 01:39:22,848
Well, that settles it.
1282
01:39:22,917 --> 01:39:25,351
This place gets no more
ofmy business.
1283
01:39:34,362 --> 01:39:35,624
Hey.
1284
01:39:35,696 --> 01:39:36,720
What?
1285
01:39:36,798 --> 01:39:40,097
What doyou think?
I bet it'sjust one guy.
1286
01:39:45,273 --> 01:39:46,570
[Five Gunshots]
1287
01:39:48,576 --> 01:39:51,773
Don'tyou get sick of
being right all the time?
1288
01:40:21,175 --> 01:40:22,472
Reloading.
1289
01:40:25,680 --> 01:40:27,113
That's all I got.
1290
01:40:31,085 --> 01:40:32,518
We're going to run out
1291
01:40:32,587 --> 01:40:36,318
unless we can get to that
mule and get some more.
1292
01:40:40,695 --> 01:40:42,026
I'll go.
1293
01:40:42,096 --> 01:40:45,224
This is no time for bravery.
I'll letyou.
1294
01:40:47,568 --> 01:40:48,557
Loaded.
1295
01:40:55,443 --> 01:40:56,740
Hell!
1296
01:40:56,811 --> 01:40:59,245
I'm the one
that has to go.
1297
01:41:00,681 --> 01:41:01,909
Whyyou?
1298
01:41:01,983 --> 01:41:04,213
'Cause I could never
giveyou cover.
1299
01:41:04,285 --> 01:41:06,219
You can cover me.
1300
01:41:07,922 --> 01:41:10,914
You can see I'm right,
can'tyou?
1301
01:41:18,099 --> 01:41:19,657
You go.
1302
01:41:19,734 --> 01:41:22,430
Yeah, why am I always
so damn smart?
1303
01:41:29,210 --> 01:41:30,142
Here.
1304
01:41:35,483 --> 01:41:36,643
[Clicks Tongue]
1305
01:41:38,286 --> 01:41:39,218
Go.
1306
01:41:56,938 --> 01:41:57,870
O.K.
1307
01:42:37,745 --> 01:42:38,677
Go.
1308
01:42:51,058 --> 01:42:53,925
[Gunshots]
1309
01:43:00,034 --> 01:43:01,865
[Gunshots]
1310
01:43:28,229 --> 01:43:31,164
[Gunshots]
1311
01:43:39,540 --> 01:43:40,472
Ah!
1312
01:44:24,418 --> 01:44:27,785
Is--Is that whatyou call
giving cover?
1313
01:44:27,855 --> 01:44:30,790
Is that what
you call running?
1314
01:44:30,858 --> 01:44:33,793
Ifl knewyou were
going to stroll...
1315
01:44:34,862 --> 01:44:36,295
You never could shoot,
1316
01:44:36,363 --> 01:44:38,297
not from
the very beginning.
1317
01:44:44,338 --> 01:44:46,272
And you are all mouth.
1318
01:44:54,982 --> 01:44:56,813
Jefe, llega elejercito.
1319
01:45:08,562 --> 01:45:09,494
Mi capitan.
1320
01:45:11,298 --> 01:45:12,230
?.Donde estan?
1321
01:45:12,299 --> 01:45:13,732
Allienlaplaza.
1322
01:45:13,801 --> 01:45:15,166
?.Cuantoshombresson?
1323
01:45:15,236 --> 01:45:16,168
Doshombres.
1324
01:45:16,237 --> 01:45:17,169
?.Doshombres?
1325
01:45:17,238 --> 01:45:18,671
Mi capitan,
porfavor--
1326
01:45:18,739 --> 01:45:19,671
?.Dos?
1327
01:45:19,740 --> 01:45:20,934
Bandidosyanquis.
1328
01:45:21,008 --> 01:45:22,441
?.Bandidosyanquis, eh?
1329
01:45:22,510 --> 01:45:23,943
Si, micapitan.
1330
01:45:24,011 --> 01:45:24,943
Hmm.
1331
01:45:25,012 --> 01:45:26,445
Sargento Rico,
1332
01:45:26,514 --> 01:45:27,981
desmonten20hombres
1333
01:45:28,048 --> 01:45:29,948
y vayan con elteniente.
1334
01:45:30,017 --> 01:45:31,450
[Speaking Spanish]
1335
01:46:43,477 --> 01:46:46,412
I've got a great idea
where we should go next.
1336
01:46:46,480 --> 01:46:48,414
I don't want
to hear it.
1337
01:46:48,482 --> 01:46:49,915
You'll changeyour mind.
1338
01:46:49,984 --> 01:46:50,916
Shut up!
1339
01:46:50,985 --> 01:46:51,917
O.K., O.K.
1340
01:46:51,986 --> 01:46:53,419
Your ideas
got us here.
1341
01:46:53,487 --> 01:46:54,579
Forget it!
1342
01:46:54,655 --> 01:46:57,590
I neverwant to hear
another ofyour ideas.
1343
01:46:57,658 --> 01:46:58,590
All right.
1344
01:46:58,659 --> 01:46:59,591
O.K.
1345
01:47:09,070 --> 01:47:10,298
Australia.
1346
01:47:13,207 --> 01:47:16,074
I fiigured secretly
you wanted to know,
1347
01:47:16,143 --> 01:47:17,576
so I told you.
1348
01:47:17,645 --> 01:47:18,771
Australia.
1349
01:47:20,514 --> 01:47:21,947
That's your great idea?
1350
01:47:22,016 --> 01:47:23,950
Oh, boy,
it's the latest in...
1351
01:47:24,018 --> 01:47:25,451
in a long line.
1352
01:47:25,519 --> 01:47:27,453
Australia's
no better than here.
1353
01:47:27,521 --> 01:47:28,954
Aw, that's all you know.
1354
01:47:29,023 --> 01:47:30,456
Name me one thing.
1355
01:47:30,524 --> 01:47:32,458
They speak English
in Australia.
1356
01:47:32,526 --> 01:47:33,458
They do?
1357
01:47:33,527 --> 01:47:34,960
That's right, smart guy.
1358
01:47:35,029 --> 01:47:36,462
So we wouldn't be
foreigners.
1359
01:47:37,898 --> 01:47:39,331
They got horses in Australia.
1360
01:47:39,400 --> 01:47:42,836
They got thousands ofmiles
we could hide out in.
1361
01:47:42,903 --> 01:47:44,837
And a good climate,
nice beaches.
1362
01:47:44,905 --> 01:47:46,338
You could learn to swim.
1363
01:47:46,407 --> 01:47:47,339
No!
1364
01:47:47,408 --> 01:47:48,966
Swimming
isn't important.
1365
01:47:51,779 --> 01:47:54,441
What about the banks?
1366
01:47:54,515 --> 01:47:56,176
They're easy.
1367
01:47:56,250 --> 01:47:57,911
Easy, ripe,
and luscious.
1368
01:48:01,889 --> 01:48:03,823
The banks
or the women?
1369
01:48:03,891 --> 01:48:06,826
Well, onceyou've got one,
you've got the other.
1370
01:48:09,530 --> 01:48:11,464
It's a long way,
isn't it?
1371
01:48:11,532 --> 01:48:13,966
Aw! Everything's
got to be perfect with you.
1372
01:48:14,035 --> 01:48:15,900
I don't want
to get there
1373
01:48:15,970 --> 01:48:17,403
and fiind out
it stinks.
1374
01:48:17,471 --> 01:48:18,802
At least
think about it.
1375
01:48:21,575 --> 01:48:22,769
All right.
1376
01:48:24,145 --> 01:48:25,578
I'll think about it.
1377
01:48:30,584 --> 01:48:31,516
Hey.
1378
01:48:33,554 --> 01:48:35,044
When we get outside...
1379
01:48:35,122 --> 01:48:37,556
and we get to the horses,
1380
01:48:37,625 --> 01:48:39,058
just remember one thing.
1381
01:48:43,130 --> 01:48:44,563
Hey, wait a minute.
1382
01:48:44,632 --> 01:48:46,259
What?
1383
01:48:46,333 --> 01:48:49,268
You didn't see LeFors
out there, did you?
1384
01:48:49,336 --> 01:48:50,394
LeFors?
1385
01:48:51,572 --> 01:48:53,506
No.
1386
01:48:53,574 --> 01:48:55,701
Oh, good.
1387
01:48:55,776 --> 01:48:57,209
For a moment there,
1388
01:48:57,278 --> 01:48:59,712
I thought we were
in trouble.
1389
01:49:05,638 --> 01:49:06,468
!Fuego!
1390
01:49:06,539 --> 01:49:08,837
[Gunfiire]
1391
01:49:08,908 --> 01:49:09,932
!Fuego!
1392
01:49:10,009 --> 01:49:13,001
[Gunfiire]
1393
01:49:13,078 --> 01:49:14,272
!Fuego!
1394
01:49:14,346 --> 01:49:17,645
[Gunfiire]
1395
01:50:27,213 --> 01:50:30,182
It was 1 967,
1396
01:50:30,250 --> 01:50:36,155
and the script floated around and
somehow came to me with not much chance.
1397
01:50:36,222 --> 01:50:38,918
The agency-- I wasn't
that well known at the time,
1398
01:50:38,992 --> 01:50:43,190
and the agency thought
that I'd be very right for it.
1399
01:50:43,263 --> 01:50:47,029
I read it, and it seemed--
1400
01:50:47,100 --> 01:50:52,367
it seemed like a commercial piece, if
you could make that determination then.
1401
01:50:52,438 --> 01:50:55,464
But I can't remember how it came to me,
other than itjust floated around,
1402
01:50:55,541 --> 01:50:59,875
but I was told almost straightaway
that as right as it was for me,
1403
01:50:59,946 --> 01:51:02,847
that it was a long shot
because theywanted stars.
1404
01:51:02,916 --> 01:51:06,181
I was aware that there were
a lot ofpeople fiighting for me,
1405
01:51:06,252 --> 01:51:09,449
and I was certainly
very moved by that.
1406
01:51:09,522 --> 01:51:13,424
The studio didn't want me.
It was 20th Century-Fox.
1407
01:51:13,493 --> 01:51:18,897
Theywanted two stars. I think
theywanted Steve McQueen and Paul.
1408
01:51:18,965 --> 01:51:23,197
I guess the beauty ofthe story
and to my fortune,
1409
01:51:23,269 --> 01:51:26,329
Paul and the writer
and George in particular--
1410
01:51:26,406 --> 01:51:28,704
George is the one
that went to the mat for it.
1411
01:51:28,775 --> 01:51:31,300
He said, " Look, it's my movie.
I'm the director."
1412
01:51:31,377 --> 01:51:35,541
Finally, as I understood it, they kept
beating him up, and he beat them up.
1413
01:51:35,615 --> 01:51:40,848
They kept forcing him to look at other
actors, and they ran out ofactors.
1414
01:51:42,655 --> 01:51:46,853
I didn't feel in rehearsal that anything
special was happening, but I never do.
1415
01:51:46,926 --> 01:51:50,225
Also, I was tooyoung at the time--
I was only 30 years old.
1416
01:51:50,296 --> 01:51:54,562
It was a new experience.
It was the fiirst real big fiilm,
1417
01:51:54,634 --> 01:51:56,727
and I was so much into it
as an actor,
1418
01:51:56,803 --> 01:52:00,603
I was so much into the process
ofacting and rehearsing...
1419
01:52:00,673 --> 01:52:03,699
that I didn't-- I wasn't able to step
aside like maybe the writer could...
1420
01:52:03,776 --> 01:52:06,176
or even the director,
or maybe even Paul,
1421
01:52:06,245 --> 01:52:08,270
and say, "Gee, this feels
this way or that way."
1422
01:52:08,348 --> 01:52:11,943
I was too much in the process
ofdeveloping the character...
1423
01:52:12,018 --> 01:52:14,350
anddeveloping
a connection with Paul.
1424
01:52:14,420 --> 01:52:17,651
I knew it was a big thing. It was a big
movie. It was advertised as a big movie.
1425
01:52:17,724 --> 01:52:22,661
It was to be changed a fair amount
from the movie that I read.
1426
01:52:22,729 --> 01:52:24,822
The movie that I read was--
1427
01:52:24,897 --> 01:52:28,594
did not really have the depth
that George brought to it.
1428
01:52:28,668 --> 01:52:31,603
It was quitejokey,
1429
01:52:31,671 --> 01:52:34,231
and it was always anachronistic,
but that didn't bother me.
1430
01:52:34,307 --> 01:52:36,741
It may have bothered some critics,
but it didn't bother me.
1431
01:52:36,809 --> 01:52:39,573
But George is the one
that really gave it...
1432
01:52:39,645 --> 01:52:43,376
a kind ofdimension and breadth
by opening it up.
1433
01:52:43,449 --> 01:52:49,081
It wasn't quite so much...
jokes back and forth, you know ?
1434
01:52:49,155 --> 01:52:52,921
He created space for behavior
and for character development...
1435
01:52:52,992 --> 01:52:57,326
that I think is what really
gave the fiilm that extra lift.
1436
01:52:58,498 --> 01:53:01,331
Myadmiration forGeorge,
George Roy Hill--
1437
01:53:01,401 --> 01:53:03,426
Imean, thisguyreallyhad--
1438
01:53:03,503 --> 01:53:07,439
First, he wasjustperverse enough
tomakeitaninteresting experience.
1439
01:53:07,507 --> 01:53:12,035
I appreciated that. He was wily
and wicked and full ofsurprises...
1440
01:53:12,111 --> 01:53:16,810
and enjoyed being surprised back,
so that made it lively, and I liked it.
1441
01:53:16,883 --> 01:53:20,944
But beyond that, George had
such discipline for the work.
1442
01:53:21,020 --> 01:53:24,456
I mean, he knew exactly
what he wanted to do.
1443
01:53:24,524 --> 01:53:26,515
He was totally prepared.
1444
01:53:26,592 --> 01:53:29,720
He has no fat in his fiilms,
and I learned a lot from that.
1445
01:53:29,796 --> 01:53:35,063
He really understands
the importance ofstory.
1446
01:53:35,134 --> 01:53:39,594
Working with George-- that was the fiirst
real fiilm experience I really had--
1447
01:53:39,672 --> 01:53:44,940
was a pleasure, and it's got
a carryover resonance for me.
1448
01:53:49,712 --> 01:53:54,740
LuluBetanson. LuluBetanson came
on theset-- Butch'ssister.
1449
01:53:54,817 --> 01:53:58,753
She came on theset,
andshelookedat thesituation.
1450
01:53:58,821 --> 01:54:02,348
She said, "Okay."
She had kind ofa squinty eye.
1451
01:54:02,424 --> 01:54:05,860
The great thing about Lulu-- she lived
in this little town called Circleville,
1452
01:54:05,928 --> 01:54:10,297
and she drove over the pass, so to
speak, to see us fiilming in St. George.
1453
01:54:10,365 --> 01:54:14,267
She was all tickled to see, you know,
the horses and cowboys and everything,
1454
01:54:14,336 --> 01:54:16,566
but she didn't know
what to expect,
1455
01:54:16,638 --> 01:54:19,664
because how can you tell looking
atjust a scene being shot ?
1456
01:54:19,742 --> 01:54:23,906
It was the scene where Harvey Logan
gets kicked in the balls by Paul.
1457
01:54:23,979 --> 01:54:27,972
She saw that, and she said, "Is this
what the movie's gonna be like ?"
1458
01:54:28,050 --> 01:54:30,484
[ Laughing ] You know ?
And not that it couldn't have happened.
1459
01:54:30,552 --> 01:54:35,080
Anyway, later-- 'cause she was
pretty shrewd, she was tough--
1460
01:54:35,157 --> 01:54:38,991
the studio didn't want her on the wrong
side 'cause she was a living relative.
1461
01:54:39,061 --> 01:54:41,996
They didn't want her standing up
and saying, " Hey, this didn't happen,"
1462
01:54:42,064 --> 01:54:44,897
or "That's not the way it was,"
or "This is nonsense."
1463
01:54:44,967 --> 01:54:47,561
So theywere trying to buy her.
1464
01:54:47,636 --> 01:54:51,197
Theywere having a hard time. Theywere
trying to get her to the premiere.
1465
01:54:51,273 --> 01:54:53,833
Theywanted to get her to fly back to
New Haven, Connecticut. I mean, why--
1466
01:54:53,909 --> 01:54:57,003
I think they had it at New Haven
'cause George went to school at Yale.
1467
01:54:57,079 --> 01:55:00,810
I wondered what we were doing there.
it had nothing to do with Butch Cassidy.
1468
01:55:00,883 --> 01:55:02,851
But theywere trying
to get her there...
1469
01:55:02,918 --> 01:55:05,910
and also get her on board
to support the fiilm.
1470
01:55:05,988 --> 01:55:07,922
And she was, like,
not having any part ofit.
1471
01:55:07,990 --> 01:55:11,790
She said, "Well, I'll see the fiilm
when I see it, and we'll see."
1472
01:55:11,860 --> 01:55:14,158
So theywanted me-- theywanted
to send me in as an emissary...
1473
01:55:14,229 --> 01:55:16,288
'cause I lived in Utah--
to talk to her.
1474
01:55:16,365 --> 01:55:21,564
So there's this confab in Salt Lake City
with fiield reps for 20th Century-Fox.
1475
01:55:21,637 --> 01:55:26,131
Most fiield guys, in those days-- maybe
it hasn't changed--just play golf.
1476
01:55:26,208 --> 01:55:29,439
Suddenly they have all this heat, had to
do something, and theywere panicked,
1477
01:55:29,511 --> 01:55:31,479
so they said,
"You talk to her, okay ?"
1478
01:55:31,547 --> 01:55:34,516
So we all sit in the offiice.
[ Laughing ]
1479
01:55:34,583 --> 01:55:37,643
She says, "Yes ?" and she's
very quiet and very sweet,
1480
01:55:37,719 --> 01:55:40,950
and she says, "Well, I don't know.
I haven't seen the fiilm.
1481
01:55:41,023 --> 01:55:45,460
Mr. Redford seems like a very nice man,
but I don't know. I haven't seen it,
1482
01:55:45,527 --> 01:55:48,553
and I don't know
what I'm going to say."
1483
01:55:48,630 --> 01:55:50,791
They said, "Would you come back
to the premiere ?" "Well, I don't know.
1484
01:55:50,866 --> 01:55:54,495
I've never been on an airplane before,
and I don't know that I want to go."
1485
01:55:54,570 --> 01:55:56,834
So they could see that she was
going to be a tough case...
1486
01:55:56,905 --> 01:55:59,965
and wasn't going to be
bought too easily by anything.
1487
01:56:00,042 --> 01:56:03,136
So fiinally, the guy got
so desperate, he said,
1488
01:56:03,212 --> 01:56:09,014
" But look. We've got-- This is a lot of
money that we have, and it's in the can.
1489
01:56:09,084 --> 01:56:11,052
This fiilm is in the can."
1490
01:56:11,119 --> 01:56:14,316
And she was, like,
looking for some money. She was like,
1491
01:56:14,389 --> 01:56:16,983
"What am I gonna get out ofthis ?
What areyou gonna give me...
1492
01:56:17,059 --> 01:56:20,517
to have me go to the premiere
and talk nice about the fiilm ?"
1493
01:56:20,596 --> 01:56:24,362
And the guy said, "We can't.
You don't understand.
1494
01:56:24,433 --> 01:56:28,699
The fiilm is in the can. It's done."
And she said, "Oh, okay.
1495
01:56:28,770 --> 01:56:31,933
Well, I'm not in the can."
[ Laughing ]
1496
01:56:32,007 --> 01:56:37,001
So I knew that she and I were
gonna get along okay, and we did.
1497
01:56:37,079 --> 01:56:41,846
Istayedin touch withher
andclose toheruntilherdeath.
1498
01:56:41,917 --> 01:56:45,478
I went to her homeyears later-- I did
a piece for the NationaIGeographic...
1499
01:56:45,554 --> 01:56:48,182
on riding the old Outlaw Trail,
and it ended--
1500
01:56:48,257 --> 01:56:52,284
the story started up in Kaycee, Wyoming,
and ended there at her place...
1501
01:56:52,361 --> 01:56:54,727
with me talking to her.
1502
01:56:54,796 --> 01:56:58,630
She had letters from him,
when he wrote when he was away.
1503
01:56:58,700 --> 01:57:02,864
She was only sixyears old
when he left the house.
1504
01:57:02,938 --> 01:57:06,897
It was really through correspondence
that she was able to stay in touch.
1505
01:57:06,975 --> 01:57:10,429
Now, beyond that, there may be myth.
I don't know.
1506
01:57:10,696 --> 01:57:13,790
I like to play practical jokes
on people, and I've been--
1507
01:57:13,866 --> 01:57:15,857
I've played
some pretty good ones,
1508
01:57:15,935 --> 01:57:19,894
but that, by far, I would have to say is
the-- I was had the most with that one.
1509
01:57:19,972 --> 01:57:23,703
I mean, it wasjust-- it was brilliant.
It was absolutely brilliant.
1510
01:57:23,776 --> 01:57:26,176
I suddenly realized
I'd been completely had...
1511
01:57:26,245 --> 01:57:29,146
over two months--
1512
01:57:29,215 --> 01:57:33,845
two months ofstrategy,
and two months of...
1513
01:57:33,920 --> 01:57:36,411
total sandbag, complete--
1514
01:57:36,489 --> 01:57:38,582
Youjust had to love it.
Youjust had to appreciate it.
1515
01:57:38,658 --> 01:57:42,685
But there I was, and I thought,
"Wouldn't it be great ifl could win ?"
1516
01:57:42,762 --> 01:57:45,424
That would make it the best ofall.
And I almost did.
1517
01:57:45,498 --> 01:57:48,433
This fiilm was themostfun.
Imean,
1518
01:57:48,501 --> 01:57:52,437
Iremembersayingatone time lalmost
feltguiltygettingpaidforit.
1519
01:57:52,505 --> 01:57:56,498
It'snotquite true. Ididhaveagood
time, andworking with Paul was great,
1520
01:57:56,576 --> 01:58:00,137
and we developed a lifelong friendship
as a result ofit,
1521
01:58:00,212 --> 01:58:04,046
both professionally
and personally.
1522
01:58:04,116 --> 01:58:08,678
It was born out ofa very natural
working relationship, so that was good.
1523
01:58:11,290 --> 01:58:13,224
We had so much fun doing it...
1524
01:58:13,292 --> 01:58:18,268
that that has to be probably
the most fun on any fiilm I've had.
1525
01:58:22,706 --> 01:58:26,472
I remember Bill Goldman calling me
at the time andjust being devastated.
1526
01:58:26,543 --> 01:58:29,637
He said, "I don't believe these sons
ofbitches. I don't believe these--"
1527
01:58:29,713 --> 01:58:31,647
George was even worse.
1528
01:58:31,715 --> 01:58:34,548
They took the attitude, "To hell with
it. To hell with them, to hell with it."
1529
01:58:34,618 --> 01:58:36,779
Then suddenly
the fiilm started to pick up,
1530
01:58:36,853 --> 01:58:39,754
and, ofcourse, they bothjust happened
to be in the neighborhood every day...
1531
01:58:39,823 --> 01:58:42,951
to see ifthe fiilm was
gonna be picked up--
1532
01:58:43,026 --> 01:58:45,517
you know, gain strength--
and it did.
1533
01:58:45,595 --> 01:58:49,395
Within-- God, I think
about two, three weeks--
1534
01:58:49,466 --> 01:58:51,730
it rose past the--
1535
01:58:51,802 --> 01:58:54,532
Whatever negative criticism
there was, itjust kinda...
1536
01:58:54,604 --> 01:58:56,538
blew right through it,
and that was the end ofthat.
1537
01:58:56,606 --> 01:59:01,441
Clearly, critics missed the chord that--
and often that happens with critics.
1538
01:59:01,511 --> 01:59:04,844
They're so busy looking at it from
an intellectual or academic place...
1539
01:59:04,915 --> 01:59:09,318
they miss what kind ofa chord is really
being touched with the general public.
1540
01:59:09,386 --> 01:59:12,116
You know, ifit doesn't fiit some scheme
that they have in mind,
1541
01:59:12,189 --> 01:59:14,783
they say, "Oh, this is no good,"
but the fact is,
1542
01:59:14,858 --> 01:59:20,353
that whole business about "who are those
guys ?" just caught on, as the song did.
1543
01:59:20,430 --> 01:59:22,330
The song got crucifiied.
"What's that song--"
1544
01:59:22,399 --> 01:59:24,333
And I wondered
what it was doing in the fiilm.
1545
01:59:24,401 --> 01:59:27,837
I said, "What's that got to do
with anything ? Raindrops ?
1546
01:59:27,904 --> 01:59:30,372
Falling on your head ?
Oh, come on."
1547
01:59:30,440 --> 01:59:35,309
Well, I was wrong, and critics
were wrong. Audiences loved it.
1548
01:59:35,378 --> 01:59:39,405
I remember the experience
ofthe fiilm coming out,
1549
01:59:39,483 --> 01:59:43,078
and I was surprised
by the kind ofsuccess it had.
1550
01:59:43,153 --> 01:59:46,418
Then itjust ran away, and
ran into the area offashion...
1551
01:59:46,490 --> 01:59:49,288
and kind ofsocial--
1552
01:59:49,359 --> 01:59:52,726
It moved into a whole social
strata in our society.
1553
01:59:52,796 --> 01:59:56,163
So I wasn't prepared
for that at all.
1554
01:59:56,233 --> 01:59:59,066
As to why, I think--
1555
01:59:59,136 --> 02:00:02,833
I think it had to do with...
1556
02:00:02,906 --> 02:00:06,273
more than guys running
out oftime.
1557
02:00:06,343 --> 02:00:10,404
It had to do with a certain kind of
bonding and certain kind ofconnection--
1558
02:00:10,480 --> 02:00:12,948
a real friendship,
1559
02:00:13,016 --> 02:00:16,918
ifit's male/female, or female/female,
male/male, it doesn't really matter.
1560
02:00:16,987 --> 02:00:19,387
When you can put that on fiilm
in a very real way,
1561
02:00:19,456 --> 02:00:23,950
in a verywarm way
and an entertaining way,
1562
02:00:24,027 --> 02:00:26,120
I think it has
a lot ofcurrency.
1563
02:00:26,196 --> 02:00:28,460
So I suspect that had
something to do with it.
1564
02:00:28,532 --> 02:00:31,365
And maybejust Paul and I
together, you know.
1565
02:00:31,434 --> 02:00:34,335
Paul and I are always talking
about doing another project.
1566
02:00:34,404 --> 02:00:38,340
I guess we're both as surprised as
anybody else why that hasn't happened,
1567
02:00:38,408 --> 02:00:41,434
considering Hollywood's
penchant for doing sequels.
1568
02:00:41,511 --> 02:00:44,173
Although he and l-- we're not interested
in the sequel to either one ofthem.
1569
02:00:44,247 --> 02:00:46,875
They tried to get us
to do one of TheSting,
1570
02:00:46,950 --> 02:00:50,613
Butch Cassidy, and we weren't
interested in that.
1571
02:00:50,687 --> 02:00:54,088
But we were interested
in working together on another picture.
1572
02:00:54,157 --> 02:00:56,091
So the question is:
What would that be ?
1573
02:00:56,159 --> 02:00:58,354
You would have thought
the agency--you know,
1574
02:00:58,428 --> 02:01:02,956
basicallyvery commerce-minded--
would have done something...
1575
02:01:03,033 --> 02:01:05,558
or the industry itself
would have done something,
1576
02:01:05,635 --> 02:01:08,001
'cause clearly it's a workable formula,
but itjust hasn't happened.
1577
02:01:08,071 --> 02:01:11,370
There's not been a good script that's
come ourwaywe wanted to commit to.
1578
02:01:11,441 --> 02:01:14,433
But we would like to.
1579
02:01:14,511 --> 02:01:19,448
This fiilm, unquestionably,
was the fiilm that put me in a new place.
1580
02:01:19,516 --> 02:01:23,782
I mean, I was known. I'd done Barefoot
in the Park and some other fiilms.
1581
02:01:23,853 --> 02:01:25,787
I'd been on the stage
and in the theater,
1582
02:01:25,855 --> 02:01:29,916
but this is the one
that changed my life,
1583
02:01:29,993 --> 02:01:34,521
where I could no longer live my life
the way I had been living normally.
1584
02:01:39,650 --> 02:01:44,747
Igot tobe thestraightman.
Everycomedy, youhave thestraightguy.
1585
02:01:44,822 --> 02:01:46,847
[ Laughing ]
It's very important.
1586
02:01:46,924 --> 02:01:49,893
That reallywas sort of
Etta's part in that.
1587
02:01:49,961 --> 02:01:52,589
It was frustrating for me. I mean,
you know, when everybody's laughing...
1588
02:01:52,663 --> 02:01:56,121
you want people to laugh atyou too--
orwith you, I guess.
1589
02:01:56,200 --> 02:01:58,293
[ Laughs ]
And, uh--
1590
02:01:58,369 --> 02:02:01,998
So, in a way
it was sort ofhard...
1591
02:02:02,073 --> 02:02:04,701
when they had these great lines,
and, you know--
1592
02:02:05,843 --> 02:02:08,471
But...
1593
02:02:08,546 --> 02:02:11,037
it waspartofthemakeup
ofthe whole thing.
1594
02:02:11,115 --> 02:02:13,447
I believe that it was...
1595
02:02:18,022 --> 02:02:21,389
a good piece ofmaterial
to begin with,
1596
02:02:21,459 --> 02:02:24,223
that it had a beginning,
a middle and an end,
1597
02:02:24,295 --> 02:02:29,995
that it had the elements--
that it had humor.
1598
02:02:30,067 --> 02:02:35,869
It had romance,
it had tragedy--
1599
02:02:35,940 --> 02:02:40,377
it had everything
in a very nice meld.
1600
02:02:40,444 --> 02:02:45,780
It had three
extremely likeable characters.
1601
02:02:46,851 --> 02:02:49,149
It was well--
1602
02:02:49,220 --> 02:02:51,814
It was beautifully photographed.
1603
02:02:51,889 --> 02:02:55,903
It was extremelywell-directed.
1604
02:03:00,041 --> 02:03:03,807
Idon't thinkyou thinkabout
creatingan effect.
1605
02:03:03,878 --> 02:03:05,812
I think thatyouhave to do--
1606
02:03:05,880 --> 02:03:07,814
takeascene,
andyouhave to doit...
1607
02:03:07,882 --> 02:03:13,184
ashonestlyasyoucan,
given whatyouhave to deal with.
1608
02:03:13,254 --> 02:03:15,814
Youdo
whateveryouhave to do,
1609
02:03:15,890 --> 02:03:19,291
and you hope that it has
the effect thatyou want.
1610
02:03:22,096 --> 02:03:27,193
That was what was
aimed for in that scene.
1611
02:03:27,268 --> 02:03:29,702
We totallywanted
the audience...
1612
02:03:29,770 --> 02:03:33,672
to be totally surprised
at the end ofthat scene.
1613
02:03:33,741 --> 02:03:39,338
We wanted them to think that something--
I'll say "bad--" was going to happen.
1614
02:03:39,413 --> 02:03:43,372
I mean, here's a man with a gun,
you know, he's making this girl undress.
1615
02:03:43,451 --> 02:03:46,352
I mean, is he going to kill her ?
ls he going to rape her ?
1616
02:03:46,420 --> 02:03:52,325
What's going to happen ? It had to be
totally serious until that end line.
1617
02:03:52,393 --> 02:03:54,759
Goldman had said that Etta--you know,
that there was always a surprise,
1618
02:03:54,829 --> 02:03:57,127
but there was a surprise
with every character, you know ?
1619
02:03:57,198 --> 02:04:00,463
I mean, every character, there was
something a little bit different.
1620
02:04:00,534 --> 02:04:02,468
You know ?
1621
02:04:02,536 --> 02:04:07,473
The most romantic scene
that I have is with Butch,
1622
02:04:07,541 --> 02:04:10,942
and yet I'm
Sundance's girlfriend.
1623
02:04:11,011 --> 02:04:14,276
Sundance, who is supposedly
the killer, you know,
1624
02:04:14,348 --> 02:04:17,215
is afraid--
you know, can't swim...
1625
02:04:17,284 --> 02:04:20,378
and is afraid tojump off
the cliffat that moment.
1626
02:04:20,454 --> 02:04:23,753
So we all--
It was a very nice meld...
1627
02:04:23,824 --> 02:04:27,351
oftaking these characters,
1628
02:04:27,428 --> 02:04:30,659
and there were surprises
in all ofthem.
1629
02:04:30,731 --> 02:04:33,723
And what makes-- You know, ifwe all had
sort ofthe exact formula...
1630
02:04:33,801 --> 02:04:38,101
ofwhat made something
appeal to--
1631
02:04:38,172 --> 02:04:40,333
to the audiences,
1632
02:04:40,407 --> 02:04:43,846
you know, we'd all be making
great movies all the time.
1633
02:04:44,547 --> 02:04:47,175
There were
fiive orsix cameras.
1634
02:04:47,250 --> 02:04:51,346
There were
only four camera operators,
1635
02:04:51,421 --> 02:04:54,788
andConradsaid
lcouldoperate this camera.
1636
02:04:54,857 --> 02:05:00,090
This wasnotinanykindofakeyspot
forthisparticularthing.
1637
02:05:00,163 --> 02:05:02,358
It wasanAeroflex
ona McConnellhead.
1638
02:05:02,432 --> 02:05:06,061
I mean, you know,
I wasjust panning across.
1639
02:05:06,135 --> 02:05:10,572
I had a fantasy ofbecoming fiirst woman
in the camera union or something...
1640
02:05:10,640 --> 02:05:14,576
because there weren't anywomen
at that particular moment in time.
1641
02:05:14,644 --> 02:05:17,670
And I practiced this
and practiced doing the shot,
1642
02:05:17,747 --> 02:05:21,239
just panning these guys
along the railroad track.
1643
02:05:21,317 --> 02:05:24,081
It evidently--
1644
02:05:24,153 --> 02:05:26,747
I feel very naive,
and it was...
1645
02:05:28,257 --> 02:05:31,590
not very bright on my part,
but--
1646
02:05:31,661 --> 02:05:34,152
It, evidently, was
upsetting to several people,
1647
02:05:34,230 --> 02:05:38,997
one ofthem the director, who chose not
to say anything until after the fact,
1648
02:05:40,103 --> 02:05:42,094
to anybody.
1649
02:05:42,171 --> 02:05:45,971
Anotherwas, I think, the stuntmen that
were riding along the railroad tracks...
1650
02:05:46,042 --> 02:05:49,808
and, I think,
also some camera operators.
1651
02:05:49,879 --> 02:05:52,313
Theyrolledthe cameras,
ldid theshot,
1652
02:05:54,050 --> 02:05:56,985
and it was the last shot
ofthe day.
1653
02:05:58,654 --> 02:06:02,181
The set-- You know, everyone--
It was-- The set was wrapped,
1654
02:06:02,258 --> 02:06:07,161
and George Roy Hill who, I guess,
had observed all ofthis going on...
1655
02:06:07,230 --> 02:06:10,256
and chose to sit by the camera
that I was operating...
1656
02:06:10,333 --> 02:06:15,066
and was absolutely furious, only
I didn't realize it at that moment--
1657
02:06:18,007 --> 02:06:22,000
He said, "I want to talk toyou
when we get back to the motel,"
1658
02:06:22,078 --> 02:06:27,072
and the end result was
that I was banned from the set,
1659
02:06:27,150 --> 02:06:29,448
except forwhen I was working.
1660
02:06:29,519 --> 02:06:31,453
And it was...
1661
02:06:33,056 --> 02:06:36,321
very devastating to me.
1662
02:06:36,392 --> 02:06:40,419
In a way, that incident
or that action...
1663
02:06:40,496 --> 02:06:42,964
haunted me
for the rest ofthe fiilm.
1664
02:06:43,032 --> 02:06:48,937
But I think it's in perspective now.
[ Laughs ]
1665
02:06:49,005 --> 02:06:54,341
I think theparts
thatlpersonallyenjoyedthemost...
1666
02:06:55,411 --> 02:06:57,879
were the
improvisationalparts--
1667
02:06:57,947 --> 02:07:00,245
thebikeride,
1668
02:07:00,316 --> 02:07:04,412
which wasalittleparagraph
in thescript...
1669
02:07:04,487 --> 02:07:06,955
andwas one
ofthemusicalinterludes.
1670
02:07:07,023 --> 02:07:11,926
It was a series ofshots...
1671
02:07:11,994 --> 02:07:15,430
that were set up
by George and Conrad,
1672
02:07:15,498 --> 02:07:18,365
and Paul and I were really--
1673
02:07:18,434 --> 02:07:20,368
we were given...
1674
02:07:21,904 --> 02:07:25,203
kind ofa path ofaction...
1675
02:07:25,274 --> 02:07:27,799
as to where to go
with this bicycle.
1676
02:07:27,877 --> 02:07:31,904
But what we did--
we were-- we fiilled in.
1677
02:07:34,016 --> 02:07:38,385
And it was a lot offun.
Not terribly comfortable on the bicycle,
1678
02:07:38,454 --> 02:07:40,547
riding through the orchard
and so on.
1679
02:07:40,623 --> 02:07:45,526
But it was-- You know, the thing with
the cows really sort ofjust happened,
1680
02:07:45,595 --> 02:07:48,393
and wejust--
1681
02:07:48,464 --> 02:07:51,763
It was kind oflike taking
a coloring book...
1682
02:07:51,834 --> 02:07:54,860
and being able to
kind ofput in the color.
1683
02:07:54,937 --> 02:07:58,168
And then down when we were
shooting in Mexico...
1684
02:07:58,241 --> 02:08:00,801
and doing the Bolivian sequence,
there was another sequence like that.
1685
02:08:00,877 --> 02:08:04,870
Anyway, I enjoyed
those parts the most.
1686
02:08:06,582 --> 02:08:08,550
I think...
1687
02:08:08,618 --> 02:08:13,646
in a way it goes back to
the camera operating incident,
1688
02:08:13,723 --> 02:08:15,850
because that happened
very early on.
1689
02:08:15,925 --> 02:08:17,859
I had not started shooting.
1690
02:08:17,927 --> 02:08:21,158
So when you incur
the director's wrath...
1691
02:08:21,230 --> 02:08:23,858
beforeyou've even
started shooting a fiilm,
1692
02:08:27,770 --> 02:08:31,706
anytime thatyou can kind of
get away from him... [ Laughs ]
1693
02:08:32,775 --> 02:08:34,834
was really the best part
for me.
1694
02:08:36,112 --> 02:08:38,979
The progression
from rehearsals to fiilming...
1695
02:08:39,048 --> 02:08:41,881
to end product...
1696
02:08:41,951 --> 02:08:43,885
is always surprising.
1697
02:08:43,953 --> 02:08:47,252
The rehearsals on this particular fiilm--
We were sitting around a table.
1698
02:08:47,323 --> 02:08:51,919
We'd read a bit, we'd talk a lot
about whateverwas going on,
1699
02:08:51,994 --> 02:08:55,293
or it would be described what
the set was going to look like,
1700
02:08:55,364 --> 02:08:58,595
orwhere we were going to be
or something like that.
1701
02:08:58,668 --> 02:09:00,761
It was rather flat.
1702
02:09:00,836 --> 02:09:03,862
You get to the fiilming part
ofit, and--
1703
02:09:06,075 --> 02:09:09,238
and it becomes more,
there's more dimension to it.
1704
02:09:09,312 --> 02:09:11,177
It's kind of
like an oil painting:
1705
02:09:11,247 --> 02:09:15,707
You start off, and you maybe
do the background fiirst,
1706
02:09:15,785 --> 02:09:20,415
and then you layer on something else,
and it all begins to take shape...
1707
02:09:20,489 --> 02:09:22,423
and have dimension.
1708
02:09:22,491 --> 02:09:27,986
I'm always surprised when I see
the fiinal product ofa fiilm...
1709
02:09:28,064 --> 02:09:31,625
because there's always more--
even though you've been there,
1710
02:09:31,701 --> 02:09:36,934
you've done it, so to speak--
but there is always something more...
1711
02:09:37,006 --> 02:09:40,533
when you're able to see it
in an objective way,
1712
02:09:42,545 --> 02:09:45,878
and there's always
a bit ofa surprise.
1713
02:09:45,948 --> 02:09:48,917
I think one ofthe things
that really came out was--
1714
02:09:48,985 --> 02:09:52,716
The humorwas the fiirst thing
in the rehearsal thatyou could see,
1715
02:09:52,788 --> 02:09:56,747
the timing between Redford
and Newman.
1716
02:09:57,760 --> 02:10:01,594
That became better and better...
1717
02:10:01,664 --> 02:10:04,565
as fiilming went on.
1718
02:10:04,634 --> 02:10:08,627
You never really know how
a movie is going to turn out...
1719
02:10:08,704 --> 02:10:10,899
until it's fiinally
on the screen, and you see it,
1720
02:10:10,973 --> 02:10:13,339
and you're always kind of
surprised by something,
1721
02:10:13,409 --> 02:10:16,867
even though you might have been
there for every step ofit.
1722
02:10:19,815 --> 02:10:25,651
I'm very proud to have been in a movie
that not only people really liked,
1723
02:10:25,721 --> 02:10:28,019
but is really a good movie.
1724
02:10:28,090 --> 02:10:31,116
And so it's--
1725
02:10:33,896 --> 02:10:36,262
So now I like this movie a lot.
1726
02:10:43,900 --> 02:10:46,095
One ofthe reasons
I didn't write it as a novel--
1727
02:10:46,169 --> 02:10:49,400
I'd been a novelist for ten years
before I became a screenwriter--
1728
02:10:50,941 --> 02:10:53,432
I didn't want to do that kind
ofresearch. I don't like horses.
1729
02:10:53,510 --> 02:10:55,944
I didn't want to know
whatyou'd feed a horse.
1730
02:10:56,012 --> 02:10:59,880
It's so easy, basically,just to say,
"They mount up and ride off,"
1731
02:10:59,950 --> 02:11:03,010
rather than talking about howyou
saddle a horse and all that shit.
1732
02:11:03,086 --> 02:11:06,317
I neverwanted to write it as a novel.
One ofthe things I wanted was...
1733
02:11:06,389 --> 02:11:09,847
that other technicians
take care ofthat stuff.
1734
02:11:09,926 --> 02:11:12,827
I had no idea it would be a movie,
you understand, when I wrote it.
1735
02:11:12,896 --> 02:11:18,198
I'd neverwritten an original screenplay
before, and there was a--
1736
02:11:18,268 --> 02:11:20,202
There was a pressure.
It was--
1737
02:11:20,270 --> 02:11:23,433
I was teaching at Princeton.
It was--
1738
02:11:24,641 --> 02:11:27,405
I can't think oftheyear--
'67, '68, I guess.
1739
02:11:27,477 --> 02:11:31,641
and I wrote it over Christmas vacation
in my offiice at Princeton.
1740
02:11:31,715 --> 02:11:33,649
I was teaching
only that oneyear.
1741
02:11:33,717 --> 02:11:36,743
Then it went out and was
turned down by everybody.
1742
02:11:36,820 --> 02:11:42,417
I was working with a producerwho was
very helpful, named LarryTurman.
1743
02:11:42,492 --> 02:11:46,758
Then I did a rewrite
that didn't have much change.
1744
02:11:46,830 --> 02:11:52,063
Everybody wantedit,
andthen Foxboughtit.
1745
02:11:52,135 --> 02:11:55,866
It was originally called
The Sundance Kid and Butch Cassidy,
1746
02:11:55,939 --> 02:11:57,873
which llikebetter.
1747
02:11:57,941 --> 02:12:01,900
Wwhen Newman took the otherpart,
the titleshifted.
1748
02:12:01,978 --> 02:12:05,778
What made it a fabulous story for me
was that theywent to South America,
1749
02:12:05,849 --> 02:12:10,218
'cause that was what was
revelatory and different and fresh.
1750
02:12:10,287 --> 02:12:13,313
They didn't stand and fiight,
and they ran away.
1751
02:12:13,390 --> 02:12:16,154
I mean, it was tricky
for me...
1752
02:12:16,226 --> 02:12:21,254
because I'm aware there's
a 27-minute chase in the middle,
1753
02:12:21,331 --> 02:12:25,597
and that's only there
tojustifywhy theywent away.
1754
02:12:25,669 --> 02:12:27,694
I wanted the audience
to want them to go away,
1755
02:12:27,771 --> 02:12:30,205
because in those days
that was radical.
1756
02:12:30,273 --> 02:12:33,470
John Wayne didn't do that.
Gary Cooper did not run.
1757
02:12:33,543 --> 02:12:36,341
He stood and he fought,
and no matterwhat the odds were,
1758
02:12:36,413 --> 02:12:38,381
he did that 'cause
that's what brave men did.
1759
02:12:38,448 --> 02:12:41,315
So Butch, in a sense,
did a miraculous thing.
1760
02:12:41,384 --> 02:12:43,750
In real life,
as you probably know,
1761
02:12:43,820 --> 02:12:48,189
there was a super posse that Harriman
got-- they never chased them...
1762
02:12:48,258 --> 02:12:51,455
because the minute Butch heard about
the super posse and who was on it,
1763
02:12:51,528 --> 02:12:55,055
he got the hell out 'cause he had
no chance against those people.
1764
02:12:55,131 --> 02:12:58,362
I still love the story.
I still fiind them--
1765
02:12:58,435 --> 02:13:01,336
You know,
they're a captivating--
1766
02:13:01,404 --> 02:13:03,463
Cassidywas
a fascinating fiigure.
1767
02:13:03,540 --> 02:13:07,806
We don't know much about the Sundance
Kid except he was born in NewJersey,
1768
02:13:07,877 --> 02:13:11,574
his name was Harry Longbaugh, and he was
apparently miraculous with a gun.
1769
02:13:15,452 --> 02:13:19,354
We know that Etta Place--
We have pictures, and she was beautiful.
1770
02:13:19,422 --> 02:13:23,290
I think she was a schoolteacher, not
a whore, which a lot ofpeople think.
1771
02:13:23,360 --> 02:13:27,126
It was such a tough life there, I don't
think anybody that stunningly pretty...
1772
02:13:27,197 --> 02:13:29,529
could have lived as a whore.
1773
02:13:29,599 --> 02:13:35,128
The most skillful screenwriting I've
ever done was the character of Etta.
1774
02:13:35,205 --> 02:13:39,403
I hate women in action movies 'cause
they're always-- they can't do anything,
1775
02:13:39,476 --> 02:13:45,176
except for SigourneyWeaver in Alien,
and she didn't happen at that point.
1776
02:13:45,248 --> 02:13:48,411
So what I did with Etta,
very consciously--
1777
02:13:48,485 --> 02:13:52,285
every scene she's in
she gives a surprise.
1778
02:13:52,355 --> 02:13:56,792
She's the girlfriend, not the teacher.
She knows who the super posse is.
1779
02:13:56,860 --> 02:13:59,226
She speaks Spanish,
she teaches them the language.
1780
02:13:59,295 --> 02:14:02,196
She's leaving 'cause they're gonna die.
Everything she does--
1781
02:14:02,265 --> 02:14:05,723
She's never there saying,
"Oh, be careful." She's basically in it.
1782
02:14:05,802 --> 02:14:07,793
And that was hard.
1783
02:14:07,871 --> 02:14:10,931
Giving her a surprise each time was
hard, and that was very conscious.
1784
02:14:17,375 --> 02:14:20,173
It's still painful...
1785
02:14:20,245 --> 02:14:24,011
when you fiinish a piece,
and you give it to a director,
1786
02:14:24,082 --> 02:14:26,448
and you know
they're going to alter it.
1787
02:14:26,518 --> 02:14:29,487
They can make it better orworse,
but it won't be what's in your head.
1788
02:14:29,554 --> 02:14:32,250
There's still that moment of
"I wish theywouldn't do that."
1789
02:14:32,323 --> 02:14:34,553
But that'sjust a certain--
1790
02:14:34,626 --> 02:14:40,030
That's like a woman having a baby.
There's sadness as well asjoy.
1791
02:14:40,098 --> 02:14:44,330
Imean, Georgehappenedtobe
aproperdirectorforthatmaterial...
1792
02:14:44,402 --> 02:14:47,735
anddid wonderful work withit.
1793
02:14:47,805 --> 02:14:50,968
But very fewguys today
can do that.
1794
02:14:51,042 --> 02:14:55,445
Very fewpeople can doactionand
comedy. George wasgoodatcomedy.
1795
02:14:55,513 --> 02:14:59,711
George was an actor, and George was
a very successful Broadway director...
1796
02:14:59,784 --> 02:15:02,252
and television director
before he got into it.
1797
02:15:02,320 --> 02:15:05,016
So George's inclination is always--
George, for example--
1798
02:15:05,089 --> 02:15:07,319
I don't think George ever
fiired a writer.
1799
02:15:07,392 --> 02:15:11,123
I mean, once he made that choice
he would staywith that writer.
1800
02:15:11,196 --> 02:15:15,428
Also, he always felt hisjob was
to make the script work.
1801
02:15:17,769 --> 02:15:21,170
A lot ofguys can't do that.
1802
02:15:21,239 --> 02:15:23,799
They aren't willing to do it,
they don't know how to do it,
1803
02:15:23,875 --> 02:15:26,400
and sometimes they're right
not to try and do it.
1804
02:15:26,477 --> 02:15:30,004
We had a wonderful work experience
that summer. It was odd.
1805
02:15:30,081 --> 02:15:33,847
I went out from New York, where I live,
to California, and we met--
1806
02:15:33,918 --> 02:15:38,685
Mymemoryis wemet
every day fortwomonths,
1807
02:15:38,756 --> 02:15:43,386
andwe wentoverandoverandover
thescript, notalteringitmuch.
1808
02:15:43,461 --> 02:15:47,261
He'sjust going over it and over it
and over it, I think, in his head.
1809
02:15:47,332 --> 02:15:49,266
"What about--
What is this scene like ?"
1810
02:15:49,334 --> 02:15:52,326
It's a wonderful experience
thatyou almost never get,
1811
02:15:52,403 --> 02:15:55,736
talking with someone,
going over and over and over the script,
1812
02:15:55,807 --> 02:15:58,207
till the director gets it
in his head.
1813
02:15:58,276 --> 02:16:01,439
One ofthe reasons
movies fuck up...
1814
02:16:01,512 --> 02:16:05,812
is I'm writing apples, and you're
directing oranges, and no one told us.
1815
02:16:05,883 --> 02:16:09,341
It's not out ofmalice, often,
it'sjust because we never had said,
1816
02:16:09,420 --> 02:16:11,945
"Oh, this scene was meant to be funny.
I didn't get that."
1817
02:16:12,023 --> 02:16:14,856
The basic problem
we all had with Butch--
1818
02:16:14,926 --> 02:16:18,692
forget ifit would work-- I mean, that's
obviously always the problem, but--
1819
02:16:22,533 --> 02:16:27,698
Was it too funny, soyou wouldn't
give a shit about them when they die ?
1820
02:16:27,772 --> 02:16:30,070
That was always the balance.
It's always a hard--
1821
02:16:30,141 --> 02:16:34,373
When you're dealing with comedy and
drama, fiinding proper balance is brutal.
1822
02:16:34,445 --> 02:16:37,197
That's always the hardest thing.
1823
02:16:41,468 --> 02:16:44,369
Then we had two fabulous weeks
ofrehearsal,
1824
02:16:44,438 --> 02:16:47,430
the fiirst week
withjust the three principals.
1825
02:16:47,508 --> 02:16:50,409
The second week
we brought in Connie--
1826
02:16:50,477 --> 02:16:55,437
I mean, we got so much ironed out
in those two weeks, and it worked.
1827
02:16:55,516 --> 02:16:57,882
It was a wonderful period
for all ofus.
1828
02:16:57,951 --> 02:17:02,752
I remember George and l--
Katharine Ross--
1829
02:17:02,823 --> 02:17:07,089
They all used to come in injeans
and T-shirts, and Katharine,
1830
02:17:08,495 --> 02:17:11,487
I guess is as pretty as anybody
I've ever seen in my life,
1831
02:17:11,565 --> 02:17:16,901
and Redford's nice-looking,
and Newman's amazing-looking.
1832
02:17:16,970 --> 02:17:21,031
I remember George and I at the end of
rehearsal would say, "We feel so ugly,"
1833
02:17:21,108 --> 02:17:23,941
'cause there wasjust the fiive ofus
in this huge room.
1834
02:17:27,247 --> 02:17:30,375
And the script person--
the script guywas there.
1835
02:17:30,451 --> 02:17:35,267
But it wasjust these
wonderful-looking human beings.
1836
02:17:37,203 --> 02:17:40,604
When a movie works,
it's really a miracle,
1837
02:17:40,673 --> 02:17:43,403
'cause there's
so many reasons it shouldn't.
1838
02:17:43,476 --> 02:17:47,139
There are so many people pulling
in different directions and so many--
1839
02:17:47,213 --> 02:17:50,944
It's hard to know what direction you're
going. Are we going northeast on this ?
1840
02:17:51,016 --> 02:17:53,143
Is that the spot ?
Are we going there ?
1841
02:17:53,219 --> 02:17:55,585
A lot ofmovies get screwed up in
shooting 'causeyou think, "This works,
1842
02:17:55,654 --> 02:17:59,454
I'll go with this," and you've affected
the balance ofthe movie.
1843
02:17:59,525 --> 02:18:02,289
You're not going northeast anymore,
you're suddenly going south,
1844
02:18:02,361 --> 02:18:04,591
and you'vejust
screwed it up entirely.
1845
02:18:04,663 --> 02:18:07,598
A lot ofpicturesjust get screwed up
that way. I've been involved with some.
1846
02:18:07,666 --> 02:18:10,965
You don't know
quite whatyou're doing.
1847
02:18:11,036 --> 02:18:13,903
It's very tricky. The shooting is
a very unpleasant part ofthe movie.
1848
02:18:13,973 --> 02:18:17,170
Idon'tlike tobearound.
It'ssoboring.
1849
02:18:17,243 --> 02:18:19,473
Iget verynervous.
1850
02:18:19,545 --> 02:18:23,504
Themoney that'sbeingspentis
soawful. I'm compulsiveabout time.
1851
02:18:23,582 --> 02:18:27,780
Ihateit when things dragonandare
late, andtherepeatingandrepeating--
1852
02:18:27,853 --> 02:18:31,482
There's nojob for the writer.
Most-- This is-- I'm--
1853
02:18:31,557 --> 02:18:36,927
I won't say I'm wrong on this, I just
think almost no one agrees with me.
1854
02:18:36,996 --> 02:18:39,487
In my head I'm a novelist who
happens to write screenplays.
1855
02:18:39,565 --> 02:18:43,001
I've done that work.
I know the screenplay by heart.
1856
02:18:43,068 --> 02:18:48,233
Um, I think I make the actors nervous,
and there's no work for me there.
1857
02:18:48,307 --> 02:18:50,332
Everybody else has a reason
for being there,
1858
02:18:50,409 --> 02:18:53,344
and it's like agony
for me to be on the set.
1859
02:18:53,412 --> 02:18:56,939
Ifthere's work, it's fiine,
but there's not, for the most part.
1860
02:18:57,016 --> 02:19:00,782
The actors are trying to make something
ofthe script that they've been handed.
1861
02:19:00,853 --> 02:19:04,584
It'sjust not a place--
1862
02:19:04,657 --> 02:19:06,989
I don't have any desire
to be a director or a producer.
1863
02:19:07,059 --> 02:19:09,493
Ifl did, I'd want to be there and try
and learn as much as much as I could,
1864
02:19:09,562 --> 02:19:11,496
but I've always hated
being on the set.
1865
02:19:11,564 --> 02:19:16,501
I was there fora weekin themiddle
where theyshot the whorehousesequence.
1866
02:19:16,569 --> 02:19:19,902
George flewme out,
andlsawall the dailies.
1867
02:19:19,972 --> 02:19:22,907
He wantedtoknowifit was okay,
andofcourseit was wonderful.
1868
02:19:22,975 --> 02:19:26,570
There's this fabulousshot where they're
being chased, andthey're riding,
1869
02:19:26,645 --> 02:19:32,174
andthen they disappear, andthen
theycome up, andthey disappearagain.
1870
02:19:32,251 --> 02:19:35,220
Then they come up another, and they--
It'sjust this marvelous shot ofthem.
1871
02:19:35,287 --> 02:19:37,949
It wasjust extraordinary.
I remember I screamed when I saw that.
1872
02:19:38,023 --> 02:19:41,515
It's a wonderfully acted movie.
The two men are wonderful.
1873
02:19:41,594 --> 02:19:44,085
They didn't get--
Newman, as I say, got no reviews.
1874
02:19:44,163 --> 02:19:47,758
It was like he wasjust
being himself, ho-ho-ho.
1875
02:19:47,833 --> 02:19:52,600
And Redford got reviews-- didn't get
so much acting as mythic reviews.
1876
02:19:52,671 --> 02:19:55,401
There was a lot oftrouble
during the shooting...
1877
02:19:55,474 --> 02:19:58,932
because Redford was so clearly
sensational in the picture.
1878
02:19:59,011 --> 02:20:02,913
The Newman people said,
" Don't give him so many close-ups,"
1879
02:20:02,982 --> 02:20:05,712
and Newman could not--
Newman was thrilled.
1880
02:20:05,784 --> 02:20:11,188
He's one ofthose people-- Some actors
wanna be surrounded by bad actors,
1881
02:20:11,257 --> 02:20:16,424
but Newman liked having wonderful actors
because he knew they made him better.
1882
02:20:28,180 --> 02:20:31,172
The two scenes are--
1883
02:20:31,249 --> 02:20:36,448
when they're payroll guards
in South America, and the guy gets shot,
1884
02:20:36,521 --> 02:20:38,716
they have a scene--
1885
02:20:38,790 --> 02:20:41,520
they're hiding behind a rock, and the
Mexican bandits start shooting at them--
1886
02:20:41,593 --> 02:20:44,061
and they have a scene
about what are they doing there.
1887
02:20:44,129 --> 02:20:47,963
The otherscene was
ascene where Etta leaves,
1888
02:20:48,033 --> 02:20:52,265
andthat'salongscene, where they're
ina tent watchingamovie.
1889
02:20:52,337 --> 02:20:54,271
Thatmustbe
three, fourminutes.
1890
02:20:54,339 --> 02:20:58,867
Itends with them watching themselves
gettingkilledin this 191 1 two-reeler,
1891
02:20:58,944 --> 02:21:02,505
andEttamovingaway, andthenback
to them andback toherandback--
1892
02:21:02,581 --> 02:21:05,175
Imean, it'sjust--
It'sabout their dying,
1893
02:21:05,250 --> 02:21:07,878
and also it's about legends.
1894
02:21:07,953 --> 02:21:13,789
Both the introspection scene by the
rock and the scene when she leaves...
1895
02:21:13,859 --> 02:21:16,225
were essentially-- 'cause we're
dealing with legendary people.
1896
02:21:16,294 --> 02:21:18,489
They're different from the rest ofus.
How'd they get that way,
1897
02:21:18,563 --> 02:21:21,157
and what do they know about
what theywere doing-- all that stuff.
1898
02:21:21,233 --> 02:21:24,293
But, as I say,
the movie that I wrote was darker.
1899
02:21:24,369 --> 02:21:26,929
I was not at the fiirst sneak,
I think in San Francisco,
1900
02:21:27,005 --> 02:21:30,805
and George called me in despair.
1901
02:21:30,876 --> 02:21:33,640
And I remember I think he said,
"They laughed at my baby,"
1902
02:21:33,712 --> 02:21:36,476
or something like that,
he said they laughed too much.
1903
02:21:36,548 --> 02:21:40,263
So we went through the movie
taking out laughs.
1904
02:21:44,434 --> 02:21:46,994
You know, we're talking about
a movie that's 25 years old,
1905
02:21:47,070 --> 02:21:51,803
and I would guess in 25 moreyears
it will bejust as valid as it is now--
1906
02:21:51,875 --> 02:21:55,572
howevervalid that is--
and I have no idea why.
1907
02:21:55,645 --> 02:21:58,978
I mean, I remember--
It was such a strange hit,
1908
02:21:59,049 --> 02:22:02,951
and it had such an impact on kids
in the late '60s, early '70s.
1909
02:22:03,019 --> 02:22:07,979
I remember there was a whole theory
that it was about the Vietnam War,
1910
02:22:08,058 --> 02:22:12,256
the super posse was the government and
Johnson coming to getyou, and Nixon,
1911
02:22:12,328 --> 02:22:15,388
that Butch and Sundance were
these people trying-- and I have no--
1912
02:22:15,465 --> 02:22:18,366
I was staggered when I heard that,
but I heard it from a lot ofpeople.
1913
02:22:18,435 --> 02:22:20,369
No one has any idea
why it's popular.
1914
02:22:20,437 --> 02:22:24,373
Except thereviews wereso terrible,
andwe thoughtit wasa flop.
1915
02:22:24,441 --> 02:22:28,377
Thereviews were
awfulin New York.
1916
02:22:28,445 --> 02:22:33,382
It was-- There wasn'tonereview
thatyoucouldreprintinits entirety.
1917
02:22:33,450 --> 02:22:38,752
Pauline Kael, who was a...
person who wrote for The New Yorker--
1918
02:22:38,822 --> 02:22:41,256
I remember her review was entitled
"The Bottom ofthe Pit."
1919
02:22:41,324 --> 02:22:45,488
The reviews werejust
uniformly bad.
1920
02:22:45,562 --> 02:22:48,156
Some were like two-and-a-halfstars--
that kind ofthing-- out offour,
1921
02:22:48,231 --> 02:22:50,529
or maybe three stars
out offour.
1922
02:22:52,102 --> 02:22:56,300
I remember the day before,
George and I were doing a hype thing,
1923
02:22:56,372 --> 02:22:59,569
and they had a bunch ofcomposers in
that we had to talk to...
1924
02:22:59,642 --> 02:23:03,134
the daywe opened, I think,
or the day afterwe opened.
1925
02:23:03,213 --> 02:23:05,875
It was a shitty, rainy day,
1926
02:23:05,949 --> 02:23:07,883
and I remember theywere
asking George questions like,
1927
02:23:07,951 --> 02:23:12,752
" Did Bacharach intentionally steal
from Fellini's something or other ?"
1928
02:23:12,822 --> 02:23:16,087
It wasjust awful.
Then we walked over to the theater.
1929
02:23:16,159 --> 02:23:19,720
It was playing at the Sutton
on 57th Street.
1930
02:23:19,796 --> 02:23:24,790
We walked over and we said, "Should we
go in ?" And the managerwas smiling.
1931
02:23:24,868 --> 02:23:27,837
He said, " Business is wonderful,
and the audience loved it."
1932
02:23:27,904 --> 02:23:31,431
We said, " How's it doing on Broadway ?"
He said, "I don't know, I'll fiind out."
1933
02:23:31,508 --> 02:23:34,909
He said "It's doing
wonderfully there too."
1934
02:23:34,978 --> 02:23:38,914
It was raining, it was drizzling,
and George had an offiice at 57th.
1935
02:23:38,982 --> 02:23:41,280
I went uptown,
he went downtown,
1936
02:23:41,351 --> 02:23:44,616
and I remember one ofus said to
the other, " Maybe it's not a disaster."
1937
02:23:44,687 --> 02:23:46,621
And that was how we thought about it.
I never saw it.
1938
02:23:46,689 --> 02:23:50,750
We had one big sneak
in New York, months and months--
1939
02:23:50,827 --> 02:23:53,455
Iike, 1 ,500 people--
and it died.
1940
02:23:53,530 --> 02:23:56,363
Itjust-- it was all businesspeople,
and itjust lay there,
1941
02:23:56,432 --> 02:23:59,401
because all anybodywas wondering was,
was it gonna do any business ?
1942
02:23:59,469 --> 02:24:03,530
I never saw the movie for, like,
seven years, until it was reissued.
1943
02:24:03,606 --> 02:24:07,064
It wassohorrible watchingit thatone
time. I've onlyseenit, really, twice.
1944
02:24:07,143 --> 02:24:09,634
And then I saw it, and it was like
Gilbert and Sullivan the second time...
1945
02:24:09,712 --> 02:24:12,306
because it had become
part ofthe culture.
1946
02:24:12,382 --> 02:24:14,976
All the kids knew the lines, and I
can't-- Everybodywas saying the lines,
1947
02:24:15,051 --> 02:24:16,985
and it was terrifiic.
1948
02:24:19,559 --> 02:24:21,584
I only really like two movies
I've been involved with,
1949
02:24:21,661 --> 02:24:23,595
this and The Princess Bride.
1950
02:24:23,663 --> 02:24:27,531
So I have very little bad
to say about this movie.
1951
02:24:27,600 --> 02:24:29,932
I thought it was wonderful.
I thought it was a terrifiic flick.
1952
02:24:30,002 --> 02:24:33,438
Everybody got along.
Everybody got along great.
1953
02:24:33,506 --> 02:24:36,964
I think.
1954
02:24:37,043 --> 02:24:39,671
Newman was always tellingjokes,
Redford was always on the phone,
1955
02:24:39,745 --> 02:24:42,680
and I was always waiting for them.
[ Laughs ]
1956
02:24:42,748 --> 02:24:45,808
Sure, there were gags played,jokes
played, everybody kidding each other,
1957
02:24:45,885 --> 02:24:48,581
working hard,
always working on the script,
1958
02:24:48,654 --> 02:24:51,748
pushing against it
and enjoying the work.
1959
02:24:51,824 --> 02:24:54,315
We had a terrifiic time.
1960
02:24:54,393 --> 02:24:56,918
It's one ofa kind,
and, as a composer,
1961
02:24:56,996 --> 02:25:00,727
maybeyoujust get one ofthose
in your lifetime, ifyou're lucky.
1962
02:25:08,658 --> 02:25:13,891
- Let's tryit.
- Forgetit. Makealightchange.
1963
02:25:13,963 --> 02:25:17,558
- Allright, getready.
- Six. Let'sgo. Oh, shit.
1964
02:25:17,634 --> 02:25:20,762
- Goahead. Rollit.
- Go. Go, fellas.
1965
02:25:20,837 --> 02:25:23,738
Get thebullgoin'.
Gethimgoin'.
1966
02:25:23,807 --> 02:25:27,868
- Cut.
- I thought wehadeightpeople.
1967
02:25:27,944 --> 02:25:31,380
- Print that. It was verygood.
-Jerry, is the cameraheresafe ?
1968
02:25:31,447 --> 02:25:36,510
I'llgetspeeds from Doughertyand
speeds from Connie on the fourth camera.
1969
02:25:36,586 --> 02:25:38,713
Andthen I willsayaction.
1970
02:25:38,788 --> 02:25:44,226
- This is onlyarehearsal.
- Somebody didn'tget themessage.
1971
02:25:44,294 --> 02:25:47,730
- [Explosion]
- [Horse Wwhinnying]
1972
02:25:49,799 --> 02:25:51,892
- [Wwhinnying Continues]
- [Man Chattering]
1973
02:25:54,470 --> 02:25:57,337
[Man] lsaidto George once, lsaid,
"Nomatterhowmuch lscrewedup,
1974
02:25:57,407 --> 02:25:59,841
ornomatterhowbadlyhescrews up,
1975
02:25:59,909 --> 02:26:03,709
I think thepicture willsurvive
because thematerialissogood"
1976
02:26:03,780 --> 02:26:05,771
Ibelieve that.
1977
02:26:05,849 --> 02:26:08,682
I thinkit's one ofthebest
pieces ofmaterial, period.
1978
02:26:08,751 --> 02:26:11,652
Not the treatmentofit,
just these twopeople.
1979
02:26:11,721 --> 02:26:16,954
Thestoryis-- onasheer,
gutnarrative level--is terrifiic.
1980
02:26:17,026 --> 02:26:19,153
Wwhat they didis
aninterestingstory.
1981
02:26:19,229 --> 02:26:23,290
Wwhat thepicture works offentirelyis
therelationshipbetween the twoguys.
1982
02:26:23,366 --> 02:26:28,804
Ifthat washes, ifone enjoysbeing
in thepresence ofthe twomen,
1983
02:26:28,872 --> 02:26:34,310
ifany warmthbetween the two comes over
on-screen, thenyou'regonnago withit.
1984
02:26:34,377 --> 02:26:35,478
Ifnot, there'snopicture.
1985
02:26:35,478 --> 02:26:36,308
Ifnot, there'snopicture.
1986
02:26:48,191 --> 02:26:50,216
[George Roy Hill]
Thereare differentkinds ofleaders.
1987
02:26:50,293 --> 02:26:53,262
Someleadbecause they're aggressive,
somebecause they'resmarter,
1988
02:26:53,329 --> 02:26:55,820
somejustby the force
oftheirpersonalities.
1989
02:26:55,899 --> 02:26:59,027
Idon'tknowexactlyhowhe didit,
butheledandcontrolled...
1990
02:26:59,102 --> 02:27:01,662
themost vicious gang
in the Wwestat that time...
1991
02:27:01,738 --> 02:27:06,266
andstillremainedthemostaffableand
good-naturedoutlawin frontierhistory.
1992
02:27:06,342 --> 02:27:08,310
Everybodylikedhim,
even the Pinkertonmen.
1993
02:27:08,378 --> 02:27:12,246
Wwhen lgotinvolvedwith theproject,
I thoughtPaulshouldplayButch,
1994
02:27:12,315 --> 02:27:17,582
buteverybodyelse thoughtheshould
playSundance, including Dick Zzanuck.
1995
02:27:17,654 --> 02:27:21,556
The trouble was thatalotofpeople
were thinkingofButch asa funnyman,
1996
02:27:21,624 --> 02:27:23,922
a comic character.
1997
02:27:23,993 --> 02:27:26,928
Isawhim asa warm,
open, amiableguy,
1998
02:27:26,996 --> 02:27:30,193
andthat's exactly
whatNewmanis.
1999
02:27:30,266 --> 02:27:32,461
[PauINewman]
lkeptButch reallyloose.
2000
02:27:32,535 --> 02:27:35,993
Therearesome charactersyoukeep
tight, havea very tightrein on.
2001
02:27:36,072 --> 02:27:39,530
Forinstance, lkept CooIHandLuke very
loose. Ikept the Hustler very tight.
2002
02:27:39,609 --> 02:27:42,601
IkeptHudvery tight.
2003
02:27:42,679 --> 02:27:45,671
Butl thoughtforButch, I wasn't
gonnamakeanyjudgementsaboutit...
2004
02:27:45,748 --> 02:27:48,683
andjustuseagooddeal
ofmyselfin thepart.
2005
02:27:48,751 --> 02:27:51,549
Gentlemen, thankyou verymuch.
Wwrapitup. Now, holdit, boys.
2006
02:27:57,026 --> 02:28:00,587
[Hill] Sundance was Butch's opposite
inalmostevery way.
2007
02:28:00,663 --> 02:28:04,565
He wasa deadlykiller,
aman ofsudden violences...
2008
02:28:04,634 --> 02:28:07,626
andtitanic drunks.
2009
02:28:07,704 --> 02:28:10,195
Hehadno friends really,
exceptButch,
2010
02:28:10,273 --> 02:28:13,071
andthe extraordinary thing
was the closeness oftheir friendship...
2011
02:28:13,142 --> 02:28:15,838
andthe fact thatitlasted
all theirlives.
2012
02:28:15,912 --> 02:28:19,643
I wantedBob from thebeginning.
He'sa tremendousacting talent.
2013
02:28:19,716 --> 02:28:23,584
He'salsoa veryindependent,
hard-nosedmick...
2014
02:28:23,653 --> 02:28:25,587
whogoesprettymuch
his own way.
2015
02:28:25,655 --> 02:28:28,249
These were qualities that worked
very well forSundance,
2016
02:28:28,324 --> 02:28:31,589
includingagenuine warmth
undera verycoolexterior.
2017
02:28:31,661 --> 02:28:34,994
[RobertRedford] There wasareason
he was the fastestgunat that time.
2018
02:28:35,064 --> 02:28:40,400
Becausehe usedhisgunsalot. He's
aloof, he'saloner, somewhatsullen,
2019
02:28:40,470 --> 02:28:43,871
and, to the outsider,
2020
02:28:43,940 --> 02:28:46,431
heisa very
distantkindofguy,
2021
02:28:46,509 --> 02:28:48,602
maybe evenabitschizoid.
2022
02:28:48,678 --> 02:28:51,408
I was interested,
more thananything,
2023
02:28:51,481 --> 02:28:53,415
in therelationship
between the twoguys.
2024
02:28:53,483 --> 02:28:57,783
I thoughtit was unique, fun, good.
Youseealotmore warmth.
2025
02:28:57,854 --> 02:29:02,052
[Hill] Actors canbeapain in the
ass with theirjealousyofeach other.
2026
02:29:02,125 --> 02:29:05,424
Buton this one, even though they didn't
knoweach otherbefore theystarted,
2027
02:29:05,495 --> 02:29:10,455
BobandPaulconsciously established
arelationship that was excellent.
2028
02:29:10,533 --> 02:29:13,559
ItincludedRedfordhaving tolaughat
allofNewman'sgod-awfuljokes,
2029
02:29:13,636 --> 02:29:17,094
andNewmanhadtoputup with
Redfordshowing upanywhere from...
2030
02:29:17,173 --> 02:29:19,141
ten to fiifteenminutes late
all the time.
2031
02:29:19,208 --> 02:29:22,473
But tohave thatkindofrelationship
offscreenis damnedimportant...
2032
02:29:22,545 --> 02:29:24,979
becauseit'llshowup
on-screenas well.
2033
02:29:25,048 --> 02:29:27,642
Sundance,
2034
02:29:27,717 --> 02:29:32,654
when we're done, ifhe's dead,
you're welcome to stay.
2035
02:29:32,722 --> 02:29:35,088
[ Clears Throat ] Listen,
I don't mean to be a sore loser,
2036
02:29:35,158 --> 02:29:38,093
but when it's done,
ifl'm dead, kill him.
2037
02:29:38,161 --> 02:29:40,595
Love to.
2038
02:29:49,205 --> 02:29:52,333
[Hill] The fiirstdayofshooting
was onSeptember 16, 1968,
2039
02:29:52,408 --> 02:29:57,436
onanarrow-gaugerailway thatruns
between DurangoandSilverton, Colorado.
2040
02:29:57,513 --> 02:29:59,481
Wwepicked
thisnarrow-gaugerailway...
2041
02:29:59,549 --> 02:30:02,416
because there wasaperiodtrain
that wasactually operating.
2042
02:30:05,922 --> 02:30:10,325
Wwehadtoshoot this outofcontinuity
because we were worriedaboutsnow.
2043
02:30:10,393 --> 02:30:12,827
The trainmade this trip
high up in themountains...
2044
02:30:12,895 --> 02:30:16,023
where thesnowcanbegin
anywhere from the endofSeptemberon,
2045
02:30:16,099 --> 02:30:18,533
so wehadto do
thisscene fiirst.
2046
02:30:22,805 --> 02:30:25,569
Therearealotofpressures onyou
the fiirst week. You'vejustarrived,
2047
02:30:25,641 --> 02:30:28,542
as we didhere,
with 165people.
2048
02:30:28,611 --> 02:30:33,378
You're veryaware thatyou're spending
anywhere from $30,000 to $35,000a day.
2049
02:30:33,449 --> 02:30:35,383
The crewdoesn'tknoweach other
particularly well,
2050
02:30:35,451 --> 02:30:39,012
andeverybody'salittlebitnervous
andout toprove themselves.
2051
02:30:39,088 --> 02:30:41,716
Ifyou'renotcareful, the whole thrust
thatfiirst week canbe...
2052
02:30:41,791 --> 02:30:43,816
toseehowmanysetups
youcanget...
2053
02:30:43,893 --> 02:30:48,523
toprove to themogulsat thestudio
thatit'sgonnabeasmooth operation.
2054
02:30:48,598 --> 02:30:53,035
I trytoavoid that trap byscheduling
my fiirst week's work veryloosely,
2055
02:30:53,102 --> 02:30:57,664
giving myselfanormalhalfweek's work
toaccomplishin one.
2056
02:30:57,740 --> 02:31:02,939
Even then lusually fuck up fiirst week
before lgetinto theswingofthings.
2057
02:31:03,012 --> 02:31:06,880
Preproductionrehearsalperiods
are veryimportant, I think.
2058
02:31:06,949 --> 02:31:09,645
Before westartedshooting
thisscenein Durango,
2059
02:31:09,719 --> 02:31:13,120
wehadalreadyrehearsed
fortwo weeksbackatFox.
2060
02:31:13,189 --> 02:31:16,989
Still, on thatfiirstdayshooting,
Paulreactedinan odd way.
2061
02:31:17,059 --> 02:31:21,325
During therehearsal, he'dbeen
veryrelaxedandveryeasyas Butch.
2062
02:31:21,397 --> 02:31:23,991
But whenhestartedthisscene
outside thebaggage car,
2063
02:31:24,066 --> 02:31:26,398
hebegan doing things
he'dneverdonebefore.
2064
02:31:26,469 --> 02:31:30,735
Heseemed, forthe fiirst time,
tostartplayingitlikea comic.
2065
02:31:30,806 --> 02:31:34,708
Heseemedtolose confiidence
inhis whole rehearsalapproach.
2066
02:31:34,777 --> 02:31:38,076
[Newman]
ln thatparticularscene,
2067
02:31:38,147 --> 02:31:43,608
Bill writes withshutoffspeeches,
with cutspeeches.
2068
02:31:43,686 --> 02:31:47,747
Wwell, thereasonaspeech is cutis
thatanothercharacterinterruptshim.
2069
02:31:47,823 --> 02:31:51,759
Wwhat thatdoes is
thatimposesarhythm on theactor.
2070
02:31:51,827 --> 02:31:53,761
In other words,
thescenepropels theactor...
2071
02:31:53,829 --> 02:31:58,698
ratherthan theactorcontrolling
orpropelling thepace ofthescene.
2072
02:31:58,768 --> 02:32:01,259
Icouldn'tunderstand
what thehell washappening.
2073
02:32:01,337 --> 02:32:03,862
[Hill] There wasalot
ofdiscussion those fiirstdays...
2074
02:32:03,940 --> 02:32:05,874
to whetherthis was
a comedyornot.
2075
02:32:05,942 --> 02:32:08,467
Idon't think there'sany difference
between directing forcomedy...
2076
02:32:08,544 --> 02:32:10,876
ordirecting fortragedy.
2077
02:32:10,947 --> 02:32:13,643
I think the directorandtheactors
have togo forthe truth--
2078
02:32:13,716 --> 02:32:17,083
therealityofasituation--
andmakeitbelievable.
2079
02:32:17,153 --> 02:32:20,122
IfPauINewmanis ina funnysituation,
andwebelievehim, we'Illaugh.
2080
02:32:20,189 --> 02:32:23,215
Ifhe's ina tragicsituation,
andwebelievehim, we'll cry.
2081
02:32:23,292 --> 02:32:26,591
Youdon'tplay funnyorsad.
Youplayreal.
2082
02:32:26,662 --> 02:32:28,755
[ Shouting ]
2083
02:32:28,831 --> 02:32:30,765
[ Horses Whinnying ]
2084
02:32:36,706 --> 02:32:39,402
[Hill] Ofthe threeprincipal
characters we were dealing with,
2085
02:32:39,475 --> 02:32:41,705
theleastisknown
aboutEtta Place.
2086
02:32:41,777 --> 02:32:43,711
There's onlyonepicture ofher
that weknowabout,
2087
02:32:43,779 --> 02:32:46,509
andthat was taken withSundance
atDeYoung's in New York...
2088
02:32:46,582 --> 02:32:49,107
when they went through there
on their wayto Bolivia.
2089
02:32:49,185 --> 02:32:52,746
Therearesomestories thatshe was
aschoolteacher, the way Billhasit,
2090
02:32:52,822 --> 02:32:55,188
butl thinkprobablyshe was
one oftheprostitutes...
2091
02:32:55,258 --> 02:32:57,624
from Fannie Porter'shouse
in Fort Wworth.
2092
02:32:57,693 --> 02:33:01,527
[Wwilliam Goldman] Girlsareaproblem
in Wwesterns 'cause theystop theaction.
2093
02:33:01,597 --> 02:33:05,033
Wwhile I was workingon thepicture,
we werealways talkingabout--
2094
02:33:05,101 --> 02:33:09,800
wheneveryoubrought thegirlinmake
sure things didn'tcome toastop...
2095
02:33:09,872 --> 02:33:11,806
because that'sa tendency
in Wwesterns.
2096
02:33:11,874 --> 02:33:14,308
Inanyactionpicture,
thegirlisabore.
2097
02:33:16,332 --> 02:33:19,426
[Hill] lnsome ways,
Katharine wasmiscastforthepart.
2098
02:33:19,501 --> 02:33:21,969
ThereaIEttaprobablyhad
moremileage onher...
2099
02:33:22,037 --> 02:33:24,028
andwasagoodbit tougher.
2100
02:33:24,106 --> 02:33:26,438
ButKatharinehas other
greatqualitiesgoing forher.
2101
02:33:26,508 --> 02:33:29,170
Shehasan enormous appeal
on thescreen.
2102
02:33:29,244 --> 02:33:31,178
She's cute,
she'ssexyashell,
2103
02:33:31,246 --> 02:33:35,774
andsheprojectsakindofvulnerability
that's veryendearing.
2104
02:33:40,689 --> 02:33:46,321
WweshotEtta's fiirstsceneat Grafton,
Utah,justoutside Zzion NationaIPark.
2105
02:33:46,395 --> 02:33:50,798
It wasactuallya desertedMormon
community withanabandonedchurch,
2106
02:33:50,866 --> 02:33:53,027
which we converted
intoaschoolhouse.
2107
02:33:53,102 --> 02:33:55,593
In fact, the onlyhouse weactually
constructedourselves...
2108
02:33:55,671 --> 02:33:57,662
was this littleplace
forEtta.
2109
02:34:00,509 --> 02:34:03,205
Wwehaditbuiltso we couldshoot
outside as wellas inside...
2110
02:34:03,278 --> 02:34:06,577
forthemoment when Butch
ridesaroundthehouse.
2111
02:34:09,485 --> 02:34:13,387
[NewmanAs Butch]
Youaremine, Etta Place, mine.
2112
02:34:13,455 --> 02:34:16,288
Youhearme ? Mine.
2113
02:34:16,358 --> 02:34:18,451
A-Allmine!
2114
02:34:23,265 --> 02:34:27,702
&&Raindropskeep fallin'
onmyhead&&
2115
02:34:27,770 --> 02:34:32,935
&&Andjustlike theguy
whose feetare toobig forhisbed&&
2116
02:34:33,008 --> 02:34:35,101
&&Nothingseems to fiit&&
2117
02:34:35,177 --> 02:34:38,669
&& Thoseraindropsare fallin'
onmyhead&&
2118
02:34:38,747 --> 02:34:41,011
&& Theykeep fallin'&&
2119
02:34:41,083 --> 02:34:45,782
&&So ljustdidme
some talkin'to thesun&&
2120
02:34:45,854 --> 02:34:52,225
&&Andlsaid, ldidn'tlike
the wayhegot things done&&
2121
02:34:52,294 --> 02:34:54,660
&&Sleepin'on thejob&&&&
2122
02:34:54,730 --> 02:34:56,664
[Hill] Wwhen Billandl were
workingon thescript,
2123
02:34:56,732 --> 02:35:00,259
we decidedon threeseparate
musicalsequences in themovie.
2124
02:35:00,335 --> 02:35:04,294
One ofthereasons was thatEtta didn't
have thatmuch footagein thepicture,
2125
02:35:04,373 --> 02:35:07,570
andwe wantedto createscenes
withoutdialogue...
2126
02:35:07,643 --> 02:35:11,875
over which we couldplaymusic
andletKatharineandPaul-- orBob--
2127
02:35:11,947 --> 02:35:13,881
improvise theirscenes.
2128
02:35:13,949 --> 02:35:16,577
Katharine does that very well
andveryeasily.
2129
02:35:16,652 --> 02:35:20,088
In fact, I think that themusical
sequencesprojecthercharacter...
2130
02:35:20,155 --> 02:35:22,180
andherrelationship
with theguys as well,
2131
02:35:22,257 --> 02:35:24,191
ifnotbetter,
than the dialoguesequences.
2132
02:35:46,081 --> 02:35:48,015
[Hill] Wwhen I wantedabull
forthissequence,
2133
02:35:48,083 --> 02:35:51,211
theyshippedme oneall the way
from Hollywoodout to Utah...
2134
02:35:51,286 --> 02:35:53,220
justforthis oneshot.
2135
02:35:53,288 --> 02:35:56,621
Thisparticularbull'sname
was Bill.
2136
02:35:56,692 --> 02:36:01,720
He wassupposedto chargeafterNewman,
afterNewman crashedthrough the fence--
2137
02:36:01,797 --> 02:36:04,823
oratleastafterNewman's double
crashedthrough the fence,
2138
02:36:04,900 --> 02:36:06,834
andPaultookhisplace
on theground.
2139
02:36:06,902 --> 02:36:09,700
Wwell, Bill was
a friendly-typebull...
2140
02:36:09,771 --> 02:36:14,140
in ordertomakehim charge,
theyhadalittle flipgun...
2141
02:36:14,209 --> 02:36:17,906
that theyloadedwithsomething
called "high life, "
2142
02:36:17,980 --> 02:36:21,882
andwhen I'dgive the cue, they'd
squirtitonpooroldBill'sballs,
2143
02:36:21,950 --> 02:36:25,215
andhe'd take offin whatever
directionhehappenedtobeheaded.
2144
02:36:25,287 --> 02:36:30,589
Idon'tknow whatkindofHollywood
training wasnecessary forthat.
2145
02:36:30,659 --> 02:36:34,720
Maybe Bill's forte was thathejust
didn't turn uglyafterwards.
2146
02:36:34,796 --> 02:36:38,698
Hekeptcomingback formore
withoutanynoticeable...
2147
02:36:38,767 --> 02:36:41,531
changein disposition.
2148
02:36:43,505 --> 02:36:46,531
Thebikesequencealsoprovided
our cinematographer, Connie Hall,
2149
02:36:46,608 --> 02:36:48,542
witha chance toimprovise.
2150
02:36:50,312 --> 02:36:52,246
Before lstartedwork
on the fiilm,
2151
02:36:52,314 --> 02:36:57,877
Iran close to50 Wwesternmovies
from Wwilliam S. Hart to thepresentday,
2152
02:36:57,953 --> 02:37:00,751
andofthe outdoorphotography
in therecentones,
2153
02:37:00,822 --> 02:37:03,256
I thought thebest
was doneby Connie.
2154
02:37:05,360 --> 02:37:08,124
Iconsultedhim agreatdeal
on the fiilm.
2155
02:37:08,197 --> 02:37:10,927
He wentalong withme
onmy fiinallocationscouting trips,
2156
02:37:10,999 --> 02:37:13,058
both in the UnitedStates
andin Mexico.
2157
02:37:13,135 --> 02:37:17,731
Andtogether wepickedlocations
wherenotonlylcouldstage well,
2158
02:37:17,806 --> 02:37:19,933
buthe couldget
hisbestphotographiceffects.
2159
02:37:20,008 --> 02:37:25,139
I wantedakindofwashed-out,
desaturatedcolorto the fiilm,
2160
02:37:25,214 --> 02:37:27,546
andConnieachievedthis
bya couple ofdevices.
2161
02:37:27,616 --> 02:37:31,450
First, he overexposedthe fiilm
asmuch as two orthreestops.
2162
02:37:31,520 --> 02:37:34,751
Healsoliked, wheneverpossible,
toshoot withbacklight.
2163
02:37:34,823 --> 02:37:39,055
Anddustandsmoke-- Christ, wehaddust
andsmokein everyshotconceivable.
2164
02:37:39,127 --> 02:37:41,391
Ilike thateffect.
I'vealways thought...
2165
02:37:41,463 --> 02:37:44,193
it wasmuchsexiertosee
anakedwomanhalf-veiled...
2166
02:37:44,266 --> 02:37:47,064
than tostare
atherass dead-on,
2167
02:37:47,135 --> 02:37:49,729
andConnie felt that wayabout
obscuringphotographic images.
2168
02:37:49,805 --> 02:37:51,739
[ Chattering ]
2169
02:37:53,475 --> 02:37:56,808
Wwe triedtoshoot
through thingsat theactors,
2170
02:37:56,878 --> 02:38:00,837
andsometimes theactors objected
inapretty unsubtle way.
2171
02:38:05,520 --> 02:38:08,921
I'm agrandmotheranda female,
andl'vegotmyrights.
2172
02:38:08,991 --> 02:38:11,255
[Hill] Everyonceina whileyourun
acrossasceneyoureally don'tlike,
2173
02:38:11,326 --> 02:38:14,762
andthat's the waylfeltabout the one
where Bobgrabs the fatlady,
2174
02:38:14,830 --> 02:38:17,628
andButch imitatesher voice.
2175
02:38:17,699 --> 02:38:20,395
Now, the trouble withit was,
itjustseemedphony.
2176
02:38:20,469 --> 02:38:25,236
Icouldn'tbelieve Butch couldimitate
her wellenough to fool Wwoodcock,
2177
02:38:25,307 --> 02:38:27,775
even though lplanned
tohelp thatlaterin thelooping...
2178
02:38:27,843 --> 02:38:30,311
byswitching to Paul's voice
halfway throughherprayer.
2179
02:38:30,379 --> 02:38:32,506
... Thy Kingdom come,
Thy willbe done--
2180
02:38:32,581 --> 02:38:35,573
Anyway, weshotitandpeopleseemed
to thinkit was funnyashell,
2181
02:38:35,651 --> 02:38:38,484
butldon'tlike the damn thing,
andlnever will.
2182
02:38:38,553 --> 02:38:43,047
- How high is this explosion gonna go ?
- I'd say maybe 75 feet.
2183
02:38:43,125 --> 02:38:45,491
Wwill theblast
knockitdown ?
2184
02:38:45,560 --> 02:38:48,757
[Hill] Forthescene
when Butchblows up thebaggage car,
2185
02:38:48,830 --> 02:38:51,321
wehadtobuildit
outofbalsa wood,
2186
02:38:51,400 --> 02:38:54,335
so ourstuntmen whostoodin front
ofit wouldn'tget toobadlybangedup.
2187
02:38:54,403 --> 02:38:56,337
Until it hits 75 feet--
2188
02:38:56,405 --> 02:38:59,397
Wwehada verygood
dynamiteman on theshow.
2189
02:38:59,474 --> 02:39:02,466
He was veryaccurate
as tosafe ranges ofoperation,
2190
02:39:02,544 --> 02:39:05,069
andhe couldplace theseguys
where they wouldn'tgethurt.
2191
02:39:05,147 --> 02:39:07,172
Jerry, there'sa camerahere.
2192
02:39:07,249 --> 02:39:09,911
Wwe constructedbunkers
forthe closestcameras.
2193
02:39:09,985 --> 02:39:12,283
Actually wehadfour cameras
on theshot,
2194
02:39:12,354 --> 02:39:14,584
andwe crankedthem
at varyingspeeds.
2195
02:39:14,656 --> 02:39:17,591
[ Chattering ]
2196
02:39:22,764 --> 02:39:26,256
Youhave to overcrankan explosion,
otherwiseit'llbe too faston fiilm.
2197
02:39:26,335 --> 02:39:30,362
A normalspeedis24 frames,
so we overcrank themain cameraat 64.
2198
02:39:30,439 --> 02:39:33,636
Asamatteroffact, wehad
differentspeeds onallofthe cameras.
2199
02:39:33,709 --> 02:39:36,405
Wwe didn't want to take
thisshotoveragain.
2200
02:39:36,478 --> 02:39:38,537
[Hill OnSet]
I'llgetspeeds from Edin thebunker...
2201
02:39:38,613 --> 02:39:43,073
andfrom Connie overon the fourth
camera, andthen I willsay "action. "
2202
02:39:44,252 --> 02:39:46,186
Well, that ought to do it.
2203
02:39:48,323 --> 02:39:51,554
[Horses Wwhinnying]
2204
02:40:06,908 --> 02:40:10,309
Thinkyou used enough
dynamite there, Butch ?
2205
02:40:10,379 --> 02:40:13,143
[Hill] ln themovie,
immediatelyafterthe explosion,
2206
02:40:13,215 --> 02:40:16,776
themoney from thesafe is
supposedtobe floating through theair,
2207
02:40:16,852 --> 02:40:20,288
andwehadtomatch the floatingmoney
on each one ofoursubsequentcuts.
2208
02:40:20,355 --> 02:40:25,224
Wwehadahuge Ritterfan concealedhere
beyondthe otherside ofthe train,
2209
02:40:25,293 --> 02:40:29,627
andwekeptfeeding fakemoneyintoit
toblowitinto theair forthoseshots.
2210
02:40:29,698 --> 02:40:31,996
It takesalotoftime
toget thesmokepods...
2211
02:40:32,067 --> 02:40:36,060
andthe floatingmoneyandtheactors
allcoordinatedforeachshot.
2212
02:40:36,138 --> 02:40:40,438
Individualmatching takes
like this canprove verycostly.
2213
02:40:57,021 --> 02:40:58,955
Forthearrival
ofthesuperposse,
2214
02:40:59,023 --> 02:41:02,288
wehadtobuildaspecialcar
forthehorses tojump outof.
2215
02:41:02,360 --> 02:41:04,225
It's three feethigher
thannormal,
2216
02:41:04,295 --> 02:41:07,662
so theguys riding thehorses wouldn't
getdecapitatedon thejump out.
2217
02:41:07,732 --> 02:41:11,395
Also, the only way thehorses couldget
a dynamicburstingoutofthe car...
2218
02:41:11,469 --> 02:41:13,437
wouldbeiftheyhad
alittle runadded,
2219
02:41:13,505 --> 02:41:15,871
so webuilt this ramp
on the farside ofthe car,
2220
02:41:15,940 --> 02:41:19,706
andwe openedboth doorsso thehorses
couldrun up theramp on oneside...
2221
02:41:19,777 --> 02:41:21,711
andout through the open door
on the other.
2222
02:41:21,779 --> 02:41:26,307
It wasa dangerousshotandcostover
$1,000perjump forthestuntriders.
2223
02:41:26,384 --> 02:41:30,912
So wehadseveralcameras foreachjump
so we wouldn'thave to doit too often.
2224
02:41:30,989 --> 02:41:34,254
Wweshotit, ofcourse, soyoudon'tsee
the open dooron the otherside,
2225
02:41:34,325 --> 02:41:37,385
anditjustlooks as ifthey're
pouringoutofa closedboxcar.
2226
02:41:43,835 --> 02:41:47,566
Whatever they're selling,
I don't want it.
2227
02:41:47,639 --> 02:41:51,075
One ofthe fascinating thingsabout
Butch was that whilemostheroes...
2228
02:41:51,142 --> 02:41:53,872
dealin confrontations
andshowdowns,
2229
02:41:53,945 --> 02:41:56,106
hespenthis whole life
trying toavoid them.
2230
02:41:56,180 --> 02:41:58,876
Thesmartest thinghe everdid was
to clearoutofthe country...
2231
02:41:58,950 --> 02:42:01,214
whenhesawcivilization
catching up withhim.
2232
02:42:01,286 --> 02:42:05,723
Mostotheroutlaws ofthatperiodstuck
aroundtogethunteddownandkilled.
2233
02:42:05,790 --> 02:42:07,883
[Gunshot]
2234
02:42:07,959 --> 02:42:11,156
Goldmanhada feeling that wemight
run intoalittle troublehere.
2235
02:42:11,229 --> 02:42:13,720
[Goldman] 'Cause themovieaudience
is usedto thehero in the Wwestern...
2236
02:42:13,798 --> 02:42:15,925
beingable to do
theimpossible.
2237
02:42:16,000 --> 02:42:19,299
Soyousay, "It's onlysixguys.
Wwhy doesn'tJohn Wwayneshoot them all?"
2238
02:42:19,370 --> 02:42:22,669
Or, "Wwhy doesn'tPauINewmanshoot them
all?" The factis, Newman can't.
2239
02:42:22,740 --> 02:42:24,674
Ifhe triedtoshoot them all,
they'dkillhim.
2240
02:42:24,742 --> 02:42:27,802
- [Gunshot]
- Hey, Butch !
2241
02:42:27,879 --> 02:42:30,575
- What ?
- They're very good !
2242
02:42:30,648 --> 02:42:34,482
[Hill] Paulandlhada disagreement
about theshootingoftheposse.
2243
02:42:34,552 --> 02:42:39,012
[Newman] Thatis, theproximity
andtheidentifiication oftheposse.
2244
02:42:39,090 --> 02:42:43,754
Ifelt that theposseshouldbe
nothingmore thanapresence.
2245
02:42:43,828 --> 02:42:47,195
Wwe'dshootona wide-angle lens togive
distanceratherthanalong focallens,
2246
02:42:47,265 --> 02:42:51,099
because then the character
is righton top ofyou.
2247
02:42:54,105 --> 02:42:56,505
- How manywere followin' us ?
- All of'em.
2248
02:42:56,574 --> 02:42:58,508
All of'em ?
2249
02:42:58,576 --> 02:43:01,340
What's the matter
with those guys ?
2250
02:43:01,412 --> 02:43:04,540
[Hill] lpreferredusingalong
lens, because that wayl wasable...
2251
02:43:04,616 --> 02:43:08,712
toget the feelingofdistanceandstill
keep them close enough tobemenacing.
2252
02:43:08,786 --> 02:43:12,381
Wwe useda500-millimeterzoom
toget thateffect.
2253
02:43:18,029 --> 02:43:21,658
- Damn it !
- Wweshot the veryendofthe chase...
2254
02:43:21,733 --> 02:43:23,633
along theAnimas Rivergorge
in Durango.
2255
02:43:25,870 --> 02:43:29,067
The way I fiigure it,
we can either fiight or give.
2256
02:43:29,140 --> 02:43:31,074
Ifwe give, we go tojail.
2257
02:43:31,142 --> 02:43:34,111
- No, we'lljump.
- Likehell we will.
2258
02:43:34,178 --> 02:43:36,976
[Hill] Wweshot thescene there
aftertheactualjumpitself,
2259
02:43:37,048 --> 02:43:41,542
but the water wasn'tdeep enough
forourtwostuntmen tojump into,
2260
02:43:41,619 --> 02:43:44,520
so we constructedaplatform
justoffthe edge ofthe cliff,
2261
02:43:44,589 --> 02:43:48,184
andPaulandBobjumpedonit
at the endoftheirscene.
2262
02:43:51,095 --> 02:43:54,496
[ Yelling ]
2263
02:43:56,100 --> 02:43:58,967
Wwehadtogoback to LosAngeles
fortheactualjump,
2264
02:43:59,037 --> 02:44:01,005
which was done
severalmonths later.
2265
02:44:01,072 --> 02:44:03,540
Wwe wentout to the FoxRanch
atMalibu,
2266
02:44:03,608 --> 02:44:08,045
andweputourtwostuntmen
on top ofthis 70-footcrane.
2267
02:44:11,716 --> 02:44:16,153
Wwestirredup the water witha dozen
outboardmotors tosimulate therapids.
2268
02:44:20,258 --> 02:44:24,058
BilIAbbott, who'sheadofFox's special
photographiceffects department...
2269
02:44:24,128 --> 02:44:28,565
hadthis glasspainted
tolooklike the cliffsaroundDurango.
2270
02:44:28,633 --> 02:44:31,966
Hesetup the camera toshoot
thestuntmen through theglass...
2271
02:44:32,036 --> 02:44:34,266
andpan them down
to where theyhit the water.
2272
02:44:34,338 --> 02:44:38,138
Here, ourtwostuntmen
jump offthe craneatMalibu.
2273
02:44:38,209 --> 02:44:41,701
You'llnotice they'regoing
across thescreenleft toright.
2274
02:44:42,914 --> 02:44:45,314
This ishowthatshotlooked
inproduction,
2275
02:44:45,383 --> 02:44:47,977
afterit wasphotographed
through theglass,
2276
02:44:48,052 --> 02:44:52,113
floppedto change directionandcut
into the endofPaulandBob'sscene.
2277
02:44:53,191 --> 02:44:55,216
[ Yelling ]
2278
02:45:08,706 --> 02:45:11,266
The trip theymade through New York
on the wayto Bolivia...
2279
02:45:11,342 --> 02:45:13,902
became one ofour three
musicalsequences.
2280
02:45:13,978 --> 02:45:17,277
Originallyit was tobe done
in liveactionlike thebikesequence,
2281
02:45:17,348 --> 02:45:19,282
andl wantedtoshootit
at the FoxStudio...
2282
02:45:19,350 --> 02:45:22,319
where theybuiltamagnifiicent
New Yorkstreetfor Hello, Dolly.
2283
02:45:22,386 --> 02:45:24,752
Butsince ourrelease date was
before Dolly's, Zzanuck didn't wantus...
2284
02:45:24,822 --> 02:45:28,815
showing thestreet
to thepublicbefore Dolly did.
2285
02:45:28,893 --> 02:45:32,522
So ldecidedtomake thesequence out
ofoldstillphotographs ofNew York...
2286
02:45:32,597 --> 02:45:34,565
during thelate 1890s.
2287
02:45:34,632 --> 02:45:38,728
Wwe tookstillpictures ofourstars
at various spots on the Dolly street.
2288
02:45:38,803 --> 02:45:42,170
Then we cut them out,
andwepastedthem into oldphotographs,
2289
02:45:42,240 --> 02:45:46,609
so they wouldactuallyseem tobe
partoftheperiodpictures themselves.
2290
02:45:58,890 --> 02:46:00,824
Wweprintedthe wholesequence
insepia...
2291
02:46:00,892 --> 02:46:04,419
togiveit thesamekindofperiod
flavoras the openingofthemovie.
2292
02:46:04,495 --> 02:46:07,487
Wwe workedoutall thesemoves
forananimationstand,
2293
02:46:07,565 --> 02:46:10,227
andweshot them
one frameata time.
2294
02:46:51,609 --> 02:46:53,543
[Train Wwhistle Blowing]
2295
02:46:59,016 --> 02:47:02,782
WweshotmostofourBoliviansequences
in Taliacapen, Mexico,
2296
02:47:02,854 --> 02:47:05,584
about30milessouth
ofCuernavaca.
2297
02:47:05,656 --> 02:47:08,420
In colonialdays, it was
amainstop on thestagecoach run...
2298
02:47:08,492 --> 02:47:10,756
betweenAcapulco
andMexico City,
2299
02:47:10,828 --> 02:47:13,524
butnowit wasmostly
a farmingcommunity.
2300
02:47:13,598 --> 02:47:16,226
The fiirstscene weshot there
wasasequence...
2301
02:47:16,300 --> 02:47:18,234
where Etta teaches
theguys Spanish.
2302
02:47:18,302 --> 02:47:21,931
Katharinehadvery decidedopinions
onhowtoplayherpart.
2303
02:47:22,006 --> 02:47:25,373
She'sa veryintelligentgirl,
butldidn'talways agree withher.
2304
02:47:25,443 --> 02:47:29,743
Actually, mycommunication withher
was theleastgoodofanyoftheactors,
2305
02:47:29,814 --> 02:47:32,977
anditled, at times,
to uncomfortablemoments on theset.
2306
02:47:33,050 --> 02:47:35,541
Butultimately,
ifanactororanactresshas talent...
2307
02:47:35,620 --> 02:47:39,920
andastrongsetofconvictions,
andpersuasion can'tmove them,
2308
02:47:39,991 --> 02:47:42,118
sometimesit'sbetter
just toback offandgo with them...
2309
02:47:42,193 --> 02:47:46,721
ratherthan createasituation where
neitherone ofyougets whatyou want.
2310
02:47:49,133 --> 02:47:51,067
Ofcourse,
in the fiinalanalysis,
2311
02:47:51,135 --> 02:47:53,365
the director's working relationship
with theactors...
2312
02:47:53,437 --> 02:47:56,270
is terriblyimportant
in themakingofany fiilm.
2313
02:47:56,340 --> 02:48:00,800
[Newman] lhavea feeling that George
directs withamuch tighterhand...
2314
02:48:03,114 --> 02:48:05,139
thanhe didon thispicture.
2315
02:48:05,216 --> 02:48:08,481
I thinkhekept
a fairlyloose one,
2316
02:48:08,552 --> 02:48:11,077
justas lkept veryloose.
2317
02:48:11,155 --> 02:48:16,320
I thought George was terriblyrigid
when we fiirststartedrehearsing.
2318
02:48:16,394 --> 02:48:20,922
Andyet, as the days
ofrehearsal wenton,
2319
02:48:20,998 --> 02:48:24,399
Irealizedthathereallyhad
points tomake.
2320
02:48:24,468 --> 02:48:27,028
Theymayhavebeenin opposition...
2321
02:48:27,104 --> 02:48:30,232
to whatever viewpointlhad
aboutcertainareas ofthescript,
2322
02:48:30,308 --> 02:48:35,541
so, we tangled,
2323
02:48:35,613 --> 02:48:39,105
butit was
withsomeaffection...
2324
02:48:39,183 --> 02:48:41,117
andmutualrespect,
2325
02:48:41,185 --> 02:48:44,211
andthat'salways
the wayitshouldbe.
2326
02:48:48,688 --> 02:48:51,782
[Redford] One ofthesmartestmen
I've ever workedfor,
2327
02:48:51,858 --> 02:48:56,625
but the things llikehim mostfor
arehisperversities.
2328
02:48:56,696 --> 02:49:00,632
He'sa fiighter, andl think
thereare too fewfiighters left,
2329
02:49:00,700 --> 02:49:02,634
andunlessyouhave
a fewfiightersaround,
2330
02:49:02,702 --> 02:49:05,500
therearegoing tobenothing
butcompromises.
2331
02:49:05,572 --> 02:49:11,340
Youcan'tjustcasually winapoint
withhim, because ofhisblindego.
2332
02:49:11,411 --> 02:49:15,245
Youhave tobepreparedtosubstantiate
anythingyoumightsay...
2333
02:49:15,315 --> 02:49:17,681
thatchallenges whathe does.
2334
02:49:17,750 --> 02:49:20,947
He'sstrongenough
tosayyou are right.
2335
02:49:21,020 --> 02:49:23,682
He doesn'tlethispride
orhis egostandin the wayofmerit.
2336
02:49:23,756 --> 02:49:26,623
HeheardPaulout,
heheardme out,
2337
02:49:26,693 --> 02:49:30,891
threwinhis ownsuggestions, thenhe
madehis decisionabout which waytogo.
2338
02:49:30,964 --> 02:49:34,764
[Hill] Certainlyon this fiilm,
there wasa freedom ofexchange...
2339
02:49:34,834 --> 02:49:37,098
that was unusualforme,
atleast.
2340
02:49:37,170 --> 02:49:41,937
Paullikes tosay that thebestfiilm
experiencesare community experiences,
2341
02:49:42,008 --> 02:49:46,274
andeven though I'm notsure
that'salways true, in this caseit was.
2342
02:49:46,346 --> 02:49:50,373
BobandPaul, besidesbeing
enormouslyskillfulactors,
2343
02:49:50,450 --> 02:49:55,012
arebrightguysandveryknowledgeable
inallareas offiilmmaking.
2344
02:49:55,088 --> 02:49:58,922
Andtheymade veryrealcontributions,
I'msorrytosay.
2345
02:50:07,300 --> 02:50:12,431
The Bolivianbankrobbingmontage was
the thirdofourmusicalinterludes.
2346
02:50:12,505 --> 02:50:16,100
Actually, wehave less than 12minutes
ofmusic in the wholepicture.
2347
02:50:16,175 --> 02:50:19,201
Idon'tlikescoring
dialoguescenes, andwe didn't,
2348
02:50:19,279 --> 02:50:23,147
exceptin oneinstance
ata campfiirescene when Etta leaves.
2349
02:50:23,216 --> 02:50:27,585
Alloftherestofthemusic in the
picture was in thesemusicalsequences.
2350
02:50:37,864 --> 02:50:39,729
Isn't that a pretty sight ?
2351
02:50:42,735 --> 02:50:46,136
Well, we're back in business,
boys and girls,just like the old days.
2352
02:50:46,205 --> 02:50:50,403
BurtBacharachscoredthe fiilm,
andwemadea deliberate decision...
2353
02:50:50,476 --> 02:50:54,810
togo withasemi-modernsound, despite
the fact we wereplaying inperiod.
2354
02:50:54,881 --> 02:50:58,009
Thepicture was designed
fora contemporary feel.
2355
02:50:58,084 --> 02:51:02,418
The charactersaremodern ratherthan
traditionalin approachandtemperament,
2356
02:51:02,488 --> 02:51:06,117
andBill's dialogue,
whileitisn'tactuallyanachronistic,
2357
02:51:06,192 --> 02:51:09,025
hasa verycontemporary
rhythm andsoundtoit,
2358
02:51:09,095 --> 02:51:12,792
andwe didn't want
a traditional Wwesternscore.
2359
02:51:23,876 --> 02:51:27,312
Wwehadahellofa time fiinding
thelocation forthebloodbathsequence.
2360
02:51:27,380 --> 02:51:30,110
Wwe fiinally foundthis spot
justoutside Tepatitlan.
2361
02:51:30,183 --> 02:51:32,879
Itsuitedmystagingneeds okay,
but Connie didn'tlikeit...
2362
02:51:32,952 --> 02:51:35,785
becauseit was inpretty flatlight
mostofthe time,
2363
02:51:35,855 --> 02:51:39,188
and, on top ofthat, themountains cast
deepshadows in themorningandevening,
2364
02:51:39,258 --> 02:51:42,227
so ourshooting time
was cutdown.
2365
02:51:42,295 --> 02:51:44,422
Occasionallya directorcan
fuckhimselfup byreaching...
2366
02:51:44,497 --> 02:51:47,057
foran unusualeffect
at the expense ofascene.
2367
02:51:47,133 --> 02:51:50,227
Myoriginalconcept
forthebloodbathscene...
2368
02:51:50,303 --> 02:51:52,794
was quitealotdifferent
from the wayit turnedout.
2369
02:51:56,142 --> 02:51:58,133
Thepointofthe wholescene,
ofcourse, is the effect...
2370
02:51:58,211 --> 02:52:01,908
that themassacrehas on theguys,
andparticularlyon Butch,
2371
02:52:01,981 --> 02:52:04,643
andtheironic fact that
ingoingstraight, he'shadtokill,
2372
02:52:04,717 --> 02:52:07,948
which issomething
heneverhadto do asan outlaw.
2373
02:52:09,389 --> 02:52:12,654
I wantedtoachieve
a veryspecialeffectin thekilling.
2374
02:52:12,725 --> 02:52:17,788
I wantedthebandits tohitandfall
inaseries ofoverlapping images...
2375
02:52:17,864 --> 02:52:20,389
in which they'dseem tobe
fallingoutofthemselves.
2376
02:52:28,841 --> 02:52:32,038
Igot thateffectbylining up
two cameras on thesameangle,
2377
02:52:32,111 --> 02:52:35,672
overcrankingone
andundercranking the other.
2378
02:52:35,748 --> 02:52:39,445
Wwhen lhadthem allput together
optically, it wasa fantasticeffect,
2379
02:52:39,519 --> 02:52:42,113
butunfortunately, it was
utterly wrong forthisscene.
2380
02:52:42,188 --> 02:52:45,055
Itbecameballeticandbeautiful,
butnotin theleasthorrifying.
2381
02:52:45,124 --> 02:52:48,890
Sincebasically, I think
a director's obligation...
2382
02:52:48,961 --> 02:52:52,124
is tomakeascene work
andnotas effects, I threwitout...
2383
02:52:52,198 --> 02:52:55,031
andjustused
theslowmotion dying.
2384
02:52:55,101 --> 02:52:57,899
I wasn'tparticularlyhappy
with thatjustbyitself...
2385
02:52:57,970 --> 02:53:00,768
becauseit'sbecomea cliche
toshootdeath in thatmanner,
2386
02:53:00,840 --> 02:53:03,138
butatleastitmade
thepointofthescene...
2387
02:53:03,209 --> 02:53:06,872
betterthan themore spectacular
version, andlhadno choice.
2388
02:53:10,950 --> 02:53:14,613
Mostofthe time, lgointoasequence
knowinggenerally whatl want...
2389
02:53:14,687 --> 02:53:16,712
instagingandsetups,
2390
02:53:16,789 --> 02:53:19,383
butstillkeeping
as fluidaspossible.
2391
02:53:19,459 --> 02:53:23,259
Butina complicatedactionsequence,
such as ourshootouthere in the end,
2392
02:53:23,329 --> 02:53:26,230
I thinkyouhave to workitout
veryspecifiically...
2393
02:53:26,299 --> 02:53:28,392
inactionandcameraangles,
2394
02:53:28,468 --> 02:53:32,404
oryou'llgethopelesslymessedup
in the cutting room lateron.
2395
02:53:32,472 --> 02:53:35,464
Ispent theSundaybefore weshot
thisscene outon thelocation...
2396
02:53:35,541 --> 02:53:40,376
along withsecondunitdirector, Mickey
Moore, andartdirector, PhiIJeffries,
2397
02:53:40,446 --> 02:53:44,405
planning thestaging
andthe cameraanglesshotforshot.
2398
02:53:44,484 --> 02:53:46,611
As we workedour way throughit,
lalso wrote down...
2399
02:53:46,686 --> 02:53:50,349
the cuttingpattern lplannedto use
laterin the editing room,
2400
02:53:50,423 --> 02:53:56,191
andPhil drewouta visualcontinuity
guide forcamerapositionandmoves.
2401
02:54:06,072 --> 02:54:09,974
Theactualhistoricallocation
where ButchandSundance...
2402
02:54:10,042 --> 02:54:12,169
shotitout
with the Bolivian cavalry...
2403
02:54:12,245 --> 02:54:16,147
wasamuchmore confiinedlocation
than the one weactuallypickedhere.
2404
02:54:16,215 --> 02:54:21,152
Youcan'tfollowthescript very closely
whenyoucome toactionlike this.
2405
02:54:21,220 --> 02:54:25,020
Youhave toinventactivities to take
advantage ofthelocationyou'vegot.
2406
02:54:25,091 --> 02:54:30,154
In ordertogive ourguyssome cover
on their dashacross the courtyard,
2407
02:54:30,229 --> 02:54:32,197
we turnedthis littlesquare
intoamarketplace,
2408
02:54:32,265 --> 02:54:35,632
andweput thesestalls
allaroundthesides,
2409
02:54:35,701 --> 02:54:40,104
so we couldgive PaulandBob
someplace to diveandto take cover.
2410
02:54:41,607 --> 02:54:44,075
[ Chattering ]
2411
02:54:44,143 --> 02:54:47,135
Wwhen theactors came on theset
the fiirstdayofshooting thisscene,
2412
02:54:47,213 --> 02:54:51,240
we went through the entiresequence
anddiscussedtheaction.
2413
02:54:51,317 --> 02:54:53,581
Rehearsalperiodon thiskindofscene
can takeanywhere...
2414
02:54:53,653 --> 02:54:56,315
from three to fourhours
ormore,
2415
02:54:56,389 --> 02:55:01,292
makingsure that theactorsandyourkey
menknowexactly whereyou'reallgoing.
2416
02:55:01,360 --> 02:55:05,353
Buteven within the context
ofaspecifiicallylaid-outscene...
2417
02:55:05,431 --> 02:55:08,696
such as this one,
you trytokeep as looseaspossible.
2418
02:55:08,768 --> 02:55:12,329
Ifyouhave reallyinventiveactors
like BobandPaul,
2419
02:55:12,405 --> 02:55:15,033
theyoften can come up withanidea
that'sbetterthanyours...
2420
02:55:15,107 --> 02:55:18,167
oratleastcan triggeryou
on tosomethingelse.
2421
02:55:18,244 --> 02:55:21,475
You'vegot tokeepyourself
inaposition to takeadvantage ofit.
2422
02:55:21,547 --> 02:55:23,947
At thesame time,
practicallyspeaking,
2423
02:55:24,016 --> 02:55:27,918
I, personally, have tohave thesecurity
ofablueprintin mypocket,
2424
02:55:27,987 --> 02:55:32,287
becausehavinga whole crewstanding
aroundatclose to $5,000anhour...
2425
02:55:32,358 --> 02:55:35,088
whileyou're doingyourhomework
on thesetis...
2426
02:55:35,161 --> 02:55:37,024
kindofaluxury thatpictures
justcan'taffordanymore.
2427
02:55:37,024 --> 02:55:39,185
kindofaluxury thatpictures
justcan'taffordanymore.
2428
02:55:39,260 --> 02:55:41,194
AnotherthingaboutPaulandBob...
2429
02:55:41,262 --> 02:55:43,389
thatl'vealmostneverrunacross
withmajorstarsbefore...
2430
02:55:43,464 --> 02:55:46,729
was their willingness--
actually, theireagerness--
2431
02:55:46,801 --> 02:55:49,326
to comeinandrehearse
on their days off.
2432
02:55:49,403 --> 02:55:51,564
Wwe did thatonmanyoccasions
throughout the fiilm,
2433
02:55:51,639 --> 02:55:56,599
so we wouldn't waste valuable crewtime
while we were workingoutourscenes.
2434
02:55:56,677 --> 02:55:59,976
Buton thiskindofanactionsituation,
the crewhas tobe there...
2435
02:56:00,047 --> 02:56:03,346
toplan thespecialeffects details
asyougoalong.
2436
02:56:15,529 --> 02:56:18,896
Inanysequenceinvolvingguns,
ofcourse, you'vegot torig thehits.
2437
02:56:18,966 --> 02:56:23,665
Ourspecialeffectsmanis wiring
the table forthe fiirstbullethit.
2438
02:56:23,737 --> 02:56:26,763
He's drilledahole init,
hestucka chargeinit,
2439
02:56:26,841 --> 02:56:29,401
andhe's wiredit
tohisbattery,
2440
02:56:29,476 --> 02:56:32,934
andhis assistanthas wires running
from thebatterytohis fiingertips.
2441
02:56:36,650 --> 02:56:40,177
In thescene, theguyssitdownat
the table togetservedtheir dinners.
2442
02:56:40,254 --> 02:56:43,917
On cue, hesets offthe charge with one
handandfiires thegun with the other.
2443
02:56:47,094 --> 02:56:50,291
Forthebullethits on the walls
alongside them on closeshots,
2444
02:56:50,364 --> 02:56:53,925
wesometimesputexplosives
in the wallitself.
2445
02:56:59,807 --> 02:57:04,744
Butmostly we use theseairguns fiired
byspecialeffects crewoffcamera.
2446
02:57:04,812 --> 02:57:07,042
They can fiirebloodpellets
anddustpellets,
2447
02:57:07,114 --> 02:57:11,448
andyouobviouslysave time with them
ratherthansetting individualcharges.
2448
02:57:11,518 --> 02:57:14,043
They'reamazinglyaccurate.
2449
02:57:20,027 --> 02:57:22,461
A diffiicultanddangerouspart
ofthissequence...
2450
02:57:22,529 --> 02:57:27,091
wasgetting Paulridingbetween
thehorseandmuleacross thesquare.
2451
02:57:27,167 --> 02:57:29,727
Stars doing theirownstunt work isall
rightup toapoint, butit's risky...
2452
02:57:29,803 --> 02:57:32,567
tolet themgetinto
really dangerousphysicalsituations,
2453
02:57:32,640 --> 02:57:35,575
becauseiftheygethurt, the whole
productionmighthave toshutdown,
2454
02:57:35,643 --> 02:57:38,669
waiting forthem toget
patchedupandback to work.
2455
02:57:38,746 --> 02:57:41,647
Butin this case, wehadtogetsome
close-ups ofhim, ridingbetween them,
2456
02:57:41,715 --> 02:57:44,411
andhe did them forus.
2457
02:57:48,255 --> 02:57:53,591
Forthe widershots, we wereable to use
JimmyArnette, Paul'sstuntdouble.
2458
02:57:55,629 --> 02:57:57,654
Toget themule to fall,
we useda technique...
2459
02:57:57,731 --> 02:58:00,359
that's illegalin the UnitedStates,
calleda "flying 'Ww. "'
2460
02:58:00,434 --> 02:58:04,302
Themule's feetare wired, andthe wires
run up through thesaddleandoutback.
2461
02:58:06,173 --> 02:58:09,108
Themulegets upagoodrun
andthe wranglerjerks the wires...
2462
02:58:09,176 --> 02:58:12,509
andpullshis frontfeetoutfrom under
him, andhegoes overonhis face.
2463
02:58:12,579 --> 02:58:15,173
There'sa chance ofbreaking
theanimal'sneck in this technique,
2464
02:58:15,249 --> 02:58:17,774
butfortunately, we didn't.
2465
02:58:17,851 --> 02:58:22,049
[ Chattering ]
2466
02:58:22,122 --> 02:58:24,056
Gunfiights in Wwesterns
arealwaysphony...
2467
02:58:24,124 --> 02:58:26,718
because theheroesshoot
endlessly withoutreloading.
2468
02:58:26,794 --> 02:58:30,127
So, whenlayingout thissequence,
lincorporatedseveraldefiinite times...
2469
02:58:30,197 --> 02:58:34,156
when Bobactuallyhadtostop
andreloadbeforehe wenton.
2470
02:58:34,234 --> 02:58:37,726
Imadeaspecialpointofthem. I wanted
theaudience toaccept the fact...
2471
02:58:37,805 --> 02:58:40,205
that we werebeing
absolutelyrealistic...
2472
02:58:40,274 --> 02:58:43,641
becauseactually, forthe dramatic
effectofthis fiinalburstoffiiring,
2473
02:58:43,711 --> 02:58:47,772
I wantedto take thelicense ofletting
him continue to fiire withoutreloading,
2474
02:58:47,848 --> 02:58:49,907
solong asit was
dramaticallyeffective.
2475
02:58:49,984 --> 02:58:52,475
Actually, in our fiinalcut,
2476
02:58:52,553 --> 02:58:55,454
Inevercountedthenumberofshots
he takesafterhis lastreloading,
2477
02:58:55,522 --> 02:58:58,514
butitmustbe close
to 15, 18 times.
2478
02:59:00,027 --> 02:59:02,791
JimmyArnette, Paul'sstuntdouble,
was the corregidor...
2479
02:59:02,863 --> 02:59:05,058
on top ofthearch
shootingatBob.
2480
02:59:05,132 --> 02:59:07,930
On thisparticulartake,
he took toolong to fall,
2481
02:59:08,002 --> 02:59:11,165
butl wasn'tquick enough to cut
andtostophim beforehe went.
2482
02:59:11,238 --> 02:59:15,971
He took the fallontoastack
ofcardboardboxesbehindthat wall,
2483
02:59:16,043 --> 02:59:17,977
but they weren'tstrongenough
tobreak the fall,
2484
02:59:18,045 --> 02:59:21,446
andhe went through them onto the
cobblestonesandfracturedhispelvis.
2485
02:59:21,515 --> 02:59:24,040
It tookhim almost threemonths
togetback working again.
2486
02:59:30,090 --> 02:59:32,923
[Gunshots]
2487
02:59:32,993 --> 02:59:36,224
[ Horse Whinnying ]
2488
02:59:37,531 --> 02:59:40,864
[Gunshots Continue]
2489
02:59:54,681 --> 02:59:57,479
[Gunshots Continue]
2490
03:00:17,838 --> 03:00:20,238
[ Grunting ]
2491
03:00:40,794 --> 03:00:43,194
Ah !
2492
03:00:54,541 --> 03:00:58,136
The fiinalscenebetween PaulandBob was
a tremendousacting challenge.
2493
03:00:58,212 --> 03:01:02,706
In the dialogue, there isnoreference
to the fact that they'vebeen wounded,
2494
03:01:02,783 --> 03:01:07,618
that they're inpain oranything, except
their usualbantering relationship.
2495
03:01:07,688 --> 03:01:10,418
Outofcontext, thescene could
justbe comedic in result,
2496
03:01:10,491 --> 03:01:13,927
butin context,
ithada whole othermeaning.
2497
03:01:17,831 --> 03:01:20,994
Paul'sandBob'splayingofthatscene
andfiinding therightbalance...
2498
03:01:21,068 --> 03:01:23,434
ofpainandhumorandhope...
2499
03:01:23,504 --> 03:01:26,405
is one ofthebestactingachievements
I've everseenin my experience.
2500
03:01:29,510 --> 03:01:32,946
- I got a great idea where we should go.
- I don't wanna hear it.
2501
03:01:33,013 --> 03:01:36,540
-You'll changeyour mind when I tell ya.
-Shut up.
2502
03:01:36,617 --> 03:01:38,744
-Okay, okay.
-It's your great ideas that got us here.
2503
03:01:38,819 --> 03:01:41,549
- Forget about it.
- I don't everwanna hear another idea.
2504
03:01:41,622 --> 03:01:43,556
- All right.
- Okay.
2505
03:01:53,500 --> 03:01:55,434
Australia.
2506
03:01:57,938 --> 03:02:02,034
I fiigured, secretlyyou wanted to know,
so I told you.
2507
03:02:02,109 --> 03:02:04,942
Australia.
2508
03:02:05,012 --> 03:02:10,245
- That's your great idea ?
- Boy, it's the latest in a long line.
2509
03:02:10,317 --> 03:02:13,582
- Australia's no better than here.
- That's all you know.
2510
03:02:13,654 --> 03:02:16,248
- Name me one thing--
- They speak English in Australia.
2511
03:02:16,323 --> 03:02:17,915
They do ?
2512
03:02:17,991 --> 03:02:20,482
That's right, smart guy,
so we wouldn't be foreigners.
2513
03:02:23,530 --> 03:02:25,464
They got horses
in Australia...
2514
03:02:25,532 --> 03:02:28,194
and they got thousands ofmiles
we could hide out in.
2515
03:02:28,268 --> 03:02:30,862
Good climate, nice beaches.
You could learn to swim.
2516
03:02:30,938 --> 03:02:33,873
No swimming !
lsn't important.
2517
03:02:36,109 --> 03:02:39,044
What about the banks ?
2518
03:02:39,112 --> 03:02:42,172
They're easy--
easy, ripe and luscious.
2519
03:02:42,249 --> 03:02:44,683
- [ Chuckles ]
- [ Panting ]
2520
03:02:46,653 --> 03:02:48,587
The banks or the women ?
2521
03:02:48,655 --> 03:02:51,089
Onceyou got one,
you got the other.
2522
03:02:54,695 --> 03:02:56,560
Long way though, isn't it ?
2523
03:02:56,630 --> 03:02:58,564
Everything's gotta be
perfect with you.
2524
03:02:58,632 --> 03:03:00,725
I just don't wanna get there
and fiind out it stinks.
2525
03:03:00,801 --> 03:03:03,292
- That's all.
- At least think about it.
2526
03:03:06,373 --> 03:03:09,809
All right.
I'll think about it.
2527
03:03:15,148 --> 03:03:17,082
Hey,
2528
03:03:18,352 --> 03:03:21,810
when we get outside--
when we get to the horses--
2529
03:03:21,888 --> 03:03:24,823
just remember one thing.
2530
03:03:28,128 --> 03:03:30,688
- Hey, wait a minute.
- What ?
2531
03:03:30,764 --> 03:03:33,665
You didn't see
LaFours out there, did you ?
2532
03:03:33,734 --> 03:03:36,897
LaFours ? No.
2533
03:03:38,572 --> 03:03:42,372
Oh, good. For a moment there,
I thought we were in trouble.
2534
03:03:45,445 --> 03:03:48,573
[Hill] Thereare varyingstories
oftheir deaths in Bolivia.
2535
03:03:48,649 --> 03:03:52,483
In fact, somepeople in Utah, including
Butch'ssister, who'sstillalive,
2536
03:03:52,552 --> 03:03:55,885
say thatButchmadeitback to Utah
andlivedthere untila fewyears ago...
2537
03:03:55,956 --> 03:03:58,117
underanassumedname.
2538
03:03:58,191 --> 03:04:00,591
On the otherhand, the one thing
mosthistorians agreeaboutis...
2539
03:04:00,661 --> 03:04:05,496
thata whole companyofBolivian cavalry
wasbroughtinat the endtoget them,
2540
03:04:05,565 --> 03:04:09,933
anditseems unlikely
thateitherone could'vesurvivedthat.
2541
03:04:10,067 --> 03:04:13,662
In fact, I was concernedthatbringing
in thismanymen tokilltwobandits...
2542
03:04:13,737 --> 03:04:18,037
mightbe dramatically unbelievable,
howeverhistoricallyaccurateit was.
2543
03:04:21,778 --> 03:04:25,236
At the veryend, I wantedto take them
rightup to thepointofbeingkilled...
2544
03:04:25,315 --> 03:04:29,581
andfreeze-frameandmake thempart
ofastillphotograph ofthescene...
2545
03:04:29,653 --> 03:04:32,986
in thesamesepia colorthat
we usedin the New Yorkstills.
2546
03:04:33,056 --> 03:04:36,116
In ordertoget thisshot,
lneededsome technicaladvice,
2547
03:04:36,193 --> 03:04:38,627
andlflewBilIAbbottdown
from thestudios.
2548
03:04:38,695 --> 03:04:40,686
[Chattering]
2549
03:04:40,764 --> 03:04:45,201
Ourproblem was that we couldn'tputour
35-millimetermotionpicture camera...
2550
03:04:45,268 --> 03:04:48,362
uphere on theroof
andfreeze-frame,
2551
03:04:48,438 --> 03:04:51,532
because ourlenses weren'tlongenough
fora closeshotoftheguys,
2552
03:04:51,608 --> 03:04:55,169
andan opticalblowup ofthem
wouldbe toopoorquality.
2553
03:04:55,245 --> 03:04:58,305
So weputan 8-by-10still camera
uphere.
2554
03:04:58,381 --> 03:05:02,784
Then, ona directline toward the door
thatPaulandBobrun outof,
2555
03:05:02,853 --> 03:05:07,085
weputa35-millimeter
Panavision camera.
2556
03:05:19,035 --> 03:05:22,129
First wemadeseveral
quick takes ofPaulandBob...
2557
03:05:22,205 --> 03:05:24,139
runningout
towards camera, shooting
2558
03:05:24,207 --> 03:05:27,108
Then we removed
themotionpicture camera...
2559
03:05:27,177 --> 03:05:31,273
andtookastillshot
ofthe wholeset withnobodyinit.
2560
03:05:31,348 --> 03:05:35,648
Thishadtobe done quicklyso that
theshadows on the35-millimetershot...
2561
03:05:35,719 --> 03:05:38,654
wouldmatch the wider
stillphotograph.
2562
03:05:38,722 --> 03:05:41,657
Thenbackat thestudio,
we froze the35-millimeteraction...
2563
03:05:41,725 --> 03:05:44,159
as they camerunningout,
2564
03:05:44,227 --> 03:05:46,525
took this lastfrozen frame,
2565
03:05:46,596 --> 03:05:49,656
bledall the coloroutofit,
down toasepia...
2566
03:05:49,733 --> 03:05:53,931
andpasteditintoablowup
ofthe 8-by-10stilloftheset.
2567
03:05:54,004 --> 03:05:57,098
Then we rephotographedit
onananimationboard,
2568
03:05:57,174 --> 03:06:00,405
pulledback toreveal
PaulandBobnowasapart...
2569
03:06:00,477 --> 03:06:03,469
ofastillphotograph
ofthe wholescene.
2570
03:06:16,760 --> 03:06:20,491
Ihavenowspentexactly
ayearandthreemonths on this fiilm,
2571
03:06:20,564 --> 03:06:23,397
andat thispoint, ldon'tknowyet
howit'sgonnabereceived.
2572
03:06:23,466 --> 03:06:26,560
I thinkit'sagoodfiilm.
I think theguysare greatinit,
2573
03:06:26,636 --> 03:06:28,934
andl think
therelationships work.
2574
03:06:29,005 --> 03:06:31,496
It wasahellofalot
ofhard work doingit,
2575
03:06:31,575 --> 03:06:33,668
andactually,
evenmore fun.
2576
03:06:33,743 --> 03:06:37,235
Andiftheaudiences
don'tdigit,
2577
03:06:37,314 --> 03:06:40,374
I think I'llgo
outofmy fuckingmind.
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